Tina Rath
Goodreads Author
Born
in London, The United Kingdom
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Influences
Ronald Chetwynd-Hayes, Joan Aiken, Diana Wynne Jones - and everyone I
...more
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May 2010
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Dracula: With a New Introduction
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13457 editions
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published
1897
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Vampires: The Recent Undead
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6 editions
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published
2011
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The Mammoth Book of Vampires
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14 editions
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published
1992
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Halloween
by
2 editions
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published
2009
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The Mammoth Book of Vampire Stories by Women
by
14 editions
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published
2001
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The Year's Best Fantasy and Horror: Eighteenth Annual Collection
by
2 editions
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published
2005
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Best New Horror 16 (The Mammoth Book of Best New Horror, #16)
by
5 editions
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published
2012
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A Chimaera in my Wardrobe
4 editions
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published
2013
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Talking to Strangers, and Other Warnings
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The Adventures of Mr Polkington
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Tina’s Recent Updates
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Tina Rath
answered a question about
Nettle & Bone:
This might say more about me than the character, but she seemed quite normal to me.
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Topics Mentioning This Author
topics | posts | views | last activity | |
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Horror Aficionados : Track the short fiction you read in 2018 | 36 | 151 | Jan 05, 2019 12:44PM | |
Horror Aficionados : Track the Short Fiction You've Read: 2020 | 22 | 130 | Nov 04, 2020 05:51PM | |
Spells, Space & S...: The Mammoth Book of Vampire Stories by Women (October 2020) | 98 | 19 | Dec 21, 2020 05:58AM |

“In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”
― The Weight of Glory
― The Weight of Glory

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