Benjamin DeHaven's Blog, page 28
February 22, 2014
You do movies about milking the cow and
You do movies about milking the cow and I’ll do one’s about fucking and getting loaded. See you at the finish line. http://ow.ly/tO4PW
open 2 movies One called Sex, drugs, and
open 2 movies One called Sex, drugs, and Death. The other is called Mom and Dad go for a walk. http://ow.ly/i/4ECNJ http://ow.ly/tO4Ix
Story problem?Character logic? Fuck it.
Story problem?Character logic? Fuck it. Turn up the music and dance.I know what America wants. http://ow.ly/tO4qr http://ow.ly/i/4ECJR
“So I jump ship in Hong Kong and make my
“So I jump ship in Hong Kong and make my way over to Tibet, and I get on as a looper at a course over in the Himalayas. A looper, you know, a caddy, a looper, a jock. So, I tell them I’m a pro jock, and who do you think they give me? The Dalai Lama, himself. Twelfth son of the Lama. The flowing robes, the grace, bald… striking. So, I’m on the first tee with him. I give him the driver. He hauls off and whacks one – big hitter, the Lama – long, into a ten-thousand foot crevasse, right at the base of this glacier. Do you know what the Lama says? Gunga galunga… gunga, gunga-galunga. So we finish the 18th and he’s gonna stiff me. And I say, “Hey, Lama, hey, how about a little something, you know, for the effort, you know.” And he says, “Oh, uh, there won’t be any money, but when you die, on your deathbed, you will receive total consciousness.” So I got that goin’ for me, which is nice.” http://ow.ly/tO4YQ Best of Gilmore Video http://ow.ly/tSK5S
If- by Rudyard Kipling If you can keep y
If- by Rudyard Kipling
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise;
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on!”
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
http://ow.ly/tSKQo
“’twas a woman who drove me to drink,
“’twas a woman who drove me to drink, and I never had the courtesy to thank her for it.” – W. C. Fields. http://ow.ly/i/4G4rz
Harness in the good energy, block out th
Harness in the good energy, block out the bad. Harness. Energy. Block. Bad. Feel it. Go with the flow. http://ow.ly/i/4G43k
February 21, 2014
“Golf and sex are about the only things
“Golf and sex are about the only things you can enjoy without being good at.” http://ow.ly/tSJDy http://ow.ly/i/4G3Yh
Don Simpson
Simpson was born in Seattle, Washington and grew up in Anchorage, Alaska. He attended West Anchorage High School, and went on to attend the University of Oregon. After graduation, he moved to San Francisco where he worked for a theatrical advertising agency and did public relations for the First International Erotic Film Festival.[2]
Career[edit]
In the early 1970s, Simpson moved to Los Angeles and got a job marketing exploitation films for Warner Bros. In 1973, Simpson got a job at Paramount Pictures. While there, he co-wrote the 1976 film Cannonball, in which he also had a small role. By 1981, he was named president of production at Paramount.[2]
Simpson left Paramount in 1982 and forged a partnership with fellow producer Jerry Bruckheimer.[3] The two would go on to produce some of the most financially successful films of the 1980s: Flashdance (1983), Beverly Hills Cop (1984), Top Gun (1986) and Beverly Hills Cop II (1987). In 1985 and again in 1988, he and his producing partner, Jerry Bruckheimer, were named Producers of the Year by the National Association of Theatre Owners.
In 1990, Simpson and Bruckheimer signed a five-year deal with Paramount worth a reported $300 million. However, the duo’s first film for Paramount, 1990′s Days of Thunder, received mixed reviews and did poorly at the box office. Simpson and Bruckheimer blamed Paramount for the film’s failure stating that Paramount rushed the planning and release of the film. Paramount blamed the film’s failure on Simpson and Bruckheimer’s overspending. The duo mutually parted with Paramount shortly thereafter.[4][5]
In 1991, the two signed with Disney. Their first film for Disney, The Ref (1994), was a financial flop. Their following films, Dangerous Minds, Crimson Tide, and Bad Boys, all released in 1995, brought the pair back to success.[4]
Drug use[edit]
As Simpson and Bruckheimer’s success grew, so did Simpson’s reputation for being a brash “party animal”. He had been taking cocaine since the 1980s but his usage increased over the years. His excessive spending (in both films and his personal life) and erratic moods caused by his drug use were well known within the Hollywood industry by the 1990s. According to screenwriter James Toback, both David Geffen and Jeffrey Katzenberg had attempted to get Simpson to go to rehab for his drug use.[4]
Simpson refused to admit himself into a traditional rehab facility and instead employed Dr. Stephen Ammerman, a doctor from Pacific Palisades who had a history of drug abuse. Ammerman believed that in order for Simpson to quit drugs, he had to use other drugs to combat the effects of painful withdrawal symptoms. Ammerman designed a “dangerously unorthodox” detox program, which included the use of several medications (including morphine), for Simpson to do at home to kick his drug habit.[6] On August 15, 1995, Ammerman was found dead in the pool house on Simpson’s estate. It was later determined that Ammerman died of an accidental overdose of cocaine,Valium, Venlafaxine and morphine.[7]
Frustrated with Simpson’s escalating drug use and declining work, Jerry Bruckheimer terminated their partnership in December 1995. The two agreed to finish work on The Rock, which was already in production.[8] The Rock was released after Simpson’s death and is dedicated to his memory.[9]
Personal life[edit]
Simpson was never married.[2] His personal life has been documented in a number of sources. A chapter in the book You’ll Never Make Love in This Town Again (which describes four prostitutes‘ stories about their sexual encounters with Hollywood celebrities) discusses his preferences for S & M.[10]
Death[edit]
On January 19, 1996, Simpson was found dead in his bathroom of his Bel Air, Los Angeles home.[11] His death was initially reported as “natural“. An autopsy and toxicology report later determined that Simpson had died of heart failure from combined drug intoxication (cocaine and prescription medications). At the time of his death, there were 21 different drugs in his system including antidepressants, stimulants, sedatives, and tranquilizers. In August 1996, investigative reporter Chuck Philips of The Los Angeles Times revealed that Simpson had been obtaining large quantities of prescription drugs from 15 different doctors and that police found 2,200 prescription pills in his home.[6][12][13]
A 1998 book by journalist Charles Fleming reported that Simpson’s prescription drug expenses were over $60,000 a month at the time of his death.[14]
Filmography[edit]
Year
Title
Role
Notes
1975
Aloha, Bobby and Rose
–
Writer, uncredited
1976
Cannonball
Assistant District Attorney
Writer
Credited as Donald C. Simpson
1983
Flashdance
–
Producer
1984
Beverly Hills Cop
–
Producer
1984
Thief of Hearts
–
Producer
1986
Top Gun
–
Producer
1987
Beverly Hills Cop II
–
Producer
1990
Days of Thunder
Aldo Bennedetti
Producer
1994
The Ref
–
Executive producer
1995
Bad Boys
–
Producer
1995
Crimson Tide
–
Producer
1995
Dangerous Minds
–
Producer
1996
The Rock
–
Producer
