Paul Klee: Making Visible at Tate Modern

When Anni Albers would reminisce about Paul Klee, the man who had been her ”god” at

the Bauhaus, she would, almost invariably, say to me that ”he was like St Christopher carrying

the weight of the world on his shoulders”.

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Above: Paul Klee, Fugue in Red (1921), watercolour and graphite on
paper strips mounted on cardboard, 24.4 x 31.5cm

 

 

 

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