

These are two opposite sides of New York in the 1940s; the shadows under the ‘El’, and the floating neon lights of the consumer promised land. These are the extremes the book tries to capture, the variety of the city, from its tenements to its luxury hotels, from its bebop clubs to the bustling wharves of the Brooklyn waterfront. The second photo is by Andreas Feininger (I think).
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Published on March 18, 2019 01:28