Sarah Schmelling

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Sarah Schmelling

Goodreads Author


Born
in Pittsburgh, Pennsylvania, The United States
Website

Genre

Influences
Monty Python, caffeine

Member Since
July 2009


Sarah Schmelling is an American journalist and humor writer. She has written for The New Yorker, The New York Times, Spin, Slate, Variety, The Washington Post, Real Simple, Newsweek, the Los Angeles Times and McSweeney's Internet Tendency, where the popular "Hamlet (Facebook News Feed Edition)" first appeared. The piece inspired her book, "Ophelia Joined the Group Maidens Who Don't Float: Classic Lit Signs on to Facebook," published in 2009.

Thanks to "The Social Network," National Public Radio decided to revisit my Hamlet (Facebook News Feed Edition) piece that inspired my book. They adapted it into a radio play with Shakespearean actors, sound effects, music...in short, they took it to another level.
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Published on October 04, 2010 18:34 • 277 views
Average rating: 3.83 · 449 ratings · 107 reviews · 1 distinct workSimilar authors
Ophelia Joined the Group Ma...

3.83 avg rating — 449 ratings — published 2009 — 5 editions
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Sarah Schmelling is now friends with Kristen Machado
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The Woman in Cabin 10
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Class Mom by Laurie Gelman
Class Mom
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The Misfortune of Marion Palm by Emily Culliton
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Standard Deviation by Katherine Heiny
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The Last Laugh by Lynn Freed
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A God in Ruins by Kate Atkinson
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Harmony by Carolyn Parkhurst
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Truly Madly Guilty by Liane Moriarty
Truly Madly Guilty
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Today Will Be Different by Maria Semple
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More of Sarah's books…
“Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do.

I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason.

And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every hawk and gillyflower ... oh, I don't even know what I'm talking about half the time. I just run with it, creating some of the SEMINAL TOURS DE FORCE OF THE ENGLISH LANGUAGE. You're welcome.”
Sarah Schmelling, Ophelia Joined the Group Maidens Who Don't Float: Classic Lit Signs on to Facebook

“Hester received Punishment Flair. She was sent an A to wear upon her chest and told she must stand before the town with her baby, Pearl.
Hester is not enjoying her flair.”
Sarah Schmelling, Ophelia Joined the Group Maidens Who Don't Float: Classic Lit Signs on to Facebook




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