Dennis McNally

“linear progression was distorted. So we would just drop the one, we would get lost, we would call it the pulse. We would go on the pulse, so all of a sudden the pulse would lead us to a place, and we were completely lost, we didn’t know where the original one was, so instead of struggling with the one, we would establish a new one, and that was the telepathy that me and Billy had. And they would catch on to our telepathic one, and they would latch on. When the third person went to it, it became legitimate. It would stay illegitimate for a certain amount of time, and we would be able to fly or float on the pulse, and there was no need to sound the one or recognize the one. Sometimes the one was known, and we’d let it go untouched. Other times we all pounced on it and sounded it and made it into a one.”
― Dennis McNally, A Long Strange Trip: The Inside History of the Grateful Dead

“Just as Huckleberry Finn was published, the first generation of African Americans raised in the postslavery era began to come of age. Among them were people with musical talent, and at first they went to work in minstrelsy, in the well-worn patterns of show business they’d inherited.”
― Dennis McNally, On Highway 61: Music, Race, and the Evolution of Cultural Freedom