Gordon Grice's Blog, page 7

Death Warrant

A Trilogy of True Animal Terror is headed your way. In the first installment, our hero is on the verge of death—and that’s even before he has to hunt a leopard in the dark. “Death Warrant”—a 10-minute listen. 

 

For Llewelyn Powys, the journey to Africa started with tuberculosis. He picked it up in his travels; he found out it was more than flu when he coughed blood into his handkerchief. That made him think of what the poet John Keats had said: “I know the color of that blood; that blood is arterial blood; it is my death warrant.”

 

This happened at the turn of the twentieth century, when there was no cure. Powys went to a sanatorium where the social life was lively and the corpses were carried out after dark. “I see blood; I taste blood; I breathe blood,” he wrote in his diary one night. “Will daylight never come?” Eventually, his doctor told him Africa might suit. The air might help his lungs.

 

Off he went, to manage a stock farm in British East Africa. There he found “moles as large as water rats” and nettles that stung like wasps. It was, he said, a “country of midnight murmurs.” He wondered what sort of animal might have given a particular death-scream he heard one night; and, in a theological mood, he wondered at the ugliness of the bearded cedars, at the very convolutions of the cascades.

 

Africa took his faith while it restored his health. It was the suffering he minded, and not merely his own. His pet tabby cat lay in pain after an accident; he bludgeoned it, then found himself contemplating how little there was to separate its death from anyone else’s. Much later, when the ranch hands killed a leopard in a trap, that thought recurred to him. This bigger cat seemed to look at him with one eye; the bullet had gone through the other. While they carried it home, he kept making them pause so he could stuff stones into the hole at the back of its head. He wanted to keep the crimson and cream of its brain from oozing out.

 

“I had no idea I should come to fear death as I do,” he wrote. “It is as though I had been asleep or hypnotized all this time, and had only now waked.”

 

One morning, a farm hand told him they’d lost a calf to another leopard. He had never seen this leopard, but he had heard it in the night, its scraping bark echoing from the trees.

 

That sound was always followed by one even more impressive: silence. The country of midnight murmurs was united in its fear of the big cat.

 

It had flattened itself, in the uncanny way leopards have, and slipped between cedar logs to invade a shed. Its movements were easy to follow in the muddy ground. The tracks were nearly four inches across; the four toes showed no claws, but their size kept the danger present in his mind—that, and the glistening drops of blood along the trail. They saw no drag marks—the leopard clearly had the power to hold the calf-carcass aloft as it strode. He and the farmhands tracked until the prints vanished in tangled grass. It’s a wild moment, to go from knowing the predator is in front of you to not knowing where it is at all.

 

Soon a herdsman came to say he’d found the carcass, partly eaten. It lay at the foot of a cliff near the lake. Powys knew his evening plans had changed. There would be no poetry, only sitting with a gun until the predator showed up to finish the meat.

 

Late in the afternoon, Powys scrambled among the cliff’s jutting boulders in search of a safe spot. It behooves the hunter of a leopard not to leave his back unprotected.  The ledge he selected lay forty yards above the lake. The killed calf lay below him mostly intact, its unzipped belly swarming with golden bottle flies like rings on probing fingers, its eyes in a sultry half-close and swarming with blacker gnats. Powys licked a little wedge of paper to glue it to the sight of his rifle. He wanted it visible in the dark.

 

The sun sank and turned liquid against mountains worn like the nubs of molars. Powys listened to the stillness. It was curious how the dying light seemed to suck the sound out of the world as well. Soon, however, a new sound came from the water below, like a rushing of air. Next, the water sounded its troubling. Something scraped like a rusty gate. Another rush of air, like a locomotive venting steam. In fact, the entire lake seemed to come to life, like a heated pot beginning to bubble. Powys braced his back against the cliff and cradled his rifle. Then one of those ventings modulated itself into a hog grunt. It was only then Powys realized he was hearing hippopotamuses rising from the depths, moving for the shore. And sure enough, the surface, orange with sunset, went wild with ripples. Heads wider than human torsos rose. They chatted and chafed at the wait.

 

The sun fell behind those molar-mountains, swallowed at last. Powys watched the hippos, shadowy now, slipping through the frothy water and the rushes to feed in the grass beyond.  Night was far louder than sunset; birds and frogs and insects beyond his power to sort sounded off. Powys waited. A cold stink rose from the lake. Soon it settled in his bones.

 

The moon was up when the leopard came. It announced itself with a tubercular bark.

 

The stony face of the cliff shivered. A silence followed the announcement, as usual, but it didn’t last long. Suddenly the cliff was alive with screams, with figures climbing higher or thrusting themselves into crevices.

 

Baboons!

 

Powys had hardly been aware of them before. Now he felt kin to them, all the primates on the cliff trembling to the bone. Except, thought Powys, his fellow primates had to spend every night outdoors with the leopard. He himself could sleep inside tomorrow, if he managed to live through this night.

 

The leopard kept no secrets. It barked again and again to tell the citizens of the night just where it was. It was coming back to its kill. Powys figured it would come along a game trail he’d noticed, which would bring it out from between two boulders just at the base of the cliff. He should be able to see it then, because the moonlight lay over the lake like a sheet of ice and over the shore where it had left the carcass. Powys brought his rifle up. The leopard fell silent, however. The entire landscape was silent now. Powys wondered whether the baboons were watching those boulders, as he was.

 

He didn’t see the leopard arrive. It was simply there, moving like a snake through an open space. Its body was too long, too low. The worst part was its silence. Its paws must have touched the earth, and yet the earth returned no sound.

 

It approached the carcass carefully, avoiding the mess its own mutilations had made. It put its face to the wound. Even now, its movements were dainty—as if it were kissing the flesh instead of whittling it by the pound.

 

The wedge of paper was perfectly visible on his rifle. Powys pulled the trigger.

 

The leopard was gone.

 

He hadn’t seen it sprint away; it had simply ceased to exist. He must have missed; it must have moved faster than he could see. And now the ledge where he sat was where he must continue to sit. Moving about in the dark was suicide. If he had missed, the leopard was out there somewhere, and it knew where he was. If he had wounded it, his position was far worse. There was nothing to do but keep his back against the cliff and his rifle in his hands and his eyes open.

 

And yet, without meaning to, Powys fell asleep. He woke to a huge sun swimming on the horizon. His bones ached. The cold had settled deeply into him. He stood. The light slanted in discrete rays upon the basalt of the cliff. Flamingoes stood in the shallows, picking at the mud and shaking their heads on snaky necks. There in the golden light lay the calf; already the gleaming flies had returned to it. And there, with its dainty nose nearly touching the calf, lay the leopard. Its coat and the stillness of death had camouflaged it in the night. Morning showed that coat just as you have seen it in pictures: sloppy cocoa kisses on gold.

 

My Latest Article: Oklahoma Weird

 

It all started when my dad told me he’d seen something new: prairie dogs holding a funeral. A few days later, editor Nathan Gunter asked me if I had any ideas for an article about weird animal behavior. Before it was done, I’d delved into the super-immunity of opossums, the reason some rabbits grow horns, and more. It’s all in my latest article for Oklahoma Today magazine. Illustrated by Danielle Maniguet. 

International Nightmares: Norway

Tug of War




by Jonas Lie


Our brief penultimate stop on the International Tour of Nightmares is Norway. The monster here is a draug, which is like a zombie with shape-shifting powers and an appetite for human flesh. Pleasant dreams!
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International Nightmares: Japan

Today's international horror break (it's like a coffee break, and will keep you up at night just as well), comes to us from Japan. The American writer Lafcadio Hearn ventured there to teach English, fell in love with the place, and spent the rest of his life explaining its philosophies and retelling its tales. 

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Listen to Mimi-Nashi-Hoichi.

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THE STORY OF MIMI-NASHI-HOICHIBy Lafcadio Hearn

More than seven hundred years ago, at Dan-no-ura, in the Straits of Shimonoseki, was fought the last battle of the long contest between the Heike, or Taira clan, and the Genji, or Minamoto clan. There the Heike perished utterly, with their women and children, and their infant emperor likewise—now remembered as Antoku Tenno. And that sea and shore have been haunted for seven hundred years... Elsewhere I told you about the strange crabs found there, called Heike crabs, which have human faces on their backs, and are said to be the spirits of the Heike warriors. But there are many strange things to be seen and heard along that coast. On dark nights thousands of ghostly fires hover about the beach, or flit above the waves,—pale lights which the fishermen call Oni-bi, or demon-fires; and, whenever the winds are up, a sound of great shouting comes from that sea, like a clamor of battle.
In former years the Heike were much more restless than they now are. They would rise about ships passing in the night, and try to sink them; and at all times they would watch for swimmers, to pull them down. It was in order to appease those dead that the Buddhist temple, Amidaji, was built at Akamagaseki. A cemetery also was made close by, near the beach; and within it were set up monuments inscribed with the names of the drowned emperor and of his great vassals; and Buddhist services were regularly performed there, on behalf of the spirits of them. After the temple had been built, and the tombs erected, the Heike gave less trouble than before; but they continued to do queer things at intervals,—proving that they had not found the perfect peace.

Some centuries ago there lived at Akamagaseki a blind man named Hoichi, who was famed for his skill in recitation and in playing upon the biwa. From childhood he had been trained to recite and to play; and while yet a lad he had surpassed his teachers. As a professional biwa-hoshi he became famous chiefly by his recitations of the history of the Heike and the Genji; and it is said that when he sang the song of the battle of Dan-no-ura "even the goblins could not refrain from tears."

At the outset of his career, Hoichi was very poor; but he found a good friend to help him. The priest of the Amidaji was fond of poetry and music; and he often invited Hoichi to the temple, to play and recite. Afterwards, being much impressed by the wonderful skill of the lad, the priest proposed that Hoichi should make the temple his home; and this offer was gratefully accepted. Hoichi was given a room in the temple-building; and, in return for food and lodging, he was required only to gratify the priest with a musical performance on certain evenings, when otherwise disengaged.

One summer night the priest was called away, to perform a Buddhist service at the house of a dead parishioner; and he went there with his acolyte, leaving Hoichi alone in the temple. It was a hot night; and the blind man sought to cool himself on the verandah before his sleeping-room. The verandah overlooked a small garden in the rear of the Amidaji. There Hoichi waited for the priest's return, and tried to relieve his solitude by practicing upon his biwa. Midnight passed; and the priest did not appear. But the atmosphere was still too warm for comfort within doors; and Hoichi remained outside. At last he heard steps approaching from the back gate. Somebody crossed the garden, advanced to the verandah, and halted directly in front of him—but it was not the priest. A deep voice called the blind man's name—abruptly and unceremoniously, in the manner of a samurai summoning an inferior:—
"Hoichi!"
"Hai!” answered the blind man, frightened by the menace in the voice,—"I am blind!—I cannot know who calls!"
"There is nothing to fear," the stranger exclaimed, speaking more gently. "I am stopping near this temple, and have been sent to you with a message. My present lord, a person of exceedingly high rank, is now staying in Akamagaseki, with many noble attendants. He wished to view the scene of the battle of Dan-no-ura; and to-day he visited that place. Having heard of your skill in reciting the story of the battle, he now desires to hear your performance: so you will take your biwa and come with me at once to the house where the august assembly is waiting."
In those times, the order of a samurai was not to be lightly disobeyed. Hoichi donned his sandals, took his biwa, and went away with the stranger, who guided him deftly, but obliged him to walk very fast. The hand that guided was iron; and the clank of the warrior's stride proved him fully armed,—probably some palace-guard on duty. Hoichi's first alarm was over: he began to imagine himself in good luck;—for, remembering the retainer's assurance about a "person of exceedingly high rank," he thought that the lord who wished to hear the recitation could not be less than a daimyo of the first class. Presently the samurai halted; and Hoichi became aware that they had arrived at a large gateway;—and he wondered, for he could not remember any large gate in that part of the town, except the main gate of the Amidaji. "Kaimon!" the samurai called,—and there was a sound of unbarring; and the twain passed on. They traversed a space of garden, and halted again before some entrance; and the retainer cried in a loud voice, "Within there! I have brought Hoichi." Then came sounds of feet hurrying, and screens sliding, and rain-doors opening, and voices of women in converse. By the language of the women Hoichi knew them to be domestics in some noble household; but he could not imagine to what place he had been conducted. Little time was allowed him for conjecture. After he had been helped to mount several stone steps, upon the last of which he was told to leave his sandals, a woman's hand guided him along interminable reaches of polished planking, and round pillared angles too many to remember, and over widths amazing of matted floor,—into the middle of some vast apartment. There he thought that many great people were assembled: the sound of the rustling of silk was like the sound of leaves in a forest. He heard also a great humming of voices,—talking in undertones; and the speech was the speech of courts.
Hoichi was told to put himself at ease, and he found a kneeling-cushion ready for him. After having taken his place upon it, and tuned his instrument, the voice of a woman—whom he divined to be the Rojo, or matron in charge of the female service—addressed him, saying,—
"It is now required that the history of the Heike be recited, to the accompaniment of the biwa."
Now the entire recital would have required a time of many nights: therefore Hoichi ventured a question:—
"As the whole of the story is not soon told, what portion is it augustly desired that I now recite?"
The woman's voice made answer:—
"Recite the story of the battle at Dan-no-ura,—for the pity of it is the most deep."
Then Hoichi lifted up his voice, and chanted the chant of the fight on the bitter sea,—wonderfully making his biwa to sound like the straining of oars and the rushing of ships, the whirr and the hissing of arrows, the shouting and trampling of men, the crashing of steel upon helmets, the plunging of slain in the flood. And to left and right of him, in the pauses of his playing, he could hear voices murmuring praise: "How marvelous an artist!"—"Never in our own province was playing heard like this!"—"Not in all the empire is there another singer like Hoichi!" Then fresh courage came to him, and he played and sang yet better than before; and a hush of wonder deepened about him. But when at last he came to tell the fate of the fair and helpless,—the piteous perishing of the women and children,—and the death-leap of Nii-no-Ama, with the imperial infant in her arms,—then all the listeners uttered together one long, long shuddering cry of anguish; and thereafter they wept and wailed so loudly and so wildly that the blind man was frightened by the violence and grief that he had made. For much time the sobbing and the wailing continued. But gradually the sounds of lamentation died away; and again, in the great stillness that followed, Hoichi heard the voice of the woman whom he supposed to be the Rojo.
She said:—
"Although we had been assured that you were a very skillful player upon the biwa, and without an equal in recitative, we did not know that any one could be so skillful as you have proved yourself to-night. Our lord has been pleased to say that he intends to bestow upon you a fitting reward. But he desires that you shall perform before him once every night for the next six nights—after which time he will probably make his august return-journey. To-morrow night, therefore, you are to come here at the same hour. The retainer who to-night conducted you will be sent for you... There is another matter about which I have been ordered to inform you. It is required that you shall speak to no one of your visits here, during the time of our lord's august sojourn at Akamagaseki. As he is traveling incognito, he commands that no mention of these things be made... You are now free to go back to your temple."

After Hoichi had duly expressed his thanks, a woman's hand conducted him to the entrance of the house, where the same retainer, who had before guided him, was waiting to take him home. The retainer led him to the verandah at the rear of the temple, and there bade him farewell.

It was almost dawn when Hoichi returned; but his absence from the temple had not been observed,—as the priest, coming back at a very late hour, had supposed him asleep. During the day Hoichi was able to take some rest; and he said nothing about his strange adventure. In the middle of the following night the samurai again came for him, and led him to the august assembly, where he gave another recitation with the same success that had attended his previous performance. But during this second visit his absence from the temple was accidentally discovered; and after his return in the morning he was summoned to the presence of the priest, who said to him, in a tone of kindly reproach:—
"We have been very anxious about you, friend Hoichi. To go out, blind and alone, at so late an hour, is dangerous. Why did you go without telling us? I could have ordered a servant to accompany you. And where have you been?"
Hoichi answered, evasively,—
"Pardon me kind friend! I had to attend to some private business; and I could not arrange the matter at any other hour."
The priest was surprised, rather than pained, by Hoichi's reticence: he felt it to be unnatural, and suspected something wrong. He feared that the blind lad had been bewitched or deluded by some evil spirits. He did not ask any more questions; but he privately instructed the men-servants of the temple to keep watch upon Hoichi's movements, and to follow him in case that he should again leave the temple after dark.

On the very next night, Hoichi was seen to leave the temple; and the servants immediately lighted their lanterns, and followed after him. But it was a rainy night, and very dark; and before the temple-folks could get to the roadway, Hoichi had disappeared. Evidently he had walked very fast,—a strange thing, considering his blindness; for the road was in a bad condition. The men hurried through the streets, making inquiries at every house which Hoichi was accustomed to visit; but nobody could give them any news of him. At last, as they were returning to the temple by way of the shore, they were startled by the sound of a biwa, furiously played, in the cemetery of the Amidaji. Except for some ghostly fires—such as usually flitted there on dark nights—all was blackness in that direction. But the men at once hastened to the cemetery; and there, by the help of their lanterns, they discovered Hoichi,—sitting alone in the rain before the memorial tomb of Antoku Tenno, making his biwa resound, and loudly chanting the chant of the battle of Dan-no-ura. And behind him, and about him, and everywhere above the tombs, the fires of the dead were burning, like candles. Never before had so great a host of Oni-bi appeared in the sight of mortal man...
"Hoichi San!—Hoichi San!" the servants cried,—"you are bewitched!... Hoichi San!"
But the blind man did not seem to hear. Strenuously he made his biwa to rattle and ring and clang;—more and more wildly he chanted the chant of the battle of Dan-no-ura. They caught hold of him;—they shouted into his ear,—
"Hoichi San!—Hoichi San!—come home with us at once!"
Reprovingly he spoke to them:—
"To interrupt me in such a manner, before this august assembly, will not be tolerated."
Whereat, in spite of the weirdness of the thing, the servants could not help laughing. Sure that he had been bewitched, they now seized him, and pulled him up on his feet, and by main force hurried him back to the temple,—where he was immediately relieved of his wet clothes, by order of the priest. Then the priest insisted upon a full explanation of his friend's astonishing behavior.
Hoichi long hesitated to speak. But at last, finding that his conduct had really alarmed and angered the good priest, he decided to abandon his reserve; and he related everything that had happened from the time of first visit of the samurai.
The priest said:—
"Hoichi, my poor friend, you are now in great danger! How unfortunate that you did not tell me all this before! Your wonderful skill in music has indeed brought you into strange trouble. By this time you must be aware that you have not been visiting any house whatever, but have been passing your nights in the cemetery, among the tombs of the Heike;—and it was before the memorial-tomb of Antoku Tenno that our people to-night found you, sitting in the rain. All that you have been imagining was illusion—except the calling of the dead. By once obeying them, you have put yourself in their power. If you obey them again, after what has already occurred, they will tear you in pieces. But they would have destroyed you, sooner or later, in any event... Now I shall not be able to remain with you to-night: I am called away to perform another service. But, before I go, it will be necessary to protect your body by writing holy texts upon it."

Before sundown the priest and his acolyte stripped Hoichi: then, with their writing-brushes, they traced upon his breast and back, head and face and neck, limbs and hands and feet,—even upon the soles of his feet, and upon all parts of his body,—the text of the holy sutra called Hannya-Shin-Kyo. When this had been done, the priest instructed Hoichi, saying:—
"To-night, as soon as I go away, you must seat yourself on the verandah, and wait. You will be called. But, whatever may happen, do not answer, and do not move. Say nothing and sit still—as if meditating. If you stir, or make any noise, you will be torn asunder. Do not get frightened; and do not think of calling for help—because no help could save you. If you do exactly as I tell you, the danger will pass, and you will have nothing more to fear."

After dark the priest and the acolyte went away; and Hoichi seated himself on the verandah, according to the instructions given him. He laid his biwa on the planking beside him, and, assuming the attitude of meditation, remained quite still,—taking care not to cough, or to breathe audibly. For hours he stayed thus.
Then, from the roadway, he heard the steps coming. They passed the gate, crossed the garden, approached the verandah, stopped—directly in front of him.
"Hoichi!" the deep voice called. But the blind man held his breath, and sat motionless.
"Hoichi!" grimly called the voice a second time. Then a third time—savagely:—
"Hoichi!"
Hoichi remained as still as a stone,—and the voice grumbled:—
"No answer!—that won't do!... Must see where the fellow is."...
There was a noise of heavy feet mounting upon the verandah. The feet approached deliberately,—halted beside him. Then, for long minutes,—during which Hoichi felt his whole body shake to the beating of his heart,—there was dead silence.
At last the gruff voice muttered close to him:—
"Here is the biwa; but of the biwa-player I see—only two ears!... So that explains why he did not answer: he had no mouth to answer with—there is nothing left of him but his ears... Now to my lord those ears I will take—in proof that the august commands have been obeyed, so far as was possible"...
At that instant Hoichi felt his ears gripped by fingers of iron, and torn off! Great as the pain was, he gave no cry. The heavy footfalls receded along the verandah,—descended into the garden,—passed out to the roadway,—ceased. From either side of his head, the blind man felt a thick warm trickling; but he dared not lift his hands...

Before sunrise the priest came back. He hastened at once to the verandah in the rear, stepped and slipped upon something clammy, and uttered a cry of horror;—for he saw, by the light of his lantern, that the clamminess was blood. But he perceived Hoichi sitting there, in the attitude of meditation—with the blood still oozing from his wounds.
"My poor Hoichi!" cried the startled priest,—"what is this?... You have been hurt?"
At the sound of his friend's voice, the blind man felt safe. He burst out sobbing, and tearfully told his adventure of the night.
"Poor, poor Hoichi!" the priest exclaimed,—"all my fault!—my very grievous fault!... Everywhere upon your body the holy texts had been written—except upon your ears! I trusted my acolyte to do that part of the work; and it was very, very wrong of me not to have made sure that he had done it!... Well, the matter cannot now be helped;—we can only try to heal your hurts as soon as possible... Cheer up, friend!—the danger is now well over. You will never again be troubled by those visitors."

With the aid of a good doctor, Hoichi soon recovered from his injuries. The story of his strange adventure spread far and wide, and soon made him famous. Many noble persons went to Akamagaseki to hear him recite; and large presents of money were given to him,—so that he became a wealthy man... But from the time of his adventure, he was known only by the appellation of Mimi-nashi-Hoichi: "Hoichi-the-Earless."

International Nightmares: France

Here's another fictional and fun horror story, this time from the Alsatian region where France borders Germany. The authors are Emile Erckmann and Alexandre Chatrian, a team who had more drama than Fleetwood Mac.

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Listen to The Invisible Eye.

Download or print The Invisible Eye.




About this time (said Christian), poor as a church mouse, I took refuge in the roof of an old house in Minnesänger Street, Nuremberg, and made my nest in the corner of the garret.
I was compelled to work over my straw bed to reach the window, but this window was in the gable end, and the view from it was magnificent, both town and country being spread out before me.
I could see the cats walking gravely in the gutters; the storks, their beaks filled with frogs, carrying nourishment to their ravenous brood; the pigeons, springing from their cotes, their tails spread like fans, hovering over the streets.
In the evening, when the bells called the world to the Angelus, with my elbows upon the edge of the roof, I listened to their melancholy chimes; I watched the windows as, one by one, they were lighted up; the good burghers smoking their pipes on the sidewalks; the young girls in their red skirts, with their pitchers under their arms, laughing and chatting around the fountain "Saint Sebalt." Insensibly all this faded away, the bats commenced their rapid course, and I retired to my mattress in sweet peace and tranquillity.
The old curiosity seller, Toubac, knew the way to my little lodging as well as I did, and was not afraid to climb the ladder. Every week his ugly head, adorned with a reddish cap, raised the trapdoor, his fingers grasped the ledge, and he cried out in a nasal tone:
"Well, well, Master Christian, have you anything?"
To which I replied:
"Come in. Why in the devil don't you come in? I am just finishing a little landscape, and you must tell me what you think of it."
Then his great back, seeming to elongate, grew up, even to the roof, and the good man laughed silently.
I must do justice to Toubac: he never haggled with me about prices; he bought all my paintings at fifteen florins, one with the other, and sold them again for forty each. "This was an honest Jew!"
I began to grow fond of this mode of existence, and to find new charms in it day by day.
Just at this time the city of Nuremberg was agitated by a strange and mysterious event. Not far from my dormer window, a little to the left, stood the Inn Boeuf-Gras, an old auberge much patronized throughout the country. Three or four wagons, filled with sacks or casks, were always drawn up before the door, where the rustic drivers were in the habit of stopping, on their way to the market, to take their morning draught of wine.
The gable end of the inn was distinguished by its peculiar form. It was very narrow, pointed, and, on two sides, cut-in teeth, like a saw. The carvings were strangely grotesque, interwoven and ornamenting the cornices and surrounding the windows; but the most remarkable fact was that the house opposite reproduced exactly the same sculptures, the same ornaments; even the signboard, with its post and spiral of iron, was exactly copied.
One might have thought that these two ancient houses reflected each other. Behind the inn, however, was a grand old oak, whose somber leaves darkened the stones of the roof, while the other house stood out in bold relief against the sky. To complete the description, this old building was as silent and dreary as the Inn Boeuf-Gras was noisy and animated.
On one side, a crowd of merry drinkers were continually entering in and going out, singing, tripping, cracking their whips; on the other, profound silence reigned.
Perhaps, once or twice during the day, the heavy door seemed to open of itself, to allow a little old woman to go out, with her back almost in a semicircle, her dress fitting tight about her hips, an enormous basket on her arm, and her hand contracted against her breast.
It seemed to me that I saw at a glance, as I looked upon her, a whole existence of good works and pious meditations.
The physiognomy of this old woman had struck me more than once: her little green eyes, long, thin nose, the immense bouquets of flowers on her shawl, which must have been at least a hundred years old, the withered smile which puckered her cheeks into a cockade, the lace of her bonnet falling down to her eyebrows—all this was fantastic, and interested me much. Why did this old woman live in this great deserted house? I wished to explore the mystery.
One day as I paused in the street and followed her with my eyes, she turned suddenly and gave me a look, the horrible expression of which I know not how to paint; made three or four hideous grimaces, and then, letting her palsied head fall upon her breast, drew her great shawl closely around her, and advanced slowly to the heavy door, behind which I saw her disappear.
"She's an old fool!" I said to myself, in a sort of stupor. My faith, it was the height of folly in me to be interested in her!
However, I would like to see her grimace again; old Toubac would willingly give me fifteen florins if I could paint it for him.
I must confess that these pleasantries of mine did not entirely reassure me.
The hideous glance which the old shrew had given me pursued me everywhere. More than once, while climbing the almost perpendicular ladder to my loft, feeling my clothing caught on some point, I trembled from head to foot, imagining that the old wretch was hanging to the tails of my coat in order to destroy me.
Toubac, to whom I related this adventure, was far from laughing at it; indeed, he assumed a grave and solemn air.
"Master Christian," said he, "if the old woman wants you, take care! Her teeth are small, pointed, and of marvelous whiteness, and that is not natural at her age. She has an 'evil eye.' Children flee from her, and the people of Nuremberg call her 'Fledermausse.'"
I admired the clear, sagacious intellect of the Jew, and his words gave me cause for reflection.
Several weeks passed away, during which I often encountered Fledermausse without any alarming consequences. My fears were dissipated, and I thought of her no more.
But an evening came, during which, while sleeping very soundly, I was awakened by a strange harmony. It was a kind of vibration, so sweet, so melodious, that the whispering of the breeze among the leaves can give but a faint idea of its charm.
For a long time I listened intently, with my eyes wide open, and holding my breath, so as not to lose a note. At last I looked toward the window, and saw two wings fluttering against the glass. I thought, at first, that it was a bat, caught in my room; but, the moon rising at that instant, I saw the wings of a magnificent butterfly of the night delineated upon her shining disk. Their vibrations were often so rapid that they could not be distinguished; then they reposed, extended upon the glass, and their frail fibers were again brought to view.
This misty apparition, coming in the midst of the universal silence, opened my heart to all sweet emotions. It seemed to me that an airy sylph, touched with a sense of my solitude, had come to visit me, and this idea melted me almost to tears.
"Be tranquil, sweet captive, be tranquil," said I; "your confidence shall not be abused. I will not keep you against your will. Return to heaven and to liberty." I then opened my little window. The night was calm, and millions of stars were glittering in the sky. For a moment I contemplated this sublime spectacle, and words of prayer and praise came naturally to my lips; but, judge of my amazement, when, lowering my eyes, I saw a man hanging from the crossbeam of the sign of the Boeuf-Gras, the hair disheveled, the arms stiff, the legs elongated to a point, and casting their gigantic shadows down to the street!
The immobility of this figure under the moon's rays was terrible. I felt my tongue freezing, my teeth clinched. I was about to cry out in terror when, by some incomprehensible mysterious attraction, my glance fell below, and I distinguished, confusedly, the old woman crouched at her window in the midst of dark shadows, and contemplating the dead man with an air of diabolic satisfaction.
Then I had a vertigo of terror. All my strength abandoned me, and, retreating to the wall of my loft, I sank down and became insensible.
I do not know how long this sleep of death continued. When restored to consciousness, I saw that it was broad day. The mists of the night had penetrated to my garret, and deposited their fresh dew upon my hair, and the confused murmurs of the street ascended to my little lodging. I looked without. The burgomaster and his secretary were stationed at the door of the inn, and remained there a long time; crowds of people came and went, and paused to look in; then recommenced their course. The good women of the neighborhood, who were sweeping before their doors, looked on from afar, and talked gravely with each other.
At last a litter, and upon this litter a body, covered with a linen cloth, issued from the inn, carried by two men. They descended to the street, and the children, on their way to school, ran behind them.
All the people drew back as they advanced.
The window opposite was still open; the end of a rope floated from the crossbeam.
I had not dreamed. I had, indeed, seen the butterfly of the night; I had seen the man hanging, and I had seen Fledermausse.
That day Toubac made me a visit, and, as his great nose appeared on a level with the floor, he exclaimed:
"Master Christian, have you nothing to sell?"
I did not hear him. I was seated upon my one chair, my hands clasped upon my knees, and my eyes fixed before me.
Toubac, surprised at my inattention, repeated in a louder voice:
"Master Christian, Master Christian!" Then, striding over the sill, he advanced and struck me on the shoulder.
"Well, well, what is the matter now?"
"Ah, is that you, Toubac?"
"Eh, parbleu! I rather think so; are you ill?"
"No, I am only thinking."
"What in the devil are you thinking about?"
"Of the man who was hanged."
"Oh, oh!" cried the curiosity vender. "You have seen him, then? The poor boy! What a singular history! The third in the same place."
"How—the third?"
"Ah, yes! I ought to have warned you; but it is not too late. There will certainly be a fourth, who will follow the example of the others. Il n'y à que le premier pas qui coûte."
Saying this, Toubac took a seat on the corner of my trunk, struck his match-box, lighted his pipe, and blew three or four powerful whiffs of smoke with a meditative air.
"My faith," said he, "I am not fearful; but, if I had full permission to pass the night in that chamber, I should much prefer to sleep elsewhere.
"Listen, Master Christian. Nine or ten months ago a good man of Tübingen, wholesale dealer in furs, dismounted at the Inn Boeuf-Gras. He called for supper; he ate well; he drank well; and was finally conducted to that room in the third story—it is called the Green Room. Well, the next morning he was found hanging to the crossbeam of the signboard.
"Well, that might do for once; nothing could be said.
"Every proper investigation was made, and the stranger was buried at the bottom of the garden. But, look you, about six months afterwards a brave soldier from Neustadt arrived; he had received his final discharge, and was rejoicing in the thought of returning to his native village. During the whole evening, while emptying his wine cups, he spoke fondly of his little cousin who was waiting to marry him. At last this big monsieur was conducted to his room—the Green Room—and, the same night, the watchman, passing down the street Minnesänger, perceived something hanging to the crossbeam; he raised his lantern, and lo! it was the soldier, with his final discharge in a bow on his left hip, and his hands gathered up to the seam of his pantaloons, as if on parade.
"'Truth to say, this is extraordinary!' cried the burgomaster; 'the devil's to pay.' Well, the chamber was much visited; the walls were replastered, and the dead man was sent to Neustadt.
"The registrar wrote this marginal note:
"'Died of apoplexy.'
"All Nuremberg was enraged against the innkeeper. There were many, indeed, who wished to force him to take down his iron crossbeam, under the pretext that it inspired people with dangerous ideas; but you may well believe that old Michael Schmidt would not lend his ear to this proposition.
"'This crossbeam,' said he, 'was placed here by my grandfather; it has borne the sign of Boeuf-Gras for one hundred and fifty years, from father to son; it harms no one, not even the hay wagons which pass beneath, for it is thirty feet above them. Those who don't like it can turn their heads aside, and not see it.'
"Well, gradually the town calmed down, and, during several months, no new event agitated it. Unhappily, a student of Heidelberg, returning to the university, stopped, day before yesterday, at the Inn Boeuf-Gras, and asked for lodging. He was the son of a minister of the gospel.
"How could anyone suppose that the son of a pastor could conceive the idea of hanging himself on the crossbeam of a signboard, because a big monsieur and an old soldier had done so? We must admit, Master Christian, that the thing was not probable; these reasons would not have seemed sufficient to myself or to you."
"Enough, enough!" I exclaimed; "this is too horrible! I see a frightful mystery involved in all this. It is not the crossbeam; it is not the room—"
"What! Do you suspect the innkeeper, the most honest man in the world, and belonging to one of the oldest families in Nuremberg?"
"No, no; may God preserve me from indulging in unjust suspicions! but there is an abyss before me, into which I scarcely dare glance."
"You are right," said Toubac, astonished at the violence of my excitement. "We will speak of other things. Apropos, Master Christian, where is our landscape of 'Saint Odille'?"
This question brought me back to the world of realities. I showed the old man the painting I had just completed. The affair was soon concluded, and Toubac, well satisfied, descended the ladder, entreating me to think no more of the student of Heidelberg.
I would gladly have followed my good friend's counsel; but, when the devil once mixes himself up in our concerns, it is not easy to disembarrass ourselves of him.
In my solitary hours all these events were reproduced with frightful distinctness in my mind.
"This old wretch," I said to myself, "is the cause of it all; she alone has conceived these crimes, and has consummated them. But by what means? Has she had recourse to cunning alone, or has she obtained the intervention of invisible powers?" I walked to and fro in my retreat. An inward voice cried out: "It is not in vain that Providence permitted you to see Fledermausse contemplating the agonies of her victim. It is not in vain that the soul of the poor young man came in the form of a butterfly of the night to awake you. No, no; all this was not accidental, Christian. The heavens impose upon you a terrible mission. If you do not accomplish it, tremble lest you fall yourself into the hands of the old murderess! Perhaps, at this moment, she is preparing her snares in the darkness."
During several days these hideous images followed me without intermission. I lost my sleep; it was impossible for me to do anything; my brush fell from my hand; and, horrible to confess, I found myself sometimes gazing at the crossbeam with a sort of complacency. At last I could endure it no longer, and one evening I descended the ladder and hid myself behind the door of Fledermausse, hoping to surprise her fatal secret.
From that time no day passed in which I was not en route, following the old wretch, watching, spying, never losing sight of her; but she was so cunning, had a scent so subtile that, without even turning her head, she knew I was behind her.
However, she feigned not to perceive this; she went to the market, to the butcher's, like any good, simple woman, only hastening her steps and murmuring confused words.
At the close of the month I saw that it was impossible for me to attain my object in this way, and this conviction made me inexpressibly sad.
"What can I do?" I said to myself. "The old woman divines my plans; she is on her guard; every hope abandons me. Ah! old hag, you think you already see me at the end of your rope." I was continually asking myself this question: "What can I do? what can I do?" At last a luminous idea struck me. My chamber overlooked the house of Fledermausse; but there was no window on this side. I adroitly raised a slate, and no pen could paint my joy when the whole ancient building was thus exposed to me. "At last, I have you!" I exclaimed; "you cannot escape me now; from here I can see all that passes—your goings, your comings, your arts and snares. You will not suspect this invisible eye—this watchful eye, which will surprise crime at the moment it blooms. Oh, Justice, Justice! She marches slowly; but she arrives."
Nothing could be more sinister than the den now spread out before me—a great courtyard, the large slabs of which were covered with moss; in one corner, a well, whose stagnant waters you shuddered to look upon; a stairway covered with old shells; at the farther end a gallery, with wooden balustrade, and hanging upon it some old linen and the tick of an old straw mattress; on the first floor, to the left, the stone covering of a common sewer indicated the kitchen; to the right the lofty windows of the building looked out upon the street; then a few pots of dried, withered flowers—all was cracked, somber, moist. Only one or two hours during the day could the sun penetrate this loathsome spot; after that, the shadows took possession; then the sunshine fell upon the crazy walls, the worm-eaten balcony, the dull and tarnished glass, and upon the whirlwind of atoms floating in its golden rays, disturbed by no breath of air.
I had scarcely finished these observations and reflections, when the old woman entered, having just returned from market. I heard the grating of her heavy door. Then she appeared with her basket. She seemed fatigued—almost out of breath. The lace of her bonnet fell to her nose. With one hand she grasped the banister and ascended the stairs.
The heat was intolerable, suffocating; it was precisely one of those days in which all insects—crickets, spiders, mosquitoes, etc.—make old ruins resound with their strange sounds.
Fledermausse crossed the gallery slowly, like an old ferret who feels at home. She remained more than a quarter of an hour in the kitchen, then returned, spread out her linen, took the broom, and brushed away some blades of straw on the floor. At last she raised her head, and turned her little green eyes in every direction, searching, investigating carefully.
Could she, by some strange intuition, suspect anything? I do not know; but I gently lowered the slate, and gave up my watch for the day.
In the morning Fledermausse appeared reassured. One angle of light fell upon the gallery. In passing, she caught a fly on the wing, and presented it delicately to a spider established in a corner of the roof. This spider was so bloated that, notwithstanding the distance, I saw it descend from round to round, then glide along a fine web, like a drop of venom, seize its prey from the hands of the old shrew, and remount rapidly. Fledermausse looked at it very attentively, with her eyes half closed; then sneezed, and said to herself, in a jeering tone, "God bless you, beautiful one; God bless you!"
I watched during six weeks, and could discover nothing concerning the power of Fledermausse. Sometimes, seated upon a stool, she peeled her potatoes, then hung out her linen upon the balustrade.
Sometimes I saw her spinning; but she never sang, as good, kind old women are accustomed to do, their trembling voices mingling well with the humming of the wheel.
Profound silence always reigned around her; she had no cat—that cherished society of old women—not even a sparrow came to rest under her roof. It seemed as if all animated nature shrank from her glance. The bloated spider alone took delight in her society.
I cannot now conceive how my patience could endure those long hours of observation: nothing escaped me; nothing was matter of indifference. At the slightest sound I raised my slate; my curiosity was without limit, insatiable.
Toubac complained greatly.
"Master Christian," said he, "how in the devil do you pass your time? Formerly you painted something for me every week; now you do not finish a piece once a month. Oh, you painters! 'Lazy as a painter' is a good, wise proverb. As soon as you have a few kreutzers in possession, you put your hands in your pockets and go to sleep!"
I confess that I began to lose courage—I had watched, spied, and discovered nothing. I said to myself that the old woman could not be so dangerous as I had supposed; that I had perhaps done her injustice by my suspicions; in short, I began to make excuses for her. One lovely afternoon, with my eye fixed at my post of observation, I abandoned myself to these benevolent reflections, when suddenly the scene changed: Fledermausse passed through the gallery with the rapidity of lightning. She was no longer the same person; she was erect, her jaws were clinched, her glance fixed, her neck extended; she walked with grand strides, her gray locks floating behind her.
"Oh, at last," I said to myself, "something is coming, attention!" But, alas! the shadows of evening descended upon the old building, the noises of the city expired, and silence prevailed.
Fatigued and disappointed, I lay down upon my bed, when, casting my eyes toward my dormer window, I saw the room opposite illuminated. So! a traveler occupied the Green Room—fatal to strangers.
Now, all my fears were reawakened; the agitation of Fledermausse was explained—she scented a new victim.
No sleep for me that night; the rustling of the straw, the nibbling of the mice under the floor, gave me nervous chills.
I rose and leaned out of my window; I listened. The light in the room opposite was extinguished. In one of those moments of poignant anxiety, I cannot say if it was illusion or reality, I thought I saw the old wretch also watching and listening.
The night passed, and the gray dawn came to my windows; by degrees the noise and movements in the street ascended to my loft. Harassed by fatigue and emotion I fell asleep, but my slumber was short, and by eight o'clock I had resumed my post of observation.
It seemed as if the night had been as disturbed and tempestuous to Fledermausse as to myself. When she opened the door of the gallery, I saw that a livid pallor covered her cheeks and thin throat; she had on only her chemise and a woolen skirt; a few locks of reddish gray hair fell on her shoulders. She looked toward my hiding place with a dreamy, abstracted air, but she saw nothing; she was thinking of other things.
Suddenly she descended, leaving her old shoes at the bottom of the steps. "Without doubt," thought I, "she is going to see if the door below is well fastened."
I saw her remount hastily, springing up three or four steps at a time—it was terrible.
She rushed into the neighboring chamber, and I heard something like the falling of the top of a great chest; then Fledermausse appeared in the gallery, dragging a manikin after her, and this manikin was clothed like the Heidelberg student.
With surprising dexterity the old woman suspended this hideous object to a beam of the shed, then descended rapidly to the courtyard to contemplate it. A burst of sardonic laughter escaped from her lips; she remounted, then descended again like a maniac, and each time uttered new cries and new bursts of laughter.
A noise was heard near the door, and the old woman bounded forward, unhooked the manikin and carried it off; then, leaning over the balustrade with her throat elongated, her eyes flashing, she listened earnestly. The noise was lost in the distance, the muscles of her face relaxed, and she drew long breaths. It was only a carriage which had passed.
The old wretch had been frightened.
She now returned to the room, and I heard the chest close. This strange scene confounded all my ideas. What did this manikin signify? I became more than ever attentive.
Fledermausse now left the house with her basket on her arm. I followed her with my eyes till she turned the corner of the street. She had reassumed the air of a trembling old woman, took short steps, and from time to time turned her head partly around, to peer behind from the corner of her eye.
Fledermausse was absent fully five hours. For myself, I went, I came, I meditated. The time seemed insupportable. The sun heated the slate of the roof, and scorched my brain.
Now I saw, at the window, the good man who occupied the fatal Green Chamber; he was a brave peasant of Nassau, with a large three-cornered hat, a scarlet vest, and a laughing face; he smoked his pipe of Ulm tranquillity, and seemed to fear no evil.
I felt a strong desire to cry out to him: "Good man, be on your guard! Do not allow yourself to be entrapped by the old wretch; distrust yourself!" but he would not have comprehended me. Toward two o'clock Fledermausse returned. The noise of her door resounded through the vestibule. Then alone, all alone, she entered the yard, and seated herself on the interior step of the stairway; she put down her basket before her, and drew out first some packets of herbs, then vegetables, then a red vest, then a three-cornered hat, a coat of brown velvet, pants of plush, and coarse woolen hose—the complete costume of the peasant from Nassau.
For a moment I felt stunned; then flames passed before my eyes.
I recollected those precipices which entice with an irresistible power; those wells or pits, which the police have been compelled to close, because men threw themselves into them; those trees which had been cut down because they inspired men with the idea of hanging themselves; that contagion of suicides, of robberies, of murders, at certain epochs, by desperate means; that strange and subtile enticement of example, which makes you yawn because another yawns, suffer because you see another suffer, kill yourself because you see others kill themselves—and my hair stood up with horror.
How could this Fledermausse, this base, sordid creature, have derived so profound a law of human nature? how had she found the means to use this law to the profit or indulgence of her sanguinary instincts? This I could not comprehend; it surpassed my wildest imaginations.
But reflecting longer upon this inexplicable mystery, I resolved to turn the fatal law against her, and to draw the old murderess into her own net.
So many innocent victims called out for vengeance!
I felt myself to be on the right path.
I went to all the old-clothes sellers in Nuremberg, and returned in the afternoon to the Inn Boeuf-Gras, with an enormous packet under my arm.
Nichel Schmidt had known me for a long time; his wife was fat and good-looking; I had painted her portrait.
"Ah, Master Christian," said he, squeezing my hand, "what happy circumstance brings you here? What procures me the pleasure of seeing you?"
"My dear Monsieur Schmidt, I feel a vehement, insatiable desire to sleep in the Green Room."
We were standing on the threshold of the inn, and I pointed to the room. The good man looked at me distrustfully.
"Fear nothing," I said; "I have no desire to hang myself.".
"À la bonne heure! à la bonne heure! For frankly that would give me pain; an artist of such merit! When do you wish the room, Master Christian?"
"This evening."
"Impossible! it is occupied!"
"Monsieur can enter immediately," said a voice just behind me, "I will not be in the way."
We turned around in great surprise; the peasant of Nassau stood before us, with his three-cornered hat, and his packet at the end of his walking stick. He had just learned the history of his three predecessors in the Green Room, and was trembling with rage.
"Rooms like yours!" cried he, stuttering; "but it is murderous to put people there—it is assassination! You deserve to be sent to the galleys immediately!"
"Go—go—calm yourself," said the innkeeper; "that did not prevent you from sleeping well."
"Happily, I said my prayers at night," said the peasant; "without that, where would I be?" and he withdrew, with his hands raised to heaven.
"Well," said Nichel Schmidt, stupefied, "the room is vacant, but I entreat you, do not serve me a bad trick."
"It would be a worse trick for myself than for you, monsieur."
I gave my packet to the servants, and installed myself for the time with the drinkers. For a long time I had not felt so calm and happy. After so many doubts and disquietudes, I touched the goal. The horizon seemed to clear up, and it appeared that some invisible power gave me the hand. I lighted my pipe, placed my elbow on the table, my wine before me, and listened to the chorus in "Freischütz," played by a troupe of gypsies from the Black Forest. The trumpets, the hue and cry of the chase, the hautboys, plunged me into a vague reverie, and, at times rousing up to look at the hour, I asked myself gravely, if all which had happened to me was not a dream. But the watchman came to ask us to leave the salle, and soon other and more solemn thoughts were surging in my soul, and in deep meditation I followed little Charlotte, who preceded me with a candle to my room.
We mounted the stairs to the third story. Charlotte gave me the candle and pointed to the door.
"There," said she, and descended rapidly.
I opened the door. The Green Room was like any other inn room. The ceiling was very low, the bed very high. With one glance I explored the interior, and then glided to the window.
Nothing was to be seen in the house of Fledermausse; only, in some distant room, an obscure light was burning. Some one was on the watch. "That is well," said I, closing the curtain. "I have all necessary time."
I opened my packet, I put on a woman's bonnet with hanging lace; then, placing myself before a mirror, I took a brush and painted wrinkles in my face. This took me nearly an hour. Then I put on the dress and a large shawl, and I was actually afraid of myself. Fledermausse seemed to me to look at me from the mirror.
At this moment the watchman cried out, "Eleven o'clock!" I seized the manikin which I had brought in my packet, and muffled it in a costume precisely similar to that worn by the old wretch. I then opened the curtain.
Certainly, after all that I had seen of the Fledermausse, of her infernal cunning, her prudence, her adroitness, she could not in any way surprise me; and yet I was afraid. The light which I had remarked in the chamber was still immovable, and now cast its yellow rays on the manikin of the peasant of Nassau, which was crouched on the corner of the bed, with the head hanging on the breast, the three-cornered hat pulled down over the face, the arms suspended, and the whole aspect that of absolute despair.
The shadows, managed with diabolical art, allowed nothing to be seen but the general effect of the face. The red vest, and six round buttons alone, seemed top shine out in the darkness. But the silence of the night, the complete immobility of the figure, the exhausted, mournful air, were well calculated to take possession of a spectator with a strange power. For myself, although forewarned, I was chilled even to my bones.
How would it, then, have fared with the poor, simple peasant, if he had been surprised unawares? He would have been utterly cast down. Despairing, he would have lost all power of self-control, and the spirit of imitation would have done the rest.
Scarcely had I moved the curtain, when I saw Fledermausse on the watch behind her window. She could not see me. I opened my window softly; the window opposite was opened! Then her manikin appeared to rise slowly and advance before me. I, also, advanced my manikin, and seizing my torch with one hand, with the other I quickly opened the shutters. And now the old woman and myself were face to face. Struck with sudden terror, she had let her manikin fall!
We gazed at each other with almost equal horror. She extended her finger—I advanced mine. She moved her lips—I agitated mine. She breathed a profound sigh, and leaned upon her elbow. I imitated her.
To describe all the terrors of this scene would be impossible. It bordered upon confusion, madness, delirium. It was a death struggle between two wills; between two intelligences; between two souls—each one wishing to destroy the other; and, in this struggle, I had the advantage—her victims struggled with me.
After having imitated for some seconds every movement of Fledermausse, I pulled a rope from under my skirt, and attached it to the crossbeam.
The old woman gazed at me with gaping mouth. I passed the rope around my neck; her pupils expanded, lightened; her face was convulsed.
"No, no!" said she, in a whistling voice.
I pursued her with the impassability of an executioner.
Then rage seemed to take possession of her.
"Old fool!" she exclaimed, straightening herself up, and her hands contracted on the crossbeam. "Old fool!" I gave her no time to go on blowing out my lamp. I stooped, like a man going to make a vigorous spring, and, seizing my manikin, I passed the rope around its neck, and precipitated it below.
A terrible cry resounded through the street, and then silence, which I seemed to feel. Perspiration bathed my forehead. I listened a long time. At the end of a quarter of an hour I heard, far away, very far away, the voice of the watchman, crying, "Inhabitants of Nuremberg, midnight, midnight sounds!"
"Now justice is satisfied!" I cried, "and three victims are avenged. Pardon me, O Lord!"
About five minutes after the cry of the watchman, I saw Fledermausse attracted, allured by my manikin (her exact image), spring from the window, with a rope around her neck, and rest suspended from the crossbeam.
I saw the shadow of death undulating through her body, while the moon, calm, silent, majestic, inundated the summit of the roof, and her cold, pale rays reposed upon the old, disheveled, hideous head.
Just as I had seen the poor young student of Heidelberg, just so did I now see Fledermausse.
In the morning, all Nuremberg learned that the old wretch had hanged herself, and this was the last event of that kind in the Street

International Nightmares: Ireland

Our tour of International Nightmares (the fun kind) continues. This time, we pause in Ireland for a story by Joseph Sheridan LeFanu. If you think fairies are too silly to scare you, wait ‘til LeFanu takes his icy pincers to your heart. Read here, listen, or download, as you like.

Download or print The Child That Went with the Fairies

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THE CHILD THAT WENT WITH THE FAIRIES
by J. Sheridan LeFanu

Eastward of the old city of Limerick, about ten Irish miles under the range of mountains known as the Slieveelim hills, famous as having afforded Sarsfield a shelter among their rocks and hollows, when he crossed them in his gallant descent upon the cannon and ammunition of King William, on its way to the beleaguering army, there runs a very old and narrow road. It connects the Limerick road to Tipperary with the old road from Limerick to Dublin, and runs by bog and pasture, hill and hollow, straw-thatched village, and roofless castle, not far from twenty miles.
Skirting the healthy mountains of which I have spoken, at one part it becomes singularly lonely. For more than three Irish miles it traverses a deserted country. A wide, black bog, level as a lake, skirted with copse, spreads at the left, as you journey northward, and the long and irregular line of mountain rises at the right, clothed in heath, broken with lines of grey rock that resemble the bold and irregular outlines of fortifications, and riven with many a gully, expanding here and there into rocky and wooded glens, which open as they approach the road.
A scanty pasturage, on which browsed a few scattered sheep or kine, skirts this solitary road for some miles, and under shelter of a hillock, and of two or three great ash-trees, stood, not many years ago, the little thatched cabin of a widow named Mary Ryan.
Poor was this widow in a land of poverty. The thatch had acquired the grey tint and sunken outlines, that show how the alternations of rain and sun have told upon that perishable shelter.
But whatever other dangers threatened, there was one well provided against by the care of other times. Round the cabin stood half a dozen mountain ashes, as the rowans, inimical to witches, are there called. On the worn planks of the door were nailed two horse-shoes, and over the lintel and spreading along the thatch, grew, luxuriant, patches of that ancient cure for many maladies, and prophylactic against the machinations of the evil one, the house-leek. Descending into the doorway, in the chiaroscuro of the interior, when your eye grew sufficiently accustomed to that dim light, you might discover, hanging at the head of the widow's wooden-roofed bed, her beads and a phial of holy water.
Here certainly were defences and bulwarks against the intrusion of that unearthly and evil power, of whose vicinity this solitary family were constantly reminded by the outline of Lisnavoura, that lonely hillhaunt of the "Good people," as the fairies are called euphemistically, whose strangely dome-like summit rose not half a mile away, looking like an outwork of the long line of mountain that sweeps by it.
It was at the fall of the leaf, and an autumnal sunset threw the lengthening shadow of haunted Lisnavoura, close in front of the solitary little cabin, over the undulating slopes and sides of Slieveelim. The birds were singing among the branches in the thinning leaves of the melancholy ash-trees that grew at the roadside in front of the door. The widow's three younger children were playing on the road, and their voices mingled with the evening song of the birds. Their elder sister, Nell, was "within in the house," as their phrase is, seeing after the boiling of the potatoes for supper.
Their mother had gone down to the bog, to carry up a hamper of turf on her back. It is, or was at least, a charitable custom—and if not disused, long may it continue—for the wealthier people when cutting their turf and stacking it in the bog, to make a smaller stack for the behoof of the poor, who were welcome to take from it so long as it lasted, and thus the potato pot was kept boiling, and hearth warm that would have been cold enough but for that good-natured bounty, through wintry months.
Moll Ryan trudged up the steep "bohereen" whose banks were overgrown with thorn and brambles, and stooping under her burden, re-entered her door, where her dark-haired daughter Nell met her with a welcome, and relieved her of her hamper.
Moll Ryan looked round with a sigh of relief, and drying her forehead, uttered the Munster ejaculation:
"Eiah, wisha! It's tired I am with it, God bless it. And where's the craythurs, Nell?"
"Playin' out on the road, mother; didn't ye see them and you comin' up?"
"No; there was no one before me on the road," she said, uneasily; "not a soul, Nell; and why didn't ye keep an eye on them?"
"Well, they're in the haggard, playin' there, or round by the back o' the house. Will I call them in?"
"Do so, good girl, in the name o' God. The hens is comin' home, see, and the sun was just down over Knockdoulah, an' I comin' up."
So out ran tall, dark-haired Nell, and standing on the road, looked up and down it; but not a sign of her two little brothers, Con and Bill, or her little sister, Peg, could she see. She called them; but no answer came from the little haggard, fenced with straggling bushes. She listened, but the sound of their voices was missing. Over the stile, and behind the house she ran—but there all was silent and deserted.
She looked down toward the bog, as far as she could see; but they did not appear. Again she listened—but in vain. At first she had felt angry, but now a different feeling overcame her, and she grew pale. With an undefined boding she looked toward the heathy boss of Lisnavoura, now darkening into the deepest purple against the flaming sky of sunset.
Again she listened with a sinking heart, and heard nothing but the farewell twitter and whistle of the birds in the bushes around. How many stories had she listened to by the winter hearth, of children stolen by the fairies, at nightfall, in lonely places! With this fear she knew her mother was haunted.
No one in the country round gathered her little flock about her so early as this frightened widow, and no door "in the seven parishes" was barred so early.
Sufficiently fearful, as all young people in that part of the world are of such dreaded and subtle agents, Nell was even more than usually afraid of them, for her terrors were infected and redoubled by her mother's. She was looking towards Lisnavoura in a trance of fear, and crossed herself again and again, and whispered prayer after prayer. She was interrupted by her mother's voice on the road calling her loudly. She answered, and ran round to the front of the cabin, where she found her standing.
"And where in the world's the craythurs—did ye see sight o' them anywhere?" cried Mrs. Ryan, as the girl came over the stile.
"Arrah! mother, 'tis only what they're run down the road a bit. We'll see them this minute coming back. It's like goats they are, climbin' here and runnin' there; an' if I had them here, in my hand, maybe I wouldn't give them a hiding all round."
"May the Lord forgive you, Nell! the childhers gone. They're took, and not a soul near us, and Father Tom three miles away! And what'll I do, or who's to help us this night? Oh, wirristhru, wirristhru! The craythurs is gone!"
"Whisht, mother, be aisy: don't ye see them comin' up?"
And then she shouted in menacing accents, waving her arm, and beckoning the children, who were seen approaching on the road, which some little way off made a slight dip, which had concealed them. They were approaching from the westward, and from the direction of the dreaded hill of Lisnavoura.
But there were only two of the children, and one of them, the little girl, was crying. Their mother and sister hurried forward to meet them, more alarmed than ever.
"Where is Billy—where is he?" cried the mother, nearly breathless, so soon as she was within hearing.
"He's gone—they took him away; but they said he'll come back again," answered little Con, with the dark brown hair.
"He's gone away with the grand ladies," blubbered the little girl.
"What ladies—where? Oh, Leum, asthora! My darlin', are you gone away at last? Where is he? Who took him? What ladies are you talkin' about? What way did he go?" she cried in distraction.
"I couldn't see where he went, mother; 'twas like as if he was going to Lisnavoura."
With a wild exclamation the distracted woman ran on towards the hill alone, clapping her hands, and crying aloud the name of her lost child.
Scared and horrified, Nell, not daring to follow, gazed after her, and burst into tears; and the other children raised high their lamentations in shrill rivalry.
Twilight was deepening. It was long past the time when they were usually barred securely within their habitation. Nell led the younger children into the cabin, and made them sit down by the turf fire, while she stood in the open door, watching in great fear for the return of her mother.
After a long while they did see their mother return. She came in and sat down by the fire, and cried as if her heart would break.
"Will I bar the doore, mother?" asked Nell.
"Ay, do—didn't I lose enough, this night, without lavin' the doore open, for more o' yez to go; but first take an' sprinkle a dust o' the holy waters over ye, acuishla, and bring it here till I throw a taste iv it over myself and the craythurs; an' I wondher, Nell, you'd forget to do the like yourself, lettin' the craythurs out so near nightfall. Come here and sit on my knees, asthora, come to me, mavourneen, and hould me fast, in the name o' God, and I'll hould you fast that none can take yez from me, and tell me all about it, and what it was—the Lord between us and harm—an' how it happened, and who was in it."
And the door being barred, the two children, sometimes speaking together, often interrupting one another, often interrupted by their mother, managed to tell this strange story, which I had better relate connectedly and in my own language.
The Widow Ryan's three children were playing, as I have said, upon the narrow old road in front of her door. Little Bill or Leum, about five years old, with golden hair and large blue eyes, was a very pretty boy, with all the clear tints of healthy childhood, and that gaze of earnest simplicity which belongs not to town children of the same age. His little sister Peg, about a year older, and his brother Con, a little more than a year elder than she, made up the little group.
Under the great old ash-trees, whose last leaves were falling at their feet, in the light of an October sunset, they were playing with the hilarity and eagerness of rustic children, clamouring together, and their faces were turned toward the west and storied hill of Lisnavoura.
Suddenly a startling voice with a screech called to them from behind, ordering them to get out of the way, and turning, they saw a sight, such as they never beheld before. It was a carriage drawn by four horses that were pawing and snorting, in impatience, as it just pulled up. The children were almost under their feet, and scrambled to the side of the road next their own door.
This carriage and all its appointments were old-fashioned and gorgeous, and presented to the children, who had never seen anything finer than a turf car, and once, an old chaise that passed that way from Killaloe, a spectacle perfectly dazzling.
Here was antique splendour. The harness and trappings were scarlet, and blazing with gold. The horses were huge, and snow white, with great manes, that as they tossed and shook them in the air, seemed to stream and float sometimes longer and sometimes shorter, like so much smoke—their tails were long, and tied up in bows of broad scarlet and gold ribbon. The coach itself was glowing with colours, gilded and emblazoned. There were footmen in gay liveries, and three-cocked hats, like the coachman's; but he had a great wig, like a judge's, and their hair was frizzed out and powdered, and a long thick "pigtail," with a bow to it, hung down the back of each.
All these servants were diminutive, and ludicrously out of proportion with the enormous horses of the equipage, and had sharp, sallow features, and small, restless fiery eyes, and faces of cunning and malice that chilled the children. The little coachman was scowling and showing his white fangs under his cocked hat, and his little blazing beads of eyes were quivering with fury in their sockets as he whirled his whip round and round over their heads, till the lash of it looked like a streak of fire in the evening sun, and sounded like the cry of a legion of "fillapoueeks" in the air.
"Stop the princess on the highway!" cried the coachman, in a piercing treble.
"Stop the princess on the highway!" piped each footman in turn, scowling over his shoulder down on the children, and grinding his keen teeth.
The children were so frightened they could only gape and turn white in their panic. But a very sweet voice from the open window of the carriage reassured them, and arrested the attack of the lackeys.
A beautiful and "very grand-looking" lady was smiling from it on them, and they all felt pleased in the strange light of that smile.
"The boy with the golden hair, I think," said the lady, bending her large and wonderfully clear eyes on little Leum.
The upper sides of the carriage were chiefly of glass, so that the children could see another woman inside, whom they did not like so well.
This was a black woman, with a wonderfully long neck, hung round with many strings of large variously-coloured beads, and on her head was a sort of turban of silk striped with all the colours of the rainbow, and fixed in it was a golden star.
This black woman had a face as thin almost as a death's-head, with high cheekbones, and great goggle eyes, the whites of which, as well as her wide range of teeth, showed in brilliant contrast with her skin, as she looked over the beautiful lady's shoulder, and whispered something in her ear.
"Yes; the boy with the golden hair, I think," repeated the lady.
And her voice sounded sweet as a silver bell in the children's ears, and her smile beguiled them like the light of an enchanted lamp, as she leaned from the window with a look of ineffable fondness on the golden-haired boy, with the large blue eyes; insomuch that little Billy, looking up, smiled in return with a wondering fondness, and when she stooped down, and stretched her jewelled arms towards him, he stretched his little hands up, and how they touched the other children did not know; but, saying, "Come and give me a kiss, my darling," she raised him, and he seemed to ascend in her small fingers as lightly as a feather, and she held him in her lap and covered him with kisses.
Nothing daunted, the other children would have been only too happy to change places with their favoured little brother. There was only one thing that was unpleasant, and a little frightened them, and that was the black woman, who stood and stretched forward, in the carriage as before. She gathered a rich silk and gold handkerchief that was in her fingers up to her lips, and seemed to thrust ever so much of it, fold after fold, into her capacious mouth, as they thought to smother her laughter, with which she seemed convulsed, for she was shaking and quivering, as it seemed, with suppressed merriment; but her eyes, which remained uncovered, looked angrier than they had ever seen eyes look before.
But the lady was so beautiful they looked on her instead, and she continued to caress and kiss the little boy on her knee; and smiling at the other children she held up a large russet apple in her fingers, and the carriage began to move slowly on, and with a nod inviting them to take the fruit, she dropped it on the road from the window; it rolled some way beside the wheels, they following, and then she dropped another, and then another, and so on. And the same thing happened to all; for just as either of the children who ran beside had caught the rolling apple, somehow it slipt into a hole or ran into a ditch, and looking up they saw the lady drop another from the window, and so the chase was taken up and continued till they got, hardly knowing how far they had gone, to the old cross-road that leads to Owney. It seemed that there the horses' hoofs and carriage wheels rolled up a wonderful dust, which being caught in one of those eddies that whirl the dust up into a column, on the calmest day, enveloped the children for a moment, and passed whirling on towards Lisnavoura, the carriage, as they fancied, driving in the centre of it; but suddenly it subsided, the straws and leaves floated to the ground, the dust dissipated itself, but the white horses and the lackeys, the gilded carriage, the lady and their little golden-haired brother were gone.
At the same moment suddenly the upper rim of the clear setting sun disappeared behind the hill of Knockdoula, and it was twilight. Each child felt the transition like a shock—and the sight of the rounded summit of Lisnavoura, now closely overhanging them, struck them with a new fear.
They screamed their brother's name after him, but their cries were lost in the vacant air. At the same time they thought they heard a hollow voice say, close to them, "Go home."
Looking round and seeing no one, they were scared, and hand in hand—the little girl crying wildly, and the boy white as ashes, from fear, they trotted homeward, at their best speed, to tell, as we have seen, their strange story.
Molly Ryan never more saw her darling. But something of the lost little boy was seen by his former playmates.
Sometimes when their mother was away earning a trifle at haymaking, and Nelly washing the potatoes for their dinner, or "beatling" clothes in the little stream that flows in the hollow close by, they saw the pretty face of little Billy peeping in archly at the door, and smiling silently at them, and as they ran to embrace him, with cries of delight, he drew back, still smiling archly, and when they got out into the open day, he was gone, and they could see no trace of him anywhere.
This happened often, with slight variations in the circumstances of the visit. Sometimes he would peep for a longer time, sometimes for a shorter time, sometimes his little hand would come in, and, with bended finger, beckon them to follow; but always he was smiling with the same arch look and wary silence—and always he was gone when they reached the door. Gradually these visits grew less and less frequent, and in about eight months they ceased altogether, and little Billy, irretrievably lost, took rank in their memories with the dead.
One wintry morning, nearly a year and a half after his disappearance, their mother having set out for Limerick soon after cockcrow, to sell some fowls at the market, the little girl, lying by the side of her elder sister, who was fast asleep, just at the grey of the morning heard the latch lifted softly, and saw little Billy enter and close the door gently after him. There was light enough to see that he was barefoot and ragged, and looked pale and famished. He went straight to the fire, and cowered over the turf embers, and rubbed his hands slowly, and seemed to shiver as he gathered the smouldering turf together.
The little girl clutched her sister in terror and whispered, "Waken, Nelly, waken; here's Billy come back!"
Nelly slept soundly on, but the little boy, whose hands were extended close over the coals, turned and looked toward the bed, it seemed to her, in fear, and she saw the glare of the embers reflected on his thin cheek as he turned toward her. He rose and went, on tiptoe, quickly to the door, in silence, and let himself out as softly as he had come in.
After that, the little boy was never seen any more by any one of his kindred.
"Fairy doctors," as the dealers in the preternatural, who in such cases were called in, are termed, did all that in them lay—but in vain. Father Tom came down, and tried what holier rites could do, but equally without result. So little Billy was dead to mother, brother, and sisters; but no grave received him. Others whom affection cherished, lay in holy ground, in the old churchyard of Abington, with headstone to mark the spot over which the survivor might kneel and say a kind prayer for the peace of the departed soul. But there was no landmark to show where little Billy was hidden from their loving eyes, unless it was in the old hill of Lisnavoura, that cast its long shadow at sunset before the cabin-door; or that, white and filmy in the moonlight, in later years, would occupy his brother's gaze as he returned from fair or market, and draw from him a sigh and a prayer for the little brother he had lost so long ago, and was never to see again.

International Nightmares: Canada

Because fictional horrors are more fun than real ones, let's continue our tour of International Nightmares. Our next stop is Canada. Charles G. D. Roberts is better known for his nature writing (to me, at least), but here, the Maritime master has a tell of terror to unfold.

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The Barn on the Marsh
By Charles G. D. Roberts
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It had not always stood on the marsh. When I was a little boy of seven, it occupied the rear of our neighbor's yard, not a stone's throw from the rectory gate, on one of the windy, sunshiny spurs of South Mountain. A perpetual eyesore to the rector; but I cannot help thinking, as I view it now in the concentrated light of memory, that it did artistic service in the way of a foil to the loveliness of the rectory garden. This garden was the rector's delight, but to my restless seven years it was a sort of gay-colored and ever-threatening bugbear.
Weeding, and especially such thorough, radical weeding as alone would satisfy the rector's conscience, was my detestation; and, moreover, just at the time of being called upon to weed, there was sure to be something else of engrossing importance which my nimble little wits had set themselves upon doing.
But I never found courage to betray my lack of sympathy in all its iciness. The sight of the rector's enthusiasm filled me ever with a sense of guilt, and I used to weed quite diligently, at times.
One morning the rector had lured me out early, before breakfast, while the sun yet hung low above the shining marshes. We were working cheerfully together at the carrot-beds. The smell of the moist earth and of the dewy young carrot-plants, bruised by my hasty fingers, comes vividly upon my senses even now.
Suddenly I heard the rector cry, "Bother!" in a tone which spoke volumes. I saw he had broken his hoe short off at the handle. I stopped work with alacrity, and gazed with commiserating interest, while I began wiping my muddy little fingers on my knickerbockers in bright anticipation of some new departure which should put a pause to the weeding.
In a moment or two the vexed wrinkles smoothed themselves out of the rector's brow, and he turned to me with the proposal that we should go over to our neighbor's and repair the damage.
One end of the barn, as we knew, was used for a workshop. We crossed the road, let down the bars, put to flight a flock of pigeons that were feeding among the scattered straw, and threw open the big barn doors.
There, just inside, hung the dead body of our neighbor, his face distorted and purple. And, while I stood sobbing with horror, the rector cut him down with the draw-knife which he had come to borrow.
Soon after this tragedy, the barn was moved down to the marsh, to be used for storing hay and farm implements. And by the time the scene had faded from my mind, the rector gave up the dear delights of his garden, and took us off to a distant city parish. Not until I had reached eighteen, and the dignity of college cap and gown, did I revisit the salty breezes of South Mountain.
Then I came to see friends who were living in the old rectory. About two miles away, by the main road, dwelt certain other friends, with whom I was given to spending most of my evenings, and who possessed some strange charm which would never permit me to say good-night at anything like a seasonable hour.
The distance, as I said, to these friends was about two miles, if you followed the main road; but there was a short cut, a road across the marsh, used chiefly by the hay-makers and the fishermen, not pleasant to travel in wet weather, but good enough for me at all times in the frame of mind in which I found myself.
This road, on either hand, was bordered by a high rail fence, along which rose, here and there, the bleak spire of a ghostly and perishing Lombardy poplar. This is the tree of all least suited to those wind-beaten regions, but none other will the country people plant. Close up to the road, at one point, curved a massive sweep of red dike, and further to the right stretched the miles on miles of naked marsh, till they lost themselves in the lonely, shifting waters of the Basin.
About twenty paces back from the fence, with its big doors opening toward the road, a conspicuous landmark in all my nightly walks, stood the barn.
I remembered vividly enough, but in a remote, impersonal sort of way, the scene on that far-off sunny summer morning. As, night after night, I swung past the ancient doors, my brain in a pleasant confusion, I never gave the remembrance any heed. Finally, I ceased to recall it, and the rattling of the wind in the time-warped shingles fell on utterly careless ears.
One night, as I started homeward upon the verge of twelve, the marsh seemed all alive with flying gleams. The moon was past the full, white and high; the sky was thick with small black clouds, streaming dizzily across the moon's face, and a moist wind piped steadily, in from the sea.
I was walking swiftly, not much alive to outward impressions, scarce noticing even the strange play of the moon-shadows over the marshes, and had got perhaps a stone's throw past the barn, when a creeping sensation about my skin, and a thrill of nervous apprehension made me stop suddenly and take a look behind.
The impulse seized me unawares, or I should have laughed at myself and gone on without yielding to such a weakness. But it was too late. My gaze darted unerringly to the barn, whose great doors stood wide open. There, swaying almost imperceptibly in the wind, hung the body of our neighbor, as I had seen it that dreadful morning long ago.
For a moment I could hear again my childish sobs, and the remembrance of that horror filled me with self-pity. Then, as the roots of my hair began to stir, my feet set themselves instinctively for flight. This instinct, however, I promptly and sternly repressed. I knew all about these optical illusions, and tried to congratulate myself on this opportunity for investigating one so interesting and vivid. At the same time I gave a hasty side-thought to what would have happened had I been one of the superstitious farmhands or fishermen of the district. I should have taken to my heels in desperate terror, and been ever after faithfully persuaded of having looked upon a veritable ghost.
I said to myself that the apparition, if I looked upon it steadfastly, would vanish as I approached, or, more probably, resolve itself into some chance combination of moonlight and shadows. In fact, my reason was perfectly satisfied that the ghostly vision was due solely to the association of ideas,—I was fresh from my classes in philosophy,—aided and abetted by my own pretty vivid imagination. Yet the natural man, this physical being of mine, revolted in every fibre of the flesh from any closer acquaintance with the thing.
I began, with reluctant feet, to retrace my steps; but as I did so, the vision only grew so much the clearer; and a cold perspiration broke out upon me. Step by step I approached, till I stood just outside the fence, face to face with the apparition.
I leaned against the fence, looking through between the rails; and now, at this distance, every feature came out with awful distinctness—all so horrible in its distortion that I cannot bear to describe it.
As each fresh gust of wind hissed through the chinks, I could see the body swing before it, heavily and slowly. I had to bring all my philosophy to bear, else my feet would have carried me off in a frenzy of flight.
At last I reached the conclusion that since my sight was so helplessly deceived, I should have to depend upon the touch. In no other way could I detect the true basis of the illusion; and this way was a hard one. By much argument and self-persuasion I prevailed upon myself to climb the fence, and with a sort of despairing doggedness to let myself down on the inside.
Just then the clouds thickened over the face of the moon, and the light faded rapidly. To get down inside the fence with that thing was, for a moment, simply sickening, and my eyes dilated with the intensity of my stare. Then common-sense came to the rescue, with a revulsion of feeling, and I laughed—though not very mirthfully—at the thoroughness of my scare.
With an assumption of coolness and defiance I walked right up to the open doors; and when so close that I could have touched it with my walking-stick, the thing swayed gently and faced me in the light of the re-appearing moon.
Could my eyes deceive me? It certainly was our neighbor.
Scarcely knowing what I did, I thrust out my stick and touched it, shrinking back as I did so. What I touched, plain instantly to my sight, was a piece of wood and iron,—some portion of a mowing-machine or reaper, which had been, apparently, repainted and hung up across the door-pole to dry.
It swayed in the wind. The straying fingers of the moonbeams through the chinks pencilled it strangely, and the shadows were huddled black behind it. But now it hung revealed, with no more likeness to a human body than any average well-meaning farm-implement might be expected to have.
With a huge sigh of relief I turned away. As I climbed the fence once more I gave a parting glance toward the yawning doorway of the barn on the marsh. There, as plain as before I had pierced the bubble, swung the body of my neighbor. And all the way home, though I would not turn my head, I felt it at my heels.

International Nightmares: China

Today we begin a series of International Nightmares—the fun kind. I’m not talking about the actual state of the world. I’m talking classic horror stories to take your mind off this mess. I’ve gathered for your trembling delectation a handful of classic tales, each from a different country. Read, listen, or download, as you like.
Let’s begin, as so many things do, in China.



THE PAINTED SKINBy Pu Songling

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At T‘ai-yüan there lived a man named Wang. One morning he was out walking when he met a young lady carrying a bundle and hurrying along by herself. As she moved along with some difficulty, Wang quickened his pace and caught her up, and found she was a pretty girl of about sixteen. Much smitten he inquired whither she was going so early, and no one with her.
“A traveller like you,” replied the girl, “cannot alleviate my distress; why trouble yourself to ask?”
“What distress is it?” said Wang; “I’m sure I’ll do anything I can for you.”
“My parents,” answered she, “loved money, and they sold me as concubine into a rich family, where the wife was very jealous, and beat and abused me morning and night. It was more than I could stand, so I have run away.”
Wang asked her where she was going; to which she replied that a runaway had no fixed place of abode. “My house,” said Wang, “is at no great distance; what do you say to coming there?” She joyfully acquiesced; and Wang, taking up her bundle, led the way to his house. Finding no one there, she asked Wang where his family were; to which he replied that that was only the library.
“And a very nice place, too,” said she; “but if you are kind enough to wish to save my life, you mustn’t let it be known that I am here.” Wang promised he would not divulge her secret, and so she remained there for some days without anyone knowing anything about it. He then told his wife, and she, fearing the girl might belong to some influential family, advised him to send her away. This, however, he would not consent to do.
One day, going into the town, he met a Taoist priest, who looked at him in astonishment, and asked him what he had met.
“I have met nothing,” replied Wang.
“Why,” said the priest, “you are bewitched; what do you mean by not having met anything?” But Wang insisted that it was so, and the priest walked away, saying, “The fool! Some people don’t seem to know when death is at hand.” This startled Wang, who at first thought of the girl; but then he reflected that a pretty young thing as she was couldn’t well be a witch, and began to suspect that the priest merely wanted to do a stroke of business. When he returned, the library door was shut, and he couldn’t get in, which made him suspect that something was wrong; and so he climbed over the wall, where he found the door of the inner room shut too. Softly creeping up, he looked through the window and saw a hideous devil, with a green face and jagged teeth like a saw, spreading a human skin upon the bed and painting it with a paint-brush. The devil then threw aside the brush, and giving the skin a shake out, just as you would a coat, threw it over its shoulders, when, lo! it was the girl.
Wang hurried away with his head down in search of the priest who had gone he knew not whither; subsequently finding him in the fields, where he threw himself on his knees and begged the priest to save him. “As to driving her away,” said the priest, “the creature must be in great distress to be seeking a substitute for herself; besides, I could hardly endure to injure a living thing.”
However, he gave Wang a fly-brush, and bade him hang it at the door of the bedroom, agreeing to meet again at the Ch‘ing-ti temple. Wang went home, but did not dare enter the library; so he hung up the brush at the bedroom door, and before long heard a sound of footsteps outside. Not daring to move, he made his wife peep out; and she saw the girl standing looking at the brush, afraid to pass it.
She then ground her teeth and went away; but in a little while came back, and began cursing, saying, “You priest, you won’t frighten me. Do you think I am going to give up what is already in my grasp?” Thereupon, she tore the brush to pieces, and bursting open the door, walked straight up to the bed, where she ripped open Wang and tore out his heart, with which she went away. Wang’s wife screamed out, and the servant came in with a light; but Wang was already dead and presented a most miserable spectacle. His wife, who was in an agony of fright, hardly dared cry for fear of making a noise.
The next day, she sent Wang’s brother to see the priest. The latter got into a great rage, and cried out, “Was it for this that I had compassion on you, devil that you are?” proceeding at once with Wang’s brother to the house, from which the girl had disappeared without anyone knowing whither she had gone. But the priest, raising his head, looked all round, and said, “Luckily she’s not far off.” He then asked who lived in the apartments on the south side, to which Wang’s brother replied that he did; whereupon the priest declared that there she would be found. Wang’s brother was horribly frightened and said he did not think so; and then the priest asked him if any stranger had been to the house. To this he answered that he had been out to the Ch‘ing-ti temple and couldn’t possibly say; but he went off to inquire, and in a little while came back and reported that an old woman had sought service with them as a maid-of-all-work, and had been engaged by his wife. “That is she,” said the priest, as Wang’s brother added she was still there; and they all set out to go to the house together. Then the priest took his wooden sword, and standing in the middle of the court-yard, shouted out, “Base-born fiend, give me back my fly-brush!”
Meanwhile the new maid-of-all-work was in a great state of alarm, and tried to get away by the door; but the priest struck her and down she fell flat, the human skin dropped off, and she became a hideous devil. There she lay grunting like a pig, until the priest grasped his wooden sword and struck off her head. She then became a dense column of smoke curling up from the ground, when the priest took an uncorked gourd and threw it right into the midst of the smoke. A sucking noise was heard, and the whole column was drawn into the gourd; after which the priest corked it up closely and put it in his pouch. The skin, too, which was complete even to the eyebrows, eyes, hands, and feet, he also rolled up as if it had been a scroll, and was on the point of leaving with it, when Wang’s wife stopped him, and with tears entreated him to bring her husband to life. The priest said he was unable to do that; but Wang’s wife flung herself at his feet, and with loud lamentations implored his assistance.
For some time he remained immersed in thought, and then replied, “My power is not equal to what you ask. I myself cannot raise the dead; but I will direct you to some one who can, and if you apply to him properly you will succeed.” Wang’s wife asked the priest who it was; to which he replied, “There is a maniac in the town who passes his time grovelling in the dirt. Go, prostrate yourself before him, and beg him to help you. If he insults you, shew no sign of anger.” Wang’s brother knew the man to whom he alluded, and accordingly bade the priest adieu, and proceeded thither with his sister-in-law.
They found the destitute creature raving away by the road side, so filthy that it was all they could do to go near him. Wang’s wife approached him on her knees; at which the maniac leered at her, and cried out, “Do you love me, my beauty?” Wang’s wife told him what she had come for, but he only laughed and said, “You can get plenty of other husbands. Why raise the dead one to life?” But Wang’s wife entreated him to help her; whereupon he observed, “It’s very strange: people apply to me to raise their dead as if I was king of the infernal regions.”
He then gave Wang’s wife a thrashing with his staff, which she bore without a murmur, and before a gradually increasing crowd of spectators. After this he produced a loathsome pill which he told her she must swallow, but here she broke down and was quite unable to do so. However, she did manage it at last, and then the maniac crying out, “How you do love me!” got up and went away without taking any more notice of her. They followed him into a temple with loud supplications, but he had disappeared, and every effort to find him was unsuccessful. Overcome with rage and shame, Wang’s wife went home, where she mourned bitterly over her dead husband, grievously repenting the steps she had taken, and wishing only to die. She then bethought herself of preparing the corpse, near which none of the servants would venture; and set to work to close up the frightful wound of which he died.
While thus employed, interrupted from time to time by her sobs, she felt a rising lump in her throat, which by-and-by came out with a pop and fell straight into the dead man’s wound. Looking closely at it, she saw it was a human heart; and then it began as it were to throb, emitting a warm vapour like smoke. Much excited, she at once closed the flesh over it, and held the sides of the wound together with all her might. Very soon, however, she got tired, and finding the vapour escaping from the crevices, she tore up a piece of silk and bound it round, at the same time bringing back circulation by rubbing the body and covering it up with clothes. In the night, she removed the coverings, and found that breath was coming from the nose; and by next morning her husband was alive again, though disturbed in mind as if awaking from a dream and feeling a pain in his heart.
Where he had been wounded, there was a scar the size of a small coin. It soon after disappeared.


See all the International Nightmares

International Nightmares: The Painted Skin

Today we begin a series of International Nightmares—the fun kind. I’m not talking about the actual state of the world. I’m talking classic horror stories to take your mind off this mess. I’ve gathered for your trembling delectation a handful of classic tales, each from a different country. Read, listen, or download, as you like.
Let’s begin, as so many things do, in China.



THE PAINTED SKINBy Pu Songling

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At T‘ai-yüan there lived a man named Wang. One morning he was out walking when he met a young lady carrying a bundle and hurrying along by herself. As she moved along with some difficulty, Wang quickened his pace and caught her up, and found she was a pretty girl of about sixteen. Much smitten he inquired whither she was going so early, and no one with her.
“A traveller like you,” replied the girl, “cannot alleviate my distress; why trouble yourself to ask?”
“What distress is it?” said Wang; “I’m sure I’ll do anything I can for you.”
“My parents,” answered she, “loved money, and they sold me as concubine into a rich family, where the wife was very jealous, and beat and abused me morning and night. It was more than I could stand, so I have run away.”
Wang asked her where she was going; to which she replied that a runaway had no fixed place of abode. “My house,” said Wang, “is at no great distance; what do you say to coming there?” She joyfully acquiesced; and Wang, taking up her bundle, led the way to his house. Finding no one there, she asked Wang where his family were; to which he replied that that was only the library.
“And a very nice place, too,” said she; “but if you are kind enough to wish to save my life, you mustn’t let it be known that I am here.” Wang promised he would not divulge her secret, and so she remained there for some days without anyone knowing anything about it. He then told his wife, and she, fearing the girl might belong to some influential family, advised him to send her away. This, however, he would not consent to do.
One day, going into the town, he met a Taoist priest, who looked at him in astonishment, and asked him what he had met.
“I have met nothing,” replied Wang.
“Why,” said the priest, “you are bewitched; what do you mean by not having met anything?” But Wang insisted that it was so, and the priest walked away, saying, “The fool! Some people don’t seem to know when death is at hand.” This startled Wang, who at first thought of the girl; but then he reflected that a pretty young thing as she was couldn’t well be a witch, and began to suspect that the priest merely wanted to do a stroke of business. When he returned, the library door was shut, and he couldn’t get in, which made him suspect that something was wrong; and so he climbed over the wall, where he found the door of the inner room shut too. Softly creeping up, he looked through the window and saw a hideous devil, with a green face and jagged teeth like a saw, spreading a human skin upon the bed and painting it with a paint-brush. The devil then threw aside the brush, and giving the skin a shake out, just as you would a coat, threw it over its shoulders, when, lo! it was the girl.
Wang hurried away with his head down in search of the priest who had gone he knew not whither; subsequently finding him in the fields, where he threw himself on his knees and begged the priest to save him. “As to driving her away,” said the priest, “the creature must be in great distress to be seeking a substitute for herself; besides, I could hardly endure to injure a living thing.”
However, he gave Wang a fly-brush, and bade him hang it at the door of the bedroom, agreeing to meet again at the Ch‘ing-ti temple. Wang went home, but did not dare enter the library; so he hung up the brush at the bedroom door, and before long heard a sound of footsteps outside. Not daring to move, he made his wife peep out; and she saw the girl standing looking at the brush, afraid to pass it.
She then ground her teeth and went away; but in a little while came back, and began cursing, saying, “You priest, you won’t frighten me. Do you think I am going to give up what is already in my grasp?” Thereupon, she tore the brush to pieces, and bursting open the door, walked straight up to the bed, where she ripped open Wang and tore out his heart, with which she went away. Wang’s wife screamed out, and the servant came in with a light; but Wang was already dead and presented a most miserable spectacle. His wife, who was in an agony of fright, hardly dared cry for fear of making a noise.
The next day, she sent Wang’s brother to see the priest. The latter got into a great rage, and cried out, “Was it for this that I had compassion on you, devil that you are?” proceeding at once with Wang’s brother to the house, from which the girl had disappeared without anyone knowing whither she had gone. But the priest, raising his head, looked all round, and said, “Luckily she’s not far off.” He then asked who lived in the apartments on the south side, to which Wang’s brother replied that he did; whereupon the priest declared that there she would be found. Wang’s brother was horribly frightened and said he did not think so; and then the priest asked him if any stranger had been to the house. To this he answered that he had been out to the Ch‘ing-ti temple and couldn’t possibly say; but he went off to inquire, and in a little while came back and reported that an old woman had sought service with them as a maid-of-all-work, and had been engaged by his wife. “That is she,” said the priest, as Wang’s brother added she was still there; and they all set out to go to the house together. Then the priest took his wooden sword, and standing in the middle of the court-yard, shouted out, “Base-born fiend, give me back my fly-brush!”
Meanwhile the new maid-of-all-work was in a great state of alarm, and tried to get away by the door; but the priest struck her and down she fell flat, the human skin dropped off, and she became a hideous devil. There she lay grunting like a pig, until the priest grasped his wooden sword and struck off her head. She then became a dense column of smoke curling up from the ground, when the priest took an uncorked gourd and threw it right into the midst of the smoke. A sucking noise was heard, and the whole column was drawn into the gourd; after which the priest corked it up closely and put it in his pouch. The skin, too, which was complete even to the eyebrows, eyes, hands, and feet, he also rolled up as if it had been a scroll, and was on the point of leaving with it, when Wang’s wife stopped him, and with tears entreated him to bring her husband to life. The priest said he was unable to do that; but Wang’s wife flung herself at his feet, and with loud lamentations implored his assistance.
For some time he remained immersed in thought, and then replied, “My power is not equal to what you ask. I myself cannot raise the dead; but I will direct you to some one who can, and if you apply to him properly you will succeed.” Wang’s wife asked the priest who it was; to which he replied, “There is a maniac in the town who passes his time grovelling in the dirt. Go, prostrate yourself before him, and beg him to help you. If he insults you, shew no sign of anger.” Wang’s brother knew the man to whom he alluded, and accordingly bade the priest adieu, and proceeded thither with his sister-in-law.
They found the destitute creature raving away by the road side, so filthy that it was all they could do to go near him. Wang’s wife approached him on her knees; at which the maniac leered at her, and cried out, “Do you love me, my beauty?” Wang’s wife told him what she had come for, but he only laughed and said, “You can get plenty of other husbands. Why raise the dead one to life?” But Wang’s wife entreated him to help her; whereupon he observed, “It’s very strange: people apply to me to raise their dead as if I was king of the infernal regions.”
He then gave Wang’s wife a thrashing with his staff, which she bore without a murmur, and before a gradually increasing crowd of spectators. After this he produced a loathsome pill which he told her she must swallow, but here she broke down and was quite unable to do so. However, she did manage it at last, and then the maniac crying out, “How you do love me!” got up and went away without taking any more notice of her. They followed him into a temple with loud supplications, but he had disappeared, and every effort to find him was unsuccessful. Overcome with rage and shame, Wang’s wife went home, where she mourned bitterly over her dead husband, grievously repenting the steps she had taken, and wishing only to die. She then bethought herself of preparing the corpse, near which none of the servants would venture; and set to work to close up the frightful wound of which he died.
While thus employed, interrupted from time to time by her sobs, she felt a rising lump in her throat, which by-and-by came out with a pop and fell straight into the dead man’s wound. Looking closely at it, she saw it was a human heart; and then it began as it were to throb, emitting a warm vapour like smoke. Much excited, she at once closed the flesh over it, and held the sides of the wound together with all her might. Very soon, however, she got tired, and finding the vapour escaping from the crevices, she tore up a piece of silk and bound it round, at the same time bringing back circulation by rubbing the body and covering it up with clothes. In the night, she removed the coverings, and found that breath was coming from the nose; and by next morning her husband was alive again, though disturbed in mind as if awaking from a dream and feeling a pain in his heart.
Where he had been wounded, there was a scar the size of a small coin. It soon after disappeared.

Meeting the Hawk

Photo by Dee Puett

The Meetingby AC Benson

The hawk slipt out of the pine, and rose in the sunlit air:Steady and still he poised; his shadow slept on the grass:And the bird's song sickened and sank: she cowered with furtive stare,Dumb, till the quivering dimness should flicker and shift and pass.Suddenly down he dropped: she heard the hiss of his wing,Fled with a scream of terror: oh, would she had dared to rest!For the hawk at eve was full, and there was no bird to sing,And over the heather drifted the down from a bleeding breast.