When science becomes performance art


The great storehouses of our culture are now, for good and ill, in the cloud. Good: a museum can print an archival-grade sculpture or painting to inform an exhibition. Bad: no one can remember the password.


Watching David Morton’s play The Wider Earth at London’s Natural History Museum for the Financial Times, 19 October 2018

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Published on October 19, 2018 09:40
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