Teresa Flavin

“E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.”
― Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

“The momentary darkness gave way to scores of small glowing lights. Blaise stepped into a candlelit room filled with people and furniture.
'Where are we?" he asked Livia. "How can a whole other room be here? There were only two rooms on the top floor.”
― Teresa Flavin, The Crimson Shard

“Somehow the painted door now stood open. Blaise was following Livia through it, past Throgmorton's outstretched arm. Sunni shed her slippers and hurried after them, still not quite believing they were walking through what she had thought was only paint on a wall.”
― Teresa Flavin, The Crimson Shard

“Blaise decided that the thing he would remember most about this London was the sour stink of it. The overripe foulness of the streets made him gag, and when a woman emptied a chamber pot from a top window, nearly catching him in its spray, he bent over and wretched, much to the Nightsneaks' amusement.”
― Teresa Flavin, The Crimson Shard