Bill Cheng's Blog, page 25
August 8, 2014
guernicamag:
We’ve got four days left to do this and we know we...

We’ve got four days left to do this and we know we can reach our goal with your help! When you back our Kickstarter, you’re directly supporting the Guernica Annual’s production costs and writer payments. And if you pre-order now, you’re also guaranteeing yourself a copy of what’s shaping up to be a very beautiful limited edition.
So whether it’s a little or a lot, consider helping the little magazine that could— publishing free, cutting-edge, online, and daily— and help us bring the Guernica Annual into the world.
Oooh
August 4, 2014
lastnightsreading:
Dani Shapiro at the 2014 Writer’s Digest...
August 1, 2014
"I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt..."
- Markus Zusak, answering if he found writing easy. (via maxkirin)
July 25, 2014
crystallizations:
Kazuo Haba, early 1970s.
scottcheshire:
At the mighty Powell’s
reginasworld:
Joseph Decamillis breaths second life to old...










Joseph Decamillis breaths second life to old discarded books by inserting miniature illuminated into their covers. Postage stamp-sized artworks are done on copper plates and placed in carved niches.
July 18, 2014
Roy Scranton returns to Iraq:
I asked him if he still had any...

I asked him if he still had any hope at all for Iraq, and he leaned in, as if to explain a great secret: “Hopelessness is the limit and beginning of a new kind of hope. You have to keep going – not to achieve dreams of beautiful mountaintop forests, but because life is more powerful than death. Hopelessness makes possible new hope, a faith in the basic tissue of life that is stronger than any disaster. This is how humanity survives. This is the strength that keeps us going.”
scottcheshire:
At Skylight Books - what a night!
scottcheshire:
At Skylight Books! With Mr. Jeffrey Tambor!
July 13, 2014
zerostatereflex:
Tangible Media
MIT’s Tangible Media is coming...






MIT’s Tangible Media is coming along nicely,
"Almost like a table of living clay, the inFORM is a surface that three-dimensionally changes shape, allowing users to not only interact with digital content in meatspace, but even hold hands with a person hundreds of miles away. And that’s only the beginning."







