A review I like!

19 April 2018AMAZON UK £1.20 £8.99AMAZON US $1.66 $14.53AMAZON CA $1.95
Fictional saga1500s TudorScotland
Jen Black’s novels are a delight to read, not merely because of the enjoyment of ‘romance’ but because she is adept at diversifying from one period to another with apparent ease. This one is set in that troubling Tudor era where England and Scotland do not see eye-to-eye. Here, the future Mary Queen of Scots has her life mapped out by her mother, Mary of Guise and the English monarch, Henry VIII. But not all maps are reliable or pre-ordained, nor do the map-makers necessarily agree with each others’ marks on the charts they hope to produce.
The Queen’s Courier is a sequel to Abduction of the Scots Queen, where Matho Spirston had kidnapped Mary, an infant, and given her into the care of Margaret Douglas - Meg - the daughter of the Earl of Angus and Henry VIII’s sister, with Meg then being blamed for the deed. But it is not necessary to read this first novel (although I would recommend it!)  
Matthew, Earl of Lennox, champions Meg but he is greedy for power, and as the niece to the English King, Meg herself  is obliged to retain her virginity and follow the King’s permission for marriage. As for the future Mary Queen of Scots, Henry wants her as wife to his son, Edward. Her mother has different plans.
The author, in addition to being able to write delightful novels, is skilled at taking the reader right into the feel of time and place, by painting visual pictures within her narrative. Her research is well done, as is her depiction of the unsettled politics of the period, with all the upheaval of war, intrigue, scandal, plot after counter-plot and the dangers of being an appointed spy where messages had to be taken in utmost secrecy between Scotland, London and France.
Jen Black’s characters are believable, the diplomacy, the scheming, the hopes, dreams, nightmares and dangers all zip along at a good page-turning pace. The only regret I had is knowing the eventual fate of Mary Queen of Scots!

© Ellen Hill