Margaret Kennedy


Born
in London, The United Kingdom
April 23, 1896

Died
July 31, 1967


Margaret Kennedy was an English novelist and playwright.
She attended Cheltenham Ladies' College, where she began writing, and then went up to Somerville College, Oxford in 1915 to read history. Her first publication was a history book, A Century of Revolution (1922). Margaret Kennedy was married to the barrister David Davies. They had a son and two daughters, one of whom was the novelist Julia Birley. The novelist Serena Mackesy is her grand-daughter.
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Average rating: 3.79 · 817 ratings · 156 reviews · 35 distinct worksSimilar authors
The Constant Nymph

3.72 avg rating — 456 ratings — published 1924 — 29 editions
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The Ladies of Lyndon

3.58 avg rating — 85 ratings — published 1923 — 6 editions
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The Feast

4.29 avg rating — 62 ratings — published 1949 — 11 editions
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Lucy Carmichael

3.76 avg rating — 50 ratings — published 1951 — 7 editions
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Troy Chimneys

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3.89 avg rating — 44 ratings — published 1953 — 8 editions
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The Forgotten Smile

3.83 avg rating — 23 ratings — published 1961 — 3 editions
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Together And Apart

3.87 avg rating — 39 ratings — published 1957 — 7 editions
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The Wild Swan

4.43 avg rating — 7 ratings — published 1957 — 5 editions
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Jane Austen

really liked it 4.00 avg rating — 5 ratings — published 1950 — 2 editions
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The Oracles

4.50 avg rating — 6 ratings — published 1955 — 3 editions
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More books by Margaret Kennedy…
“It's better to break one's heart than to do nothing with it.”
Margaret Kennedy
tags: love

“He became so gloomy that she asked him, at last, if he was worried about anything. He assured her, instantly, that he was the happiest man in the world.
And he was. At times he was almost bewildered by his own bliss in being there, with Tony, so terribly dear, beside him; really his own for the rest of his life. It was not her fault if the insatiable sorrows of an unequal love tormented him, the hungry demand for more, for a fuller return, for a feeling which it was not in her nature to give. As she leaned forward, absorbed in the passions staged beneath her, he felt suddenly that their box contained just himself and a wraith, a ghost; as if the real Antonia, whom he loved, was an imagined woman living only in his sad fancy.”
Margaret Kennedy, The Constant Nymph

“What kind of books do you like?'
'I like books about nice people. And a story where it all comes out right in the end.'
'But Nancibel, that's not true to life.'
'I daresay not. Why should it be?'
'You're an escapist.'
'Pardon?'
'You don't want the face facts.'
'Not in story books, I don't. I face plenty between Monday and Saturday without reading about them.'
Bruce sighed.
'I don't think a book ought to be sad,' said Nancibel, 'unless it's a great classical book, like 'Wuthering Heights.'
'Oh! You've read 'Wuthering Heights'. Did you like it?'
'Yes, but I didn't think it was the right part for Merle Oberon. Running about with bare feet, well she was hobbling most of the time. You could see she wasn't used to it.'
'Oh... you mean the film.”
Margaret Kennedy, The Feast

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