An enormous shape-shifting artwork – run by bacteria

Visitors to Philippe Parreno’s vast installation at London’s Tate Modern, Anywhen, get a carpet to lie on while the vast Turbine Hall shimmies and pulses around them. And they’re going to need it: Parreno’s grey machine is triumphally futuristic, an interior so smart it has outgrown any need for occupants. Anywhen is thunderous, sulphurous, awful in its full archaic sense.

for New Scientist, 19 October 2016