Nancy E. Dunne's Blog, page 29

Music Monday: Love in the Time of Arcstone

Oh, this one is hard not to make spoilery. So hard. There are several interesting relationships in Rift, and this song - to me - speaks to all of them. I have long been a fan of Florence + the Machine, but I heard the original version of this song for the first time while writing Rift. It grabbed me around the heart and wouldn't let go - one of those times you hit repeat on Spotify, you know? Florence's voice is magical and ethereal, and this particular version reminds me of everything from how Em is in love with the night sky in Arcstone, to Valentin's terribly complicated heart. Enjoy, and make sure you look up the original and add it to your playlist. You will not be disappointed.

All This and Heaven Too

Florence + the Machine

And the heart is hard to translate

It has a language of it's own

It talks in tongues and quiet sighs

And prayers and proclamations in the grand days

Of great men and the smallest of gestures

In short shallow gasps

But with all my education

I can't seem to commend it

And the words are all escaping me

And coming back all damaged

And I would put them back in poetry

If I only knew how, I can't seem to understand it

And I would give all this and heaven too

I would give it all if only for a moment

That I could just understand

The meaning of the word you see

'Cause I've been scrawling it forever

But it never makes sense to me at all

And it talks to me in tiptoes

And sings to me inside

It cries out in the darkest night

And breaks in the morning light

But with all my education

I can't seem to commend it

And the words are all escaping

And coming back all damaged

And I would put them back in poetry

If I only knew how I can't seem to understand it

And I would give all this and heaven too

I would give it all if only for a moment

That I could just understand

The meaning of the word you see

'Cause I've been scrawling it forever

But it never makes sense to me at all

And I would give all this and heaven too

I would give it all if only for a moment

That I could just understand

The meaning of the word you see

'Cause I've been scrawling it forever

But it never makes sense to me at all

No, words are a language

It doesn't deserve such treatment

And all my stumbling phrases

Never amounted to anything worth this feeling

All this heaven never could describe

Such a feeling as I'm healing, words were never so useful

So I was screaming out a language

That I never knew existed before

On saying hello, knowing you have to say goodbye.

 IWAMS members in the St. Patrick's Day Parade, Charlotte, NC. March 2018.

The Irish Wolfhound community lost one of its fiercest warriors, defenders, and supporters yesterday with the death of Heather Burns, a member of the Irish Wolfhound Association of the Mid South. Heather worked tirelessly to find placements for IWs that needed rescue/rehoming. She possessed a wealth of knowledge of the breed: history, temperament, health concerns, etc. I've put this picture up even though you can't see Heather and Mark in this shot, it is representative of who she was and why those of us lucky enough to have known her are grieving today.

This was the day before she drove our Ciaragh all the way from her home in NC (almost VA) down to us here in Greenville. Hubs came with me to the parade this time to watch from the sidelines and brought Willow-Pickle along for the ride so she wouldn't have to stay home alone. If you look right in the middle of the picture you will see her, straining to get out in front of all those long-legged wolfhounds because she was the security for the IW contingent. Simon happened to run into Heather along the parade route (I had already taken Bryn to the line-up point) and, being the force of nature she was, she managed to convince my 6'4" Yorkshireman and our snappy little terrier mix to come with her and join the parade. "Willow can be a Wolfhound today," she told him - which is exactly what Willow believed in her heart already. 

You see, that was Heather. In a world of kennel clubs and rare breeds that could foster a sense of elitism and snobbery, Heather was there to make sure that everyone felt welcome at the table - at HER table, the Irish Wolfhound table. I was already familiar with her because she not only saved my bacon and my sanity plenty of times as we were raising Bryn, but she found members of Bryn's extended family that we didn't know about, like her litter brother, Barley, and his family, Tamara and Marc. Or Bryn's older sister Keira and her mom Stacie. Heather knew everyone and everything, and if she didn't know something you'd better believe she would find out for you.

What I knew from the time that I met her was that she had cancer and that it was terminal. She told me with a smile on her face and in her heart that her plan was to outlive the IWs she had (at the time I think there were three) so that when she passed, her husband wouldn't have that to deal with on top of everything else. Heather NEVER thought of herself first. So I knew that as I was saying hello to her, I was also getting ready to say goodbye. She was one of those warrior women that you just thought would live forever.

Go raibh cead míle maith agat, one hundred thousand thank yous, to Heather, for taking me under her massive wing and teaching me how to be a good mom to Bryn and Ciaragh - and for your example of strength, compassion, and love. I hope that your first stop was at a clear pond where your hounds were waiting.

Please visit my album in the Beach Bound Hounds Vendor Virtual Showcase, currently happening through 14th September 2020, to purchase your copies of the Clobberpaws books - 100% of the total sales of Clobberpaws and Clobberpaws, Too! paperbacks will go to the Irish Wolfhound Rescue of the MidSouth's Heather Burns Memorial Fund for Veteran Hounds, created to support foster homes and adopters of hounds that due to age/illness are difficult to place.

Music Mondays: Opening Scene, Rift (Arcstone)

 For the first Monday of a new month, I thought I'd leave the Orana Chronicles behind for a moment and talk about some of the music that inspired scenes in my latest release, Rift. Now, this novel is about a gamer who longs to live in her MMORPG rather than in her real-life but finds out that it may not be all it is cracked up to be.

I had a less intense opening for my first chapter, and then I heard this song by The Sidhe. I turned it up, called up an image in my mind of Em in the landscape of the game, and the first scene wrote itself right in front of my eyes. The novel now opens with the main character, Madelyne, running through the game Arcstone as her avatar, Em. 

I thought of how it used to feel for me to run my "toon" through those richly drawn CGI worlds in the years when I used to spend a lot of my time in several MMORPGs. There was always music playing while I was gaming, and the same was true for me writing for Madelyne/Em. Just as I would enlist Imagine Dragons for the soundtrack for the Orana Chronicles, I feel like The Sidhe would be just the thing for Arcstone.

On being ever so slightly...PITMAD...

Today I am pitching this manuscript on Twitter as a part of #PITMAD and if I have anything shy of NUBS on the ends of my hands by 8pm tonight it will be a miracle. Photoshop sometimes helps me keep my mind clear while I'm writing, so I made this little teaser graphic to keep me on track - and now even looking at it is making me nervous.

Notes from Exile: Whistle and Hum

Daisy Mei Mei and me in Wales, August 2011
Y'all, I think I have officially lost my mind. I will give regular Lettuce readers a moment to STOP LAUGHING.

I've been working hard on getting paperback copies of Daisy's book, Proud Racer: An American Greyhound in Yorkshire ready for the virtual signing event for Beach Bound Hounds that starts this Friday. It was originally published by Lulu, but I wanted to move it over with the rest of my work on Amazon and I waited FAR TOO LONG to do that. So I have been scrambling. 

Along with that scrambling has been a whole lot of reminiscing and remembering and for the most part it has been a good thing. I've thought about how her eyes would just about fall out of her head each night when she had her vanilla ensure and Life cereal combo that we used to keep weight on her near the end - and been able to laugh at the eyes rather than fixate on it being "near the end." I'm almost ready, three and a half years later, to put the red duvet cover back on the bed. It has a permanent place in the stitched pattern where she used to sleep, because she was like a marlin on a hook and could never get comfortable right away. I have no idea how many stitches she pulled out to get it JUST RIGHT.

But today, either I have manifested my need to have her in my life again just a hair too much or I've officially gone round the bend from too much isolation in the time of COVID. Today, as I was sitting here at my desk working, I heard the girls winding up to sing. Not an unusual occurance - for Ciaragh it LITERALLY takes me tapping my foot on the floor or a beep sounding on one of my devices, and the Canine Tabernacle Choir is OFF TO THE RACES.

Ciaragh started with some whining that Bryn soon matched in pitch and the BARK/WOOO verse that the wolfhounds sing became part of the tune. Willow-Pickle has her own verse to sing, the melody, if you will, over the percussive sounds of Ciaragh and Bryn. Hers starts with a GRRRRRRRR and then builds into the most soulful and musical ROOOOOOOO. All of that was happening.

And then, I swear - on my life and those of my dogs and my husband and whatever else you need - I heard a very distinct fourth voice join in the chorus. It wasn't a bark or a roo or a growl, it was a hum (those of you with sighthounds may recognize the noise I'm talking about, it usually precedes the roo/howl). It continued and then stopped, replaced by some high pitched whistles just before the others fell silent. I should have recorded it, but all I could do was sit with my hands on my face, Home Alone style, as my jaw dropped. Tears filled the edges of my eyes.

I have had seven greyhounds in my life since 2000, and all but two of them would throw their heads back and roo with angelic grace and ear splitting pitch. (Well, 2.5 - Hunky couldn't so much ROO as he could WOO but it was still a similar sound.) Lizzard would sort of make a sound like Bea Arthur yelling at you after smoking a pack of cigarettes. More WAAA than ROO, and very scratchy. She barked (every day at 4:30 ON THE DOT because that was dinner time) more than she sang. 

Daisy didn't sing. She would hum alongside the others, seemingly unsure of her own voice and slightly unnerved if she was in a large pack of hounds that were all singing. If she got too nervous (or annoyed, as we discovered when Willow-Pickle joined our pack), she would make this loud whistling noise through her nose. It was very high pitched and in a staccato rhythm for the most part, though some of those long, sustained whistles linger in my memory - and probably my eardrums.

I heard my Daisy "sing" with the other girls today and it made my heart happy. It may have been my imagination, but it was real enough. Thanks, Mei Mei. Give the other 6 head butts and licks for Mommy, okay?

 

Signing Event: Virtual Showcase for Beach Bound Hounds!

I have been invited to join the virtual vendor showcase that Greyhound Crossroads is hosting this year since their signature event, Beach Bound Hounds, was cancelled due to COVID-19. I invite you not only to grab a signed copy of the books in my back catalog, but to find unique and wonderful merchandise for you or other dog lovers in your life, while supporting the work that this group does to place retired racing greyhounds in homes in North Carolina, South Carolina, and Georgia. This opens to the public on September 4th - search FB for BBH Vendor Virtual Showcase. See y'all there!

Books available for signed paperback purchase:

Proud Racer: An American Greyhound in Yorkshire

Clobberpaws and Clobberpaws, Too!

The Nature Walker Trilogy: Wanderer, Tempest, and Guardian

Tales of the Forest Wars: Ignite and Scorch

Rift: An Arcstone Novel

Music Mondays: Sathlir and Ginolwenye

[Slightly spoilerly - read at your own risk...]

Yeah, I couldn't sit on this one any longer. Anyone who knows me or has seen me talk about Gin and Sath and the Orana Chronicles knows how much I love these two characters. When I first heard this song I was captivated. It seems like it was written for them, documenting the path they take in the Nature Walker Trilogy. Please find the lyrics below and enjoy the music of this band from Dublin as they talk about my superheroes, Gin and Sath.

SuperheroesThe Script
All the life she has seenAll the meaner side of meThey took away the prophet's dreamFor a profit on the streetNow she's stronger than you knowA heart of steel starts to grow
All his life he's been toldHe'll be nothing when he's oldAll the kicks and all the blowsHe won't ever let it show'Cause he's stronger than you knowA heart of steel starts to grow
When you've been fighting for it all your lifeYou've been struggling to make things rightThat's how a superhero learns to flyEvery day, every hour, turn the pain into powerWhen you've fighting for it all your lifeYou've been working every day and nightThat's how a superhero learns to fly
Every day, every hour, turn the pain into powerOh-oh, oh, ohOh-oh, oh, oh
All the hurt, all the liesAll the tears that they cryWhen the moment is just rightYou see fire in their eyes'Cause he's stronger than you knowA heart of steel starts to grow
When you've been fighting for it all your lifeYou've been struggling to make things rightThat's how a superhero learns to flyEvery day, every hour, turn the pain into powerWhen you've fighting for it all your lifeYou've been working every day and nightThat's how a superhero learns to fly
Every day, every hour, turn the pain into power (power, power, power, power, power)Every day, every hour turn the pain into power(Power, power, power, power)Every day, every hour turn the pain into power
She's got lions in her heartA fire in her soul he's a got a beastIn his belly that's so hard to control'Cause they've taken too much hits, taking blow by blowNow light a match, stand back, watch them explode
She's got lions in her heartA fire in her soul he's a got a beastIn his belly that's so hard to control'Cause they've taken too much hits, taking blow by blowNow light a match, stand back, watch them explode
When you've been fighting for it all your lifeYou've been struggling to make things rightThat's a how a superhero learns to flyEvery day, every hour, turn the pain into power
When you've fighting for it all your lifeYou've been working every day and nightThat's a how a superhero learns to flyEvery day, every hour, turn the pain into power (power, power, power, power, power)
Oh, yes (power, power, power, power)Every day, every hour, turn the pain into power(Power, power, power, power) Ooh, yeahWhoa (power, power, power, power)Every day, every hour, turn the pain into power
When you've been fighting for it all your lifeYou've been struggling to make things rightThat's how a superhero learns to fly

Notes from Exile: Stargate SG1 in the time of COVID-19

So, Hubs and I have been working our way through all ten seasons of Stargate: SG1 over the summer. I somehow never watched it when it was on television, so in order to avoid having to turn in my nerd card, I started watching it. Unlike Babylon 5, I didn't hate the first season (I watched the movie first, so that could have something to do with it), and I did watch all the way to the end. I did not switch over to Stargate: Atlantis or Stargate: Universe, and I haven't watched any of the movies yet.

So we were watching the series finale last night and I was really not enjoying it. At some point, I decided to talk about it, and got Hubs so wound up (because that was one of his favorite episodes) that he requested that I just shut up and watch. What I was not liking about the episode was - spoilers if you haven't seen it, but seriously it's been at least 10 years so, #sorrynotsorry - all of them being trapped in the spaceship with no real timeline for how long they would be there.

I was spewing ideas about how it was too drawn out and how most of season ten had been almost slapstick in its levity so this level of emotion was jarring. But I think it was the parallel to how at least some of us have spent the time since mid-March that was more than jarring, it was downright unsettling. It came to me during the scene where Col. Mitchell was running through the ship, and then ends up in his quarters, throwing things around and destroying everything he could get his hands on.

At first, on Stargate, they all tried to work with Lt. Col. Carter to find out how to escape from the time bubble without the ship getting exploded by a shot from a hostile vessel. But after a few weeks and then months, they started getting on with whatever they could on board the ship. In the end, they were trapped there for 50 years, as barely a minute passed outside the bubble.

I have chosen to stay at home almost exclusively since mid-March. I go out on the weekends to get our grocery shopping done. I have spent one evening, recently, at the home of one of my beta readers, going over feedback for an upcoming novel. I drove to Georgia for the completely outdoor and socially distanced funeral for my Aunt Mary back in April. Other than that, these four walls and occasionally our yard and street (to get the post) have been the extent of my world. For five and a half months, I have been here.

The first parallel is that I have watched eagerly - in the beginning, until it became begrudgingly - as each Coronavirus Task Force Report played out on television, hoping that the day would come SOON that a vaccine had been developed and life would return to normal while we could still remember what normal was. We would be back on campus in the fall. There would be football Saturdays and renaissance festivals to look forward to - but none of that happened. Every "cure" and treatment and suggestion by anyone in charge would be the next best thing, and then it would fail. Finally we all were advised to wear masks, and while that seems to slow things down, it was not widely enough adopted to be really effective.

The second parallel is how my life adapted easily, it seemed, to getting on with things here. I am one of the lucky ones that could do my work from home, so I filled those endless days with transcription and planning for the summer semester, still certain we would be back on campus in the fall. But, just as it did on board the Prometheus in the time bubble, that started to wear thin too - didn't take 50 years, thankfully, but it happened. It comes with the moving of the goalposts, I think, from "This will be just until the beginning of April," to "I'm sure we will be back on campus in June," to the current "I am remote working until January."

The final parallel, or where everything fell into place for me last night, was the scene I mentioned above, where Cameron is shown running through the ship, then sparring with Teal'c and taking things more than a bit too far, and then finally losing it in his quarters and destroying things. I can completely understand the feelings there. I ran through the ship for exercise while I was buying a desk and setting up an office in the spare room in our house. I sparred without caution as I let myself have free reign to eat what I liked, hang out on the couch all day during the summer, and generally did nothing in terms of self care because WHAT WAS THE POINT, ANYWAY? And finally, on the inside anyway, I am raging, I am destroying, I am screaming - but not out loud, not in front of people, and certainly not when I'm taking my scheduled exercise at the grocery store and Costco.

And the grand moral at the end of this tale, the moment you've been waiting for if you've made it this far reading is that there isn't one. It's me, and Hubs, and the dogs, here in the house, and likely to be that way through that mystical far off time called January. Three months ago I would have said that in January we will all step out of our isolation and fall back into the swing of things as they were before. After all, on Stargate last night, they managed to reverse time and stop themselves from going into the time bubble in the first place. They were reset - the past 50 years didn't happen (in true Bobby Ewing style, if you ask me) and they were ready to go on another adventure through another wormhole.

We can't reset anything. We are here, for better or worse, six chevrons are encoded and we're just waiting for the seventh to be locked in. (Thanks, Walter.)

Notes from Exile: Week Two in the DayJob

Old Main Building, Clemson
I know that I have titled this "Week Two" but it really doesn't feel that way. The first week was only three days of classes and two days of absolute soul-crushing stress, so I'm not sure that makes a week. Instead, I am fairly sure that it has been about six months since I was celebrating my last week of the weirdest summer break I've ever had.
In retrospect, that's pretty normal for the first week of a semester, so I guess I should be glad that it didn't seem like a year. Interpreting into a camera has been very different from sitting in the front of a classroom and interpreting, and has made me very aware of the fact that I am not suited for Virtual Remote Interpreting (VRI) that is taking over the market these days. I spend most of my time playing dispatch - chasing down zoom links and Canvas sections, which is not that different from what I would be doing in the office on campus.
I do miss having my office mate across the desk. I miss catching up with people from the other offices in our building while waiting on my lunch to heat. And believe it or not, I miss the two hours a day on the bus from here down to campus.
When I envisioned my semester working from home, I have to say this was not what I thought it would be. I was looking forward to a bit of DayJob work, interpreting my class three times a week, getting some novel work/marketing done, and maybe having time to run out for some interpreting gigs here and there. Last week felt more like someone put me in a runaway roller coaster car and pushed me onto the track, swinging me just close enough but not quite to be able to feel like I've gotten anything done successfully. I would just feel like I was catching my breath going up one of those Scream Machine-esque hills before plunging back down into Zoom rooms that weren't allowing the caption writer to enter and videos to transcribe that were due to disappear from Canvas long before I could get the work done. I did not touch anything I've written the entire week.
I finally broke down and got int touch with my beta reader for an upcoming stand-alone novel in a new universe to suggest that we get together to go over her feedback. I'm putting this manuscript up for #pitmad in September, so there isn't much time left before that (if I don't get any requests, I will just put it in the pipeline for self-publishing). We got together at the weekend and went over the novel with a fine-toothed comb and a couple of glasses of wine and I felt the most like myself that I have since March.
Surprising? Yeah, me too. I've been basically with my partner ONLY since March, and I thought that I was introverted enough to be okay with that. I was wrong. It was a good time, socially distanced, and I basically bathed in hand sanitizer when I got home. This does not signal a rapid return to weekly girls nights out, retail therapy, or any of the social outlets I had in what my partner and I lovingly are calling "The Before Times." I'm still far too concerned about falling ill with COVID to return to my old life. I was becoming legitimately concerned for my own mental health, and this jolt may have recharged my ability to wait for safety to return so that we can stand in each other's kitchens, cooking, laughing, and relaxing into our friendships and letting go of the DayJob stress.
For now, though, it's back to my desk, in the office I share with our dogs and the house that has been my world, more or less, since March. I'm just a little better able to handle it.

Music Mondays: D'Ayna Turlach

 [SPOILERS AHEAD IF YOU HAVE NOT READ THE TALES OF THE FOREST WARS.]

When I first started working on the Tales of the Forest War, I had plans for one book. Just one. Simple characters. Focus on the conflict and the aftermath. Easy, right? 

Yeah, not so much. Once I got in there and started really thinking about what would cause this kind of conflict and how anyone other than the supremely powerful dragons (and the gods, of course) could come out the other side of it at all intact, it became clear that the personalities had to be as powerful as the overall story. This story was about more than just a war. 

There are always names. There are always places. War spawns heroes and villains, winners, and losers. This war could be no different. This war would forge a bond between two very different family lines that lasts for many generations to come. And so, knowing that meant that I knew that one of my characters would be the Nature Walker. But what of the other?

D'Ayna (named thusly because the first time I said it out loud it sounded like Diana and I was smitten) Turlach is an Ikedrian. She is a lieutenant. She is military-minded. She possesses magic that her family will not accept. She is every one of us that has tried to suppress who we are to fit in, and finally comes to the turning point where that isn't working anymore. She follows her heart. She loves her family. And all she has, in the end, is her battle cry: a mighty roar combining anger and fear.

Don't tell Gin or Tairn, but Ayna might be one of my favorite characters I've ever written. Maybe. So this song spoke to me in that gruff yet soft way that Ayna did while I was writing these novels. She was afraid - OF COURSE SHE WAS - but she knew what had to be done. This song is like an imagined conversation between Ayna and Draoch after the war. And that's as spoilery as I'm going to be. 

Also, when the Orana Chronicles become movies I am FOR SURE involving Imagine Dragons - you are going to see a lot of them on Music Mondays. Enjoy.

 

Battle Cry

Imagine Dragons

Just one more time before I go

I'll let you know

That all this time I've been afraid

Wouldn't let it show

Nobody can save me now, no

Nobody can save me now

Stars are only visible in darkness

Fear is ever-changing and evolving

And I, I feel poison inside

And I, I feel so alive

Nobody can save you now

King is crown, it's do or die

Nobody can save you now

The only sound

It's the battle cry

It's the battle cry

It's the battle cry

Nobody can save you now

It's do or die

Nobody can save you now

King is crown, it's do or die

Nobody can save you now

The only sound

It's the battle cry

It's the battle cry

It's the battle cry

Nobody can save you now

It's do or die

Just one more time before I go

I'll let you know

That all this time I've been afraid

Wouldn't let it show

Nobody can save me now, no

Nobody can save me now