Elizabeth L. Silver

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New Orleans, The United States
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December 2012


***I love to meet with book clubs, either in person in the Los Angeles area, or via phone or Skype. Please email me: liz@elizabethlsilver.com***



Elizabeth L Silver is the author of the novel, The Execution of Noa P. Singleton, published by The Crown Publishing Group of Random House. The Execution of Noa P. Singleton was an Amazon Best Book of the Year, Amazon Best Debut of the Month, a Kirkus Best Book of the Summer, Kansas City Star Best Book of the Year, Oprah Ten Books to Pick up Now, and selection for the Target Emerging Author Series. The Execution of Noa P. Singleton has been optioned for film by ImageMovers Production Company (Robert Zemeckis) and will be translated into Polish, French, Japanese, Russian, and Korean.

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Average rating: 3.34 · 8,590 ratings · 1,323 reviews · 2 distinct worksSimilar authors
The Execution of Noa P. Sin...

3.34 avg rating — 8,475 ratings — published 2013 — 17 editions
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The Tincture of Time: A Mem...

3.54 avg rating — 115 ratings5 editions
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* Note: these are all the books on Goodreads for this author. To add more, click here.

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***I love to meet with book clubs, either in person in the Los Angeles area, or via phone or Skype. Please email me: liz@elizabethlsilver.com***
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Published on June 10, 2014 11:09 Tags: book-clubs

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More of Elizabeth's books…
“It's a funny phenomenon. You can never visit your own funeral, but if you want to see how people feel about you, commit a crime.”
Elizabeth L. Silver, The Execution of Noa P. Singleton

“But you see, the problem is that apologies are really just little weeds that grow over monuments and headstones. They keep coming back, but never stop ruining what lies beneath. If an apology is truly authentic, the pain is supposed to stop. Right?”
Elizabeth L. Silver, The Execution of Noa P. Singleton

“Jury trials are really nothing more than poorly written stage plays. You’ve got two authors writing opposing narratives and a director who is paid not to care about either outcome. Hired actors sit on either end of the stage, while unwitting audience members strive to remain quiet. No applause should be rendered, no gasps of glory. Witnesses sit agape with fury as they stumble across their rehearsed lines. If only they had practiced just once more. If only they had more time or a dress rehearsal, then they would recite their packaged words with such eloquent delivery that the critics in the jury box would believe only them.”
Elizabeth L. Silver, The Execution of Noa P. Singleton

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