Why Wildness Matters

satelittesThis past weekend the Wall Street Journal ran this review I wrote of Jason Mark’s “Satellites in the High Country.”


 


Wildness, that important but often vague word, is at the heart of


Jason Mark’s “Satellites in the High Country.” As is this question:


Have we been Googled and GPSed, Facebooked and fracked and generally over-computerized into such domesticated creatures—living in a minutely mapped world of diminished species, diminished biodiversity and diminished space—that experiencing wildness is no longer possible?


 


Good question, Mr. Mark. Ten years ago I followed the osprey migration


from Cape Cod to Cuba and marveled that, since I was carrying a


cellphone for the first time, I could be tracked just like the


radio-tagged birds I was chasing. As everyone knows, the changes in


the decade since have been head-spinning, but what continues to amaze


me, as a professor, is how technology and its uses change from year to


year, as if a whole new species of Homo sapiens were coming back to


school each fall.


 


One of the pleasures of “Satellites in the High Country” is that Mr.


Mark does not follow the usual nature writer’s path and just throw the


word “wild” out there, waving it like a flag, before carrying on with


his own happy tramps into the wilderness. His approach to decoding the


word is comprehensive, and he begins logically with etymology, laying


out all the definitions but focusing on “self-willed” and


“uncontrolled.”


 


“There’s simply something tougher about wild things,” he writes.


Wilderness and wildness are not synonymous, but Mr. Mark argues that


wilderness, especially big wilderness, is where wildness most often


happens. The reasons we need to continue to protect large swaths of


wilderness are many: because wilderness is where evolution occurs;


because it is where we can find an alternative to, and solace from,


our cluttered virtual lives; because it is simply moral to allow other


creatures their rights on this planet instead of carrying on like


anthropocentric bullies.


 


These arguments will sound familiar, but as Mr. Mark notes, the very


concept of wilderness has recently been under intellectual assault: We


are told by contemporary environmental thinkers that we have entered


the Anthropocene, the age of man. And since there really are no


pristine, untouched lands, we should move on and treat the Earth like


the human garden it is, embracing our role as gardeners and


benevolently guiding the fate of wild things.


 


Mr. Mark, who was the co-founder of San Francisco’s largest urban


farm, knows a thing or two about gardening, and he gives it its due.


He acknowledges that to be a gardener is a noble ambition. But he


argues that in the United States our wilderness areas, which


constitute less than 5% of our land, should be kept truly wild—that


is, “free from our intentions,” including the intentions of those


mostly benign control freaks known as conservation biologists.


 


This is a hard argument to make as many conservationists wrestle with


climate change, and most environmentalists prefer what Mr. Mark


rightly calls “the Pottery Barn mentality”—that is, “you broke it, you


fix it.” We need to right our environmental wrongs, the argument goes,


moving marmots north, for instance, as the their habitats warm. Mr.


Mark is hardly anti-marmot, but he makes a strong case that we need at


least some places that we keep our meddling hands off of.


 


You will notice that so far I have focused on the ideas in “Satellites


in the High Country,” and to my mind the ideas are the best part of


the book. I am slightly less thrilled with the more conventional,


journalistic presentation of these ideas, braided as they are into


trips to wild places like the Arctic National Wildlife Refuge, the


Black Hills, Yosemite and the Olympic Wilderness in the Pacific


Northwest. These trips are well-described and linked clearly to the


book’s intellectual lessons, but the book’s genre conventions leave it


feeling a bit, well, tame. “Satellites in the High Country” never


achieves the electric heights of Jack Turner’s “The Abstract Wild”


(1996), a work full of revolutionary verve that, in its thorny


intractability, was as self-willed and uncontrolled as its subject.


 


What Mr. Mark’s book does that earlier books did not is to


intelligently place the cry for wildness inside a time when the end of


nature and the rise of the virtual have been almost universally


declared. He never fails to acknowledge just what a predicament we are


in, both environmentally and intellectually. The planet is tamed and


all is known, we are told, so why not accept our fates, take our


numbers and do our best as we trudge through this unwild world?


 


Mr. Mark argues the opposite: that we have never needed the wild more


than we do now. “Big Data in the backcountry? No thanks. Wifi in the


woods? I think I’ll pass.” Someone could write these sentences


blithely, but he does not. He knows that it will be a nearly


impossible thing to respect the rights of other species and continue


to place lands beyond human hands, and that it will require what many


would consider the opposite of wildness: discipline. But if difficult,


it is also necessary and, Mr. Marks believes, both morally and


practically imperative. Because if we do not we will sever a lifeline


to the place we came from and to any lives beyond our own.

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Published on November 16, 2015 05:51
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