Dylan Harris (Author of anticipating the metaverse)

Dylan Harris rated a book it was amazing The Bridge by Iain Banks	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
Apr 03, 2018 08:38AM · like · preview book See a Problem? We’d love your help. Let us know what’s wrong with this preview of The Bridge by Iain Banks. Problem: Details (if other): Thanks for telling us about the problem. Not the book you’re looking for? Preview — The Bridge by Iain Banks <iframe id="wrongBookKindlePreviewScreen">
Dylan Harris rated a book really liked it The Delirium Brief (Laundry Files, #8) by Charles Stross (Goodreads Author)	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
I was nearing the end of my first reading of Iain Banks’ brilliant The Bridge when I came down with pneumonia. The Bridge is a complex novel, with many layers running together. Pneumonia destroyed my ability to concentrate. I suspended my reading, in ...more
Jul 28, 2017 03:10AM · like · see review · preview book See a Problem? We’d love your help. Let us know what’s wrong with this preview of The Delirium Brief by Charles Stross. Problem: Details (if other): Thanks for telling us about the problem. Not the book you’re looking for? Preview — The Delirium Brief by Charles Stross <iframe id="wrongBookKindlePreviewScreen">
Dylan Harris is currently reading The Bridge by Iain Banks	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
Jul 08, 2017 01:57AM · 2 likes · like · preview book See a Problem? We’d love your help. Let us know what’s wrong with this preview of The Bridge by Iain Banks. Problem: Details (if other): Thanks for telling us about the problem. Not the book you’re looking for? Preview — The Bridge by Iain Banks <iframe id="wrongBookKindlePreviewScreen">
Dylan Harris made a comment in the group SFBRP Listeners — Books I would like to see reviewed topic " How about a review of what some suggest is the first Culture novel, Iain Banks' The Bridge (published a year before Consider Phlebas)? It's a very goo ...more "
Jul 07, 2017 10:49AM
Dylan Harris rated a book really liked it Aurelia (Roma Nova #4) by Alison Morton (Goodreads Author)	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
First, a disclaimer: I wrote a blog entry comparing Roma Nova with Luxembourg, and the author reposted it on her blog (with my happy consent). Anyway, onto Aurelia. This is Morton’s fourth Roma Nova novel. The first three are a sequence set in the mod ...more
Jan 29, 2017 03:23PM · like · see review
Dylan Harris rated a book it was ok The Last Witness (DCI Daley, #2) by Denzil Meyrick	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
Denzil Meyrick’s The Last Witness has no plot. There are one or two basic driving factors to the story, but no apparent effort by the author to give these directives any body or depth. Rather, the protagonists face a random series of idiotic events t ...more
Jan 28, 2017 08:57AM · like · see review · preview book See a Problem? We’d love your help. Let us know what’s wrong with this preview of The Last Witness by Denzil Meyrick. Problem: Details (if other): Thanks for telling us about the problem. Not the book you’re looking for? Preview — The Last Witness by Denzil Meyrick <iframe id="wrongBookKindlePreviewScreen">
Dylan Harris rated a book liked it Whisky from Small Glasses (DCI Daley, #1) by Denzil Meyrick	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
These are becoming dark times, and Scotland’s good at dark. I enjoy Scottish noir, or at least Scottish detective novels, such as the Rebus series, and want some more. So I picked up Whisky from Small Glasses by Denzil Meyrick. It’s the first in a fa ...more
Jan 28, 2017 08:54AM · like · see review
Dylan Harris rated a book really liked it Inceptio (Roma Nova, #1) by Alison Morton (Goodreads Author)	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
Alison Morton’s Inceptio, her first novel, is a coming of age wish fulfillment tale, but don’t hold that against it. There’s a long literary tradition of people waking up to discover they’re a princess. Of course, this is slightly unlikely to happen ...more
Jan 28, 2017 08:21AM · like · see review
Dylan Harris rated a book really liked it Successio (Roma Nova #3) by Alison Morton (Goodreads Author)	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
Having read Alison Morton’s Inceptio, I’ve now read the second and third books in her Roma Nova series, Perfiditas and Successio. Unlike many book series where the original’s not bad, these follow–ups are better. The series is really military science ...more
Jan 14, 2017 01:06AM · like · see review · preview book See a Problem? We’d love your help. Let us know what’s wrong with this preview of Successio by Alison Morton. Problem: Details (if other): Thanks for telling us about the problem. Not the book you’re looking for? Preview — Successio by Alison Morton <iframe id="wrongBookKindlePreviewScreen">
Dylan Harris rated a book really liked it Perfiditas (Roma Nova, #2) by Alison Morton (Goodreads Author)	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
Jan 14, 2017 01:05AM · like

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The Bridge
by Iain Banks

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The Delirium Brief (Laundry Files, #8)
by Charles Stross (Goodreads Author)

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I was nearing the end of my first reading of Iain Banks’ brilliant The Bridge when I came down with pneumonia. The Bridge is a complex novel, with many layers running together. Pneumonia destroyed my ability to concentrate. I suspended my reading, in I was nearing the end of my first reading of Iain Banks’ brilliant The Bridge when I came down with pneumonia. The Bridge is a complex novel, with many layers running together. Pneumonia destroyed my ability to concentrate. I suspended my reading, intending to switch to something simpler, at least until my head was fixed.

I chose Charlie Stross’s brand new The Delirium Brief, the latest in The Laundry Files series.

This was a mistake. That’s not because it’s a bad book—it’s a good book—but because it’s set in a world of brain–eating monsters, and I have pneumonia, which is eating my brain (well, ruining my concentration). It’s also a very depressing book, read in a depressed tone in the audiobook, which did not exactly fit the up–cheery mood I really wanted to feel while recovery from an infection of lung–eating bugs.

The Laundry Files book series is set in Stross’s homage to the Lovecraft universe, with nasty monsters in other dimensions trying to break through to our reality to eat us. I’ve not read Lovecraft, and have no intention of doing so. I’m reading the Stross because the first book in the series, The Atrocity Archives, caught me. He writes solid, well–paced, and often witty prose, and his characters (unlike those in many book series) suffer, grow and develop as the series progresses. They are not unbelievable archetypical heroes, they are ordinary people who can do things, and have to do them.

This book is set immediately after the previous entry in the series, The Nightmare Stacks. It is not suitable as the first Laundry Files book to read: start at the beginning with The Atrocity Archives.

As my brain was being eaten my monsters from, well, not outer space, I had the shocking realisation that the book and series are really about madness. The madness is externalised as bizarre monsters, but it is madness all the same. People familiar with Lovecraft and Stross will probably consider me very stupid for taking this long to work out what’s going on underneath the surface.

There was a particular scene, near the end of the book, that caused this realisation. In it, the hero nearly goes insane as worry and events allow his symbiotic monster of madness from outside time to start pressing in on his sane mind, to squash the sanity and let the madness gain full control. I’ve had that experience, once. In the case of the book, the hero is held sane by a colleague using sergeant major mojo. In my case, I held on by force of will. Stross’s description was close enough to my experience for the realisation of the actual subject of the books to finally click. Like I said, I’m slow.

The madness here belongs to the leading characters, who struggle against it, with some success, and the baddies, who, of course, let the insanity win. Stross peppers his books with his fairly obvious sense of humour, so it’s not surprising, perhaps, that the baddies are a Christian fundamentalist sect with a sexual deviation problem. In this case, that deviation ultimately leads to their genital plumbing being replaced by monsters from outside time. Actually, it’s very well written (if I tried to do the same, it’d turn camp batman), to the extent that I’d strongly recommend this book is not read by virgins: the nightmares could badly screw up the start of their sex life. Well, they would have done mine.

I have no intention of reading Lovecraft. I do not like insanity, and do not particularly like books about insanity: perhaps I’m a coward. I will, though, keep reading The Laundry Files books, despite the depression, because I can’t let go of the characters. They grow as they learn to fight the world’s doom. They are never the same person at the end of the book as they are at the beginning. I believe in them.

I didn’t actually read The Delirium Brief, I listened to the audiobook read by Jack Hawkins. Narration is like writing software: if you do a good job, people don’t notice it’s there. I was absorbed by the story and didn’t notice the performance. That’s a recommendation. ...more

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The Bridge
by Iain Banks

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Dylan Harris made a comment in the group SFBRP Listeners — Books I would like to see reviewed topic

" How about a review of what some suggest is the first Culture novel, Iain Banks' The Bridge (published a year before Consider Phlebas)? It's a very goo ...more "

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Aurelia (Roma Nova #4)
by Alison Morton (Goodreads Author)

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First, a disclaimer: I wrote a blog entry comparing Roma Nova with Luxembourg, and the author reposted it on her blog (with my happy consent).

Anyway, onto Aurelia. This is Morton’s fourth Roma Nova novel. The first three are a sequence set in the mod ...more

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The Last Witness (DCI Daley, #2)
by Denzil Meyrick

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Denzil Meyrick’s The Last Witness has no plot. There are one or two basic driving factors to the story, but no apparent effort by the author to give these directives any body or depth. Rather, the protagonists face a random series of idiotic events t Denzil Meyrick’s The Last Witness has no plot. There are one or two basic driving factors to the story, but no apparent effort by the author to give these directives any body or depth. Rather, the protagonists face a random series of idiotic events that have no consistency or structure beyond spewing tension into the story. The way these silly events happen has no reason or logic or, often, any possibility of reality. He has invented his superbad baddie, but seems to have made no effort to get into the guy’s head and work out what the baddie might do in his situation, what might be necessary to achieve his evil goal. Meyrick has thrown together a bunch of clichés and caricatures. The book might as well have been plotted by tomfoolery between a bunch of drunks after they’ve demolished their livers. Such trash is very familiar to me: it’s why I threw my television out twenty years ago, it’s why I don’t bother to watch movies from Hollywood.

When I reviewed the first book in this series, Whiskey from Small Glasses, I had wondered why the author did not have his characters explain how the leading detective had worked out the identity of the criminal. My fault: I had stupidly presumed there was something to explain.

Perhaps it’s meant to be comedy and I’ve entirely missed the point. But even a comedy novel should have a plot.

The book does have some good points. The dialogue remains real and believable, and the descriptions are immediate and effective. The latter threaten to descend into repetition themselves (flocking birds), but have not done so yet. This is helped in the audiobook by the narrator, Duncan Monteath, who does an excellent job of bringing the words and characters alive.

The book is written very visually, and I could easily see the nonsense on the small screen. Indeed, given that, given the nonsensical plot, I wonder whether that’s the intention. Is the author trying to bring a film crew and corresponding economic relief to his depressed home town with these books? He certainly seems to have caught the spirit of crap spewed by the worst telly.

I won’t be reading any more books in this series. I have, though, so enjoyed the narrator’s skill that I’ve picked up a different audiobook by a different author purely because it is narrated by Duncan Monteath. Let’s see if that works out. ...more

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Whisky from Small Glasses by Denzil Meyrick

Whisky from Small Glasses (DCI Daley, #1)
by Denzil Meyrick

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These are becoming dark times, and Scotland’s good at dark. I enjoy Scottish noir, or at least Scottish detective novels, such as the Rebus series, and want some more. So I picked up Whisky from Small Glasses by Denzil Meyrick. It’s the first in a fa These are becoming dark times, and Scotland’s good at dark. I enjoy Scottish noir, or at least Scottish detective novels, such as the Rebus series, and want some more. So I picked up Whisky from Small Glasses by Denzil Meyrick. It’s the first in a fairly new series of detective novels.

The setting, the Mull of Kintyre, is described brilliantly. I’ve never been there, yet now I feel it’s lying somewhere in my past, such are the quality of the Meyrick’s words. The normal people, their conversations, the places, all are bought beautifully alive.

The novel itself presents a pretty good mystery for the hero detective, DCI Daley, to clear up. It’s well paced, with some unexpected surprises to stop the bedtime reader dropping off to sleep.

But I have some problems with this book. The author comes across as great at painting normal people and their lives, but not so good at inventing the odd. It’s not that I’ve got experience with the abnormal, it’s more that those characters didn’t really work for me. It’s as though Meyrick is great at describing what he’s seen and experienced, but can’t quite bring the same qualities to things he invents.

Secondly, which it probably more a comment on my dimness, there were a couple of times in the book when the detective sees something from the situation, and jumps to conclusions which turn out to be correct. I didn’t understand how he got to them, and I wanted the author to tell me. Sergeant Scott, DCI Daley’s ‘Watson’, didn’t do a good job of forcing an explanation out of his boss. Don’t get me wrong, he’s a quality character, and the banter between him and his boss was delicious, but I wanted some suitable dimness so he would get the great detective to reveal how he worked the baddie out.

Finally, although the mystery itself, the details, the resolvers, and many other things were fine, I got really frustrated with yet another detective with (spoilers) marital problems, the nasty criminal being very nasty to the poor detective’s wife, especially when that was built on a coincidence. Ok, so chance plays an important role in real life, but, please, not as the crux of the plot in a whodunnit. I found myself muttering things like “not again” and “here we go” as certain plot techniques were played out like clockwork storytelling, in this book as in so many others. A nasty scene near the end, when the baddie showed the detective a corpse, was so effing obvious I just got annoyed.

Having said that, in the middle of the cliché situation were some great moments of character, and the traditional fight to the death scene was sustained well. The characters grow from their experience, and they do so naturally.

I suppose I should have treated the plot like a piece of folk music, the same bloody song sung well by someone who knows how to bring life to traditional music. The trouble is I prefer the fresh to the stale, no matter how cleverly toasted.

The novel is clearly written to be the first in a series. Indeed, a particular character appears, to my mind, to be set up well to become a baddie in a future book in the series. He’s far more real to me that this book’s evil self–declared genius. The motivation, the pain, the background, could make a very sympathetic nasty man leaving future books’ readers with a difficult moral quandary to consider. There’s a second character set up as a future baddie in the very last scene in the novel, which I felt was unnecessary. I would have preferred that scene to have been omitted; it’s taken away a potentially juicy mystery in a future novel.

So, this is a promising first novel, which some great descriptions and some excellent characterisation, but I do hope Meyrick can drop the need to recycle clichéd plot devices.

I listened to the audiobook, narrated by David Monteath. He’s good. I’m sure part of the reason the well–written setting was bought so alive for me was Monteath’s narration.

I will grab more Meyrick: I can feel Kintyre breathe in his writing. ...more

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Inceptio (Roma Nova, #1)
by Alison Morton (Goodreads Author)

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Alison Morton’s Inceptio, her first novel, is a coming of age wish fulfillment tale, but don’t hold that against it. There’s a long literary tradition of people waking up to discover they’re a princess. Of course, this is slightly unlikely to happen Alison Morton’s Inceptio, her first novel, is a coming of age wish fulfillment tale, but don’t hold that against it. There’s a long literary tradition of people waking up to discover they’re a princess. Of course, this is slightly unlikely to happen to anyone, especially someone like me. But it’s the basis of the novel, so I’ll let it ride.

The novel’s set in an alternative reality, which does rather appeal to me. The Roman empire didn’t all die; one small corner has survived into the present. The history intertwined with the story successfully: it’s never imposed, details are only mentioned when relevant. It feels carefully constructed, rather than the more common mish–mash of randomness thrown together to aid the plot. Whether that’s correct, I don’t know, but it’s those lights behind the curtain that make me want to read more.

Unsurprisingly, as a coming of age wish fulfillment novel, the lead character comes of age—except it’s more coming of age ten years after she’s come of age. The heroine changes and grows throughout the novel. She has to work for her progress, and does so, as she develops from victim to oppressor. Having said that, too many things fall into her lap. Perhaps that’s fair enough; this is, after all, a wish–fulfillment novel.

The depth of the characters are not forced on the reader. That’s partially because they have good but not great depth, enough to make them thoroughly believable but insufficient for insight into their foibles. You can read the novel on the surface, and as such it’s a fun romp. Like the alternative history itself, there’s extra weight to the core characterisations to give something to chew on if that’s what you want to do.

There are some subtle touches that I appreciated, such as her heroineness realising that such–and–such aren’t being élitist, they’ve simply done the work and are now rather good at it. In other words, the characterisation works, so that I’m willing to keep exploring the author’s alternative reality in the company of this silver–spooned overachiever, even though she’d be that very irritating type of dinner guest who unknowingly reminds you that you’re deeply inadequate in the secret princess department (ignore me, I’m being English).

The weakness is in the colour of the plot. It’s all there, and it works, and I saw no inconsistencies, but too much plot followed familiar tropes. I fear the author learnt the behaviour of certain iconic professions from bad television. The plot certainly isn’t in Mordor She Rote territory, but I do wonder if the novelist peeped from behind the settee a little too often when such braindeadifiers were transmitted.

Inceptio is actually rather impressive for a first novel: the various mistakes and rough edges can be forgiven as the author develops her skills.

I listened to the novel as an audiobook. It was narrated by Caitlin Thorburn, who was fine. She took me on the adventure: I followed the story and characters without problem. The production wasn’t the best, but it was certainly good enough.

I like this novel, despite having no chance of ever being a princess. I’ll grab the next. It’s that underplayed but delicious alternative history that gets me. ...more

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Successio (Roma Nova #3)
by Alison Morton (Goodreads Author)

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Having read Alison Morton’s Inceptio, I’ve now read the second and third books in her Roma Nova series, Perfiditas and Successio. Unlike many book series where the original’s not bad, these follow–ups are better.

The series is really military science Having read Alison Morton’s Inceptio, I’ve now read the second and third books in her Roma Nova series, Perfiditas and Successio. Unlike many book series where the original’s not bad, these follow–ups are better.

The series is really military science fiction, or at least alternative history, with a special forces bent. Unlike many military stories, the characters are well developed. They are human with human failings, strengths and weaknesses. They grow in power, they make mistakes, they learn. They have depth. You share their adventure. You care for them, somewhat (well, they can be a little anal). The author’s habit of occasionally killing key supporting characters keeps the dynamic fresh.

The third book, Successio, has an exploration of insanity, both temporary and permanent. I found the temporary insanity in particular to be fascinating. The setup, the development, the way it progressed, and the resolution, both for the character who goes insane and those around him, made valuable fiction. The setting gave me a distance which allowed me to understand the experience of temporary insanity without the discomfort of reality blocking the learning with shock.

The author is clearly developing too. For example, in Perfiditas, the second book, there is a political scene which, bluntly, had to have been written by someone rather naïve about the way oratory and belief work. The heroine passionately presented a set of facts to demolish Mr. Nasty, and the audience promptly changed their opinion to accept the facts as stated. That simply doesn’t happen in reality. Most people, when their beliefs are challenged by inconvenient facts, dismiss the facts. (Indeed, Successio’s exploration of insanity covers this very topic, if from a different angle.)

In Successio, the heroine is making small–p political decisions and the descriptions of the process are realistic. Now, these are politics that are not much more than glorified administration, the bread and butter stuff of the practical leader: there’s no grand political thought expressed in the story. The point, though, is the author has done her work and has covered the daily political processes believably.

Actually, of course, the series is full of politics, but as setting, not exposition. Like many novels, the Roma Nova series is an exploration of small–c conservatism. The heroine is trying to understand, develop, and maintain her position, her family and her country, to keep order, and to defeat the baddies who threaten the political system and so the state. The hierarchy, and the heroine’s eventual near-dominant position in it, is at the core of the plot. But this is the story’s setting, not the book’s underlying purpose. Many fantasy books with their fantasy about governance are similar, but Successio does it well. Furthermore, unlike most fantasy novels, Successio allows the grey of modern governance to gently colour the story. It only seems to offer a simplistic black and white world.

I had hoped, when I started to read Successio, that it would explore in greater detail the historical background of the alternative world that Morton has created, the one where a Roman state survived into the modern day. Unfortunately, beyond a few details, it’s hardly touched. Now, in terms of storytelling, that’s the right approach: the history supports, and never interrupts, the novel. I’m disappointed because I’m just a bit of an alternative world geek.

So when I doubt that the early history of Roma Nova developed by Morton could have actually worked, I can’t really criticise it because it’s only mentioned in a few lines, and then those lines are really the culture’s myth, rather than the historical reality. Still, that I wanted more from a book series is a good sign.

Caitlin Thorburn, the sweet–voiced narrator, is expressive, comprehensible and clear. Unfortunately, she has a limited set of effects. It’s bad enough hearing regular doses of breathy nervousness before a tense reaction by one female character, it’s far more annoying that the same effect is used for all of them. If she must use effects, she really should individualise them for each character. That, or buy her dog a nose–warmer.

Furthermore, the narration editing had issues. It was very clear where short bursts of revised reading were patched in: the original and its replacement were not properly balanced. This didn’t interfere with the clarity of the narration, but the stories are too good to deserve such lackadaisical production. I don’t think the audiobook producers have realised that these books go beyond what I suspect is the original female coming of age target audience. The characters are too well developed, and the setting too intriguing, to let the book series lie forever in that pigeonhole.

Overall, I’m glad I decided to read these books, and will follow up with Morton’s next novel, Aurelia, set in an earlier Roma Nova. ...more

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Perfiditas (Roma Nova, #2)
by Alison Morton (Goodreads Author)

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	anticipating the metaverse it was ok 2.00 avg rating — 1 rating — published 2014	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
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