I’ve noticed a growing swell of first- and second-generation immigrant writers of fantasy expressing anxiety over drawing on their family’s culture for their work, or the consequences they face when they don’t.
The fears are the same: getting criticism for lack of authenticity – not being a “real” member of that culture – or getting pigeonholed and then ostracized for not reflecting the dominant narrative of “the immigrant.” These fears reflect our own destabilized experiences as liminal cult...
Published on April 11, 2019 07:30