Ilaria Tuti


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Ilaria Tuti lives in Gemona del Friuli, in the province of Udine. She has a degree in economics, has always had a passion for painting, and freelances for a small independent publisher in her spare time. She won the 2014 Gran Giallo Città di Cattolica literary prize for her short story “The Pagan Child.” Flowers over the Inferno is her debut novel.

(source: Amazon)

Average rating: 3.97 · 4,100 ratings · 836 reviews · 20 distinct worksSimilar authors
Flowers Over the Inferno

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3.95 avg rating — 2,966 ratings — published 2018 — 2 editions
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The Sleeping Nymph (A Teres...

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3.99 avg rating — 609 ratings — published 2019 — 10 editions
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Fiore di roccia

4.53 avg rating — 264 ratings — published 2020 — 3 editions
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La ragazza dagli occhi di c...

3.55 avg rating — 98 ratings3 editions
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Lena delle farfalle

liked it 3.00 avg rating — 11 ratings — published 2015 — 2 editions
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La fame e l'inferno

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3.33 avg rating — 6 ratings — published 2013
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Cerberus (Chew-9, #10)

really liked it 4.00 avg rating — 3 ratings — published 2014
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Nido di carne

2.50 avg rating — 2 ratings — published 2014
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Ceneri: 4

2.67 avg rating — 3 ratings — published 2013
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Egemona (Chew-9, #12)

really liked it 4.00 avg rating — 2 ratings — published 2014
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More books by Ilaria Tuti…
La ragazza dagli occhi di c... Flowers Over the Inferno The Sleeping Nymph
(3 books)
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3.94 avg rating — 3,670 ratings

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“Teresa assorbiva gli umori del mondo, le luci e le ombre e le faceva sue. Tanto era il buio entrato in lei, ma in qualche modo, in gran parte, era riuscita a trasformarlo in fuoco, in passione ardente per la vita. L’oscurità era precipitata nei recessi della sua anima e lei aveva imparato a conviverci, a non agitarla come avrebbe fatto con un veleno. Lasciava che si adagiasse sul fondo, però c’era, la sentiva sollevarsi di tanto in tanto come un vapore tossico.”
Ilaria Tuti, Ninfa dormiente

“«Forse loro vedono il mondo meglio di noi» disse, in un sussurro. «Vedono l’inferno che abbiamo sotto i piedi, mentre noi contempliamo i fiori che crescono sul terreno. Il loro passato li ha privati di un filtro che a noi invece è stato concesso.»”
Ilaria Tuti, Fiori sopra l'inferno

“La soledad envolvía a Teresa igual que un vestido demasiado ajustado, un corsé de otra época, que en público le hacía enderezar la espalda, pero que en la intimidad le robaba la respiración. Había aprendido a tratarla como un antídoto contra el veneno; la absorbía en pequeñas dosis, todos los días. No la evitaba, no buscaba distracciones; permanecía quieta y se dejaba morder por ella. De esa forma, su alma había aprendido a producir los anticuerpos y había dejado de morir por su causa.”
Ilaria Tuti, Flores sobre el infierno

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