Eric Bentley
Born
in Bolton, The United Kingdom
September 14, 1916
Genre
![]() |
The Life of the Drama
23 editions
—
published
1963
—
|
|
![]() |
Thirty Years of Treason: Excerpts from Hearings Before the House Committee on Un-American Activities 1938-1968 (Nation Books)
by
18 editions
—
published
1971
—
|
|
![]() |
The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama
33 editions
—
published
1968
—
|
|
![]() |
Playwright As Thinker: A Study of Drama in Modern Times
32 editions
—
published
1955
—
|
|
![]() |
Are You Now or Have You Ever Been, and Other Plays
7 editions
—
published
1972
—
|
|
![]() |
The Servant of Two Masters: And Other Italian Classics (Applause Books)
7 editions
—
published
2000
—
|
|
![]() |
Bernard Shaw (Applause Books)
by
17 editions
—
published
1947
—
|
|
![]() |
The Misanthrope and Other French Classics (Applause Books)
4 editions
—
published
2000
—
|
|
![]() |
The Classic Theatre Vol. III: Six Spanish Plays
7 editions
—
published
1958
—
|
|
![]() |
In Search of Theater: Travels in England, Ireland, France, Germany, Switzerland, Austria, Italy and the United States (Applause Books)
22 editions
—
published
1953
—
|
|
“Literature deals with morality but does not necessarily, does not, qua literature, help you to be more moral, either by precept or example. It makes you more aware. Which is to say that it makes you more human by making life more, not less, difficult. When you become more aware, the area of moral choice is widened. You can be a better man; you can also be a worse. Literature will not determine which. It is the equivalent of neither grace nor good works.”
―
―
“What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things--from close-ups of insects to panoramas of prairies--which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity.”
―
―
Is this you? Let us know. If not, help out and invite Eric to Goodreads.