Quilting Picasso
This is an update on the creative challenge I decided to embark on last month featuring a textile printed with one of Picasso's works. I did some hunting first to find some additional materials I needed, which turned up in a remnant bin in Wal-Mart:

The off-white roll is a length of scrap canvas that was exactly the right dimensions for my project area. The little plastic bag is filled with small scrap trims, as you see here:

I'm using some beads, thread and scrap batting I had leftover from my last quilted project, and I also have a wonderful collection of trims to work with from the original kit I purchased from Kathy:

Once I basted the Picasso to the batting and canvas I quilted it first as the textile is very thin and fragile, and the quilting will keep it from pickering and shifting as I embellish. I had a very specific idea I wanted to try first, so I went to work with the seed beads. This is how far I've gotten with it:

I know, it's very subtle (and I'll be sure to take close-up shots when it's finished) but the art is so strong in color and line that I don't want to diminish or obscure it by over-embellishing. I probably should have trimmed squared the piece first but cutting it even with the rotary blade worried me; a soft breath makes the material move and I was worried a stutter while cutting might result in a tear. Once I'm finished the stitchwork on the Picasso I plan to sew some ribbon or fabric over the raw edges.
I'm still not entirely comfortable with the art, but I'm losing some of my hesitancy toward it. Someone I read once described Picasso's work as "full of Southern light", and working so closely with the image I can understand why -- so much boldness, no shadows; completely revealed and entirely unapologetic. I admire that kind of strength in any art.

The off-white roll is a length of scrap canvas that was exactly the right dimensions for my project area. The little plastic bag is filled with small scrap trims, as you see here:

I'm using some beads, thread and scrap batting I had leftover from my last quilted project, and I also have a wonderful collection of trims to work with from the original kit I purchased from Kathy:

Once I basted the Picasso to the batting and canvas I quilted it first as the textile is very thin and fragile, and the quilting will keep it from pickering and shifting as I embellish. I had a very specific idea I wanted to try first, so I went to work with the seed beads. This is how far I've gotten with it:

I know, it's very subtle (and I'll be sure to take close-up shots when it's finished) but the art is so strong in color and line that I don't want to diminish or obscure it by over-embellishing. I probably should have trimmed squared the piece first but cutting it even with the rotary blade worried me; a soft breath makes the material move and I was worried a stutter while cutting might result in a tear. Once I'm finished the stitchwork on the Picasso I plan to sew some ribbon or fabric over the raw edges.
I'm still not entirely comfortable with the art, but I'm losing some of my hesitancy toward it. Someone I read once described Picasso's work as "full of Southern light", and working so closely with the image I can understand why -- so much boldness, no shadows; completely revealed and entirely unapologetic. I admire that kind of strength in any art.
Published on March 06, 2014 04:00
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