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Saidiya Hartman

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Saidiya Hartman


Born
New York, The United States
Website

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Saidiya Hartman is the author of Wayward Lives, Beautiful Experiments, Lose Your Mother: A Journey Along the Atlantic Slave Route, and Scenes of Subjection. She a Guggenheim Fellow and has been a Cullman Fellow and Fulbright Scholar. She is a professor at Columbia University and lives in New York.

Average rating: 4.41 · 6,566 ratings · 822 reviews · 20 distinct worksSimilar authors
Wayward Lives, Beautiful Ex...

4.47 avg rating — 3,380 ratings — published 2019 — 18 editions
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Lose Your Mother: A Journey...

4.27 avg rating — 2,013 ratings — published 2007 — 20 editions
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Scenes of Subjection: Terro...

4.61 avg rating — 643 ratings — published 1997 — 13 editions
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Venus in Two Acts

4.83 avg rating — 77 ratings
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Anarchy of Colored Girls As...

4.74 avg rating — 31 ratings
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Notes For The Riot

liked it 3.00 avg rating — 3 ratings
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Diese bittere Erde

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really liked it 4.00 avg rating — 2 ratings — published 2022 — 2 editions
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A sedução + o ventre do mun...

it was amazing 5.00 avg rating — 1 rating
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Aufsässige Leben, schöne Ex...

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The New York Times Book Rev...

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Quotes by Saidiya Hartman  (?)
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“If slavery persists as an issue in the political life of black America, it is not because of an antiquarian obsession with bygone days or the burden of a too-long memory, but because black lives are still imperiled and devalued by a racial calculus and a political arithmetic that were entrenched centuries ago. This is the afterlife of slavery--skewed life chances, limited access to health and education, premature death, incarceration, and impoverishment.”
Saidiya V. Hartman, Lose Your Mother: A Journey Along the Atlantic Slave Route

“Every generation confronts the task of choosing its past. Inheritances are chosen as much as they are passed on. The past depends less on 'what happened then' than on the desires and discontents of the present. Strivings and failures shape the stories we tell. What we recall has as much to do with the terrible things we hope to avoid as with the good life for which we yearn. But when does one decide to stop looking to the past and instead conceive of a new order? When is it time to dream of another country or to embrace other strangers as allies or to make an opening, an overture, where there is none? When is it clear that the old life is over, a new one has begun, and there is no looking back? From the holding cell was it possible to see beyond the end of the world and to imagine living and breathing again?”
Saidiya V. Hartman

“Waywardness is a practice of possibility at a time when all reads, except the ones created by smashing out, are foreclosed. It obeys no rules and abides no authorities. It is unrepentant. It traffics in occult visions of other worlds and dreams of a different kind of life. Waywardness is an ongoing exploration of what might be; it is an improvisation with the terms of social existence, when the terms have already been dictated, when there is little room to breathe, when you have been sentenced to a life of servitude, when the house of bondage looms in whatever direction you move. It is the untiring practice of trying to live when you were never meant to survive.”
Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals

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