Edward Gauvin

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Edward Gauvin

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January 2010

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Two-time winner of the John Dryden Translation Prize, Edward Gauvin has received fellowships and residencies from PEN America, the Lannan Foundation, the NEA, the Fulbright program, the Centre National du Livre, the Villa Gilet, the Banff Centre, Ledig House, and ALTA. Other publications have appeared in The New York Times, Tin House, Subtropics, Conjunctions, and The Coffin Factory. The contributing editor for Francophone comics at Words Without Borders, he writes a bimonthly column on the Francophone fantastic at Weird Fiction Review.

Average rating: 3.81 · 31,738 ratings · 5,098 reviews · 248 distinct works
Three Shadows

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4.06 avg rating — 5,876 ratings — published 2007 — 27 editions
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A Game for Swallows: To Die...

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3.78 avg rating — 3,836 ratings — published 2007 — 25 editions
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Waves

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4.05 avg rating — 2,669 ratings — published 2017 — 10 editions
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My Beijing: Four Stories of...

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4.04 avg rating — 2,080 ratings — published 2016 — 11 editions
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Blank Slate

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3.74 avg rating — 1,874 ratings — published 2012 — 10 editions
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World Without End

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4.58 avg rating — 1,434 ratings — published 2021 — 8 editions
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Persephone

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3.76 avg rating — 1,696 ratings — published 2017 — 8 editions
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I Remember Beirut

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3.57 avg rating — 1,745 ratings — published 2008 — 12 editions
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The Sigh

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3.34 avg rating — 1,710 ratings — published 2004 — 8 editions
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Going Native

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liked it 3.00 avg rating — 1 rating — published 2017
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More books by Edward Gauvin…

About Betty’s Boob

Truth to tell, I didn’t have to do much translating for my latest graphic novel from BOOM! Studios’ Archaia Imprint, About Betty’s Boob, by Vero Cazot and Julie Rocheleau. The creators do some ingenious things with the silent narrative; my contributions were limited to translating a racy song for a burlesque performance midway through. Retitled from [...]
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Published on June 12, 2018 09:12
The Time Traveler...
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The Brooklyn Rail...
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by Donald Breckenridge (Goodreads Author)
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Fancies and Goodn...
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Edward Edward said: " Knowing these were once acclaimed as models of the genre says a lot about the transient nature of taste, and reassures anyone at odds with the time that fashions may seem monolithic, even hegemonic--but aren't.
Still, I am at least somewhat a creature
...more "

 

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