When it comes to errors, most of us share a passionate and simple opinion: we don't like them very much. We strive to avoid them, to conceal them, to avoid repeating them. As a species, we are all essentially allergic to mistakes.
But there's another way of thinking about error, and it begins with a story I heard recently about Marina Semyonova, a master teacher at the Bolshoi Ballet in the fifties.
The story goes like this: Every year, Semyonova would hold a tryout for the Bolshoi, which was ...
Published on July 06, 2010 18:28