Station Identification
Periodically, I post an update on which social networking sites I'm favoring, along with other Web-based odds and ends. Looks like it's that time again ...
VictorInfante.com remains the primary portal between my real life and various people seeking information about that. It also serves to confuse people looking for information on either the notorious international arms dealer Victor "The Jackal" Infante, or the recent Los Angeles homicide victim, neither of whom, to the best of my knowledge, are relatives. VictorInfante.com is in need of updating, but there's still plenty of information there about my poetry and other writing, along with a link to my blog on Livejournal. Which you're currently reading.
I still have presences on a number of social networking sites, and have even found things to do with most of them. My Facebook account is probably the most active, as I use that both to keep in touch with real-life friends and to promote my writing. My MySpace account is currently severely neglected, and I won't even link to it. (I have a ReverbNation account, but it's right now only used for work purpose.) I keep a LinkedIn account for strictly professional use, and I have to say, it's proven useful on occasion. I have a Twitter account and a Google Plus account, both of which are basically ghost repeaters for my various projects (and occasional other things that interest me.)
I'm the editor-in-chief of Radius: Poetry From the Center to the Edge , which you can follow on Facebook or Twitter. I'm also an editor in the Lifestyles section of the Worcester Telegram & Gazette, where I oversee The Weekend Starts Now, the e-mail newsletter of arts & entertainment; the daily arts & entertainment blog Pop Culture Notebook , and write the weekly music column, What You're Listening To .
Lastly, I'm the author of the full-length poetry collection, City of Insomnia , which is available from Write Bloody Publishing, which you can follow on Facebook or Twitter to keep up on all the exciting independent literature coming from that direction. My work also appears in a number of Write Bloody anthologies, including Knocking at the Door: Poems For Approaching the Other , edited by Lea Deschenes and Lisa Sisler; The Last American Valentine: Poems to Seduce & Destroy , edited by Derrick Brown; Aim For the Head: An Anthology of Zombie Poetry , edited by Rob Sturma; and the forthcoming News Clips & Ego Trips: The Best of Next ... Magazine , edited by G. Murray Thomas; as well as anthologies from other publishers, including Incidental Buildings & Accidental Beauty : An Anthology of Orange County Poets , edited by Mifanwy Kaiser; So Luminous the Wildflowers: an Anthology of California Poets , edited by Paul Suntup; Poetry Slam: The Competitive Art of Performance Poetry , edited by Gary Glazner; Don't Blame the Ugly Mug: 10 Years of 2 Idiots Peddling Poetry , edited by Ben Trigg & Steve Ramirez; and Spoken Word Revolution Redux, edited by Mark Eleveld. All of the titles above are available wherever you buy books. We've come a long way from poetry being sold in brown paper bags, haven't we?
OK. That's enough. Now you know where to find me or, conversely, avoid me with impunity.
VictorInfante.com remains the primary portal between my real life and various people seeking information about that. It also serves to confuse people looking for information on either the notorious international arms dealer Victor "The Jackal" Infante, or the recent Los Angeles homicide victim, neither of whom, to the best of my knowledge, are relatives. VictorInfante.com is in need of updating, but there's still plenty of information there about my poetry and other writing, along with a link to my blog on Livejournal. Which you're currently reading.
I still have presences on a number of social networking sites, and have even found things to do with most of them. My Facebook account is probably the most active, as I use that both to keep in touch with real-life friends and to promote my writing. My MySpace account is currently severely neglected, and I won't even link to it. (I have a ReverbNation account, but it's right now only used for work purpose.) I keep a LinkedIn account for strictly professional use, and I have to say, it's proven useful on occasion. I have a Twitter account and a Google Plus account, both of which are basically ghost repeaters for my various projects (and occasional other things that interest me.)
I'm the editor-in-chief of Radius: Poetry From the Center to the Edge , which you can follow on Facebook or Twitter. I'm also an editor in the Lifestyles section of the Worcester Telegram & Gazette, where I oversee The Weekend Starts Now, the e-mail newsletter of arts & entertainment; the daily arts & entertainment blog Pop Culture Notebook , and write the weekly music column, What You're Listening To .
Lastly, I'm the author of the full-length poetry collection, City of Insomnia , which is available from Write Bloody Publishing, which you can follow on Facebook or Twitter to keep up on all the exciting independent literature coming from that direction. My work also appears in a number of Write Bloody anthologies, including Knocking at the Door: Poems For Approaching the Other , edited by Lea Deschenes and Lisa Sisler; The Last American Valentine: Poems to Seduce & Destroy , edited by Derrick Brown; Aim For the Head: An Anthology of Zombie Poetry , edited by Rob Sturma; and the forthcoming News Clips & Ego Trips: The Best of Next ... Magazine , edited by G. Murray Thomas; as well as anthologies from other publishers, including Incidental Buildings & Accidental Beauty : An Anthology of Orange County Poets , edited by Mifanwy Kaiser; So Luminous the Wildflowers: an Anthology of California Poets , edited by Paul Suntup; Poetry Slam: The Competitive Art of Performance Poetry , edited by Gary Glazner; Don't Blame the Ugly Mug: 10 Years of 2 Idiots Peddling Poetry , edited by Ben Trigg & Steve Ramirez; and Spoken Word Revolution Redux, edited by Mark Eleveld. All of the titles above are available wherever you buy books. We've come a long way from poetry being sold in brown paper bags, haven't we?
OK. That's enough. Now you know where to find me or, conversely, avoid me with impunity.
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