Let’s choose one example: Donna Tartt’s The Goldfinch. I’ve had my eye on this book since it was published six years ago in 2013. It dovetailed nicely into my interest in crime stories involving stolen artworks, an interest that led to The Collector (2014) and the “Esther Brookstone Art Detective Series,” Rembrandt’s Angel (2017) and Son of Thunder (coming soon—see below for a description). That interest is in turn motivated by my belief that preventing the general public from viewing masterw...
Published on September 26, 2019 03:30