Alexander Lowen


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The story of Alexander Lowen's life is a story of how he honored the body and healed his mind-body split. It is also the story of how, along the way, he helped mankind.


During his lifetime, Alexander Lowen earned four college degrees: his Bachelor of Science; his Bachelor of Law (L.L.B); his Doctor of Sciences of Law (J.S.D.); and his medical Degree (M.D.). He developed Wilhelm Reich's beliefs into Bioenergetic Analysis and created a large and viable organization, the International Institute for Bioenergetic Analysis (IIBA) to sustain and promote his therapeutic approach. The IIBA now has over 1500 members and 54 training institutes worldwide. Bioenergetic Analysis is now practiced not only in the United States, but also in
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Average rating: 4.09 · 2,189 ratings · 152 reviews · 42 distinct worksSimilar authors
Narcissism: Denial of the T...

3.97 avg rating — 606 ratings — published 1984 — 15 editions
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Bioenergetics

4.04 avg rating — 336 ratings — published 1975 — 10 editions
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Fear of Life

4.24 avg rating — 275 ratings — published 1980 — 15 editions
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The Language of the Body

4.11 avg rating — 184 ratings — published 1958 — 15 editions
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Depression and the Body: Th...

4.18 avg rating — 131 ratings — published 1972 — 9 editions
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The Betrayal of the Body

4.13 avg rating — 99 ratings — published 1969 — 6 editions
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Joy: The Surrender to the B...

4.22 avg rating — 102 ratings — published 1994 — 7 editions
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Pleasure

4.28 avg rating — 88 ratings — published 1970 — 12 editions
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The Way to Vibrant Health: ...

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4.16 avg rating — 82 ratings — published 1977 — 10 editions
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Love and Orgasm: A Revoluti...

3.73 avg rating — 73 ratings — published 1960 — 8 editions
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“It is a grave injustice to a child or adult to insist that they stop crying. One can comfort a person who is crying which enables him to relax and makes further crying unnecessary; but to humiliate a crying child is to increase his pain, and augment his rigidity. We stop other people from crying because we cannot stand the sounds and movements of their bodies. It threatens our own rigidity. It induces similar feelings in ourselves which we dare not express and it evokes a resonance in our own bodies which we resist.”
Alexander Lowen, The Voice of the Body

“As adults, we hvae many inhibitions against crying. We feel it is an expression of weakness, or femininity or of childishness. The person who is afraid to cry is afraid of pleasure. This is because the person who is afraid to cry holds himself together rigidly so that he won't cry; that is, the rigid person is as afraid of pleasure as he is afraid to cry. In a situation of pleasure he will become anxious. As his tensions relax he will begin to tremble and shake, and he will attempt to control this trembling so as not to break down in tears. His anxiety is nothing more than the conflict between his desire to let go and his fear of letting go. This conflict will arise whenever the pleasure is strong enough to threaten his rigidity.
Since rigidity develops as a means to block out painful sensations, the release of rigidity or the restoration of the natural motility of the body will bring these painful sensations to the fore. Somewhere in his unconscious the neurotic individual is aware that pleasure can evoke the repressed ghosts of the past. It could be that such a situation is responsible for the adage "No pleasure without pain.”
Alexander Lowen, The Voice of the Body

“It is a common belief that we breathe with our lungs alone, but in point of fact, the work of breathing is done by the whole body. The lungs play a passive role in the respiratory process. Their expansion is produced by an enlargement, mostly downward, of the thoracic cavity and they collapse when that cavity is reduced. Proper breathing involves the muscles of the head, neck, thorax, and abdomen. It can be shown that chronic tension in any part of the body's musculature interferes with the natural respiratory movements.
Breathing is a rhythmic activity. Normally a person at rest makes approximately 16 to 17 respiratory incursions a minute. The rate is higher in infants and in states of excitation. It is lower in sleep and in depressed persons. The depth of the respiratory wave is another factor which varies with emotional states. Breathing becomes shallow when we are frightened or anxious. It deepens with relaxation, pleasure and sleep. But above all, it is the quality of the respiratory movements that determines whether breathing is pleasurable or not. With each breath a wave can be seen to ascend and descend through the body. The inspiratory wave begins deep in the abdomen with a backward movement of the pelvis. This allows the belly to expand outward. The wave then moves upward as the rest of the body expands. The head moves very slightly forward to suck in the air while the nostrils dilate or the mouth opens. The expiratory wave begins in the upper part of the body and moves downward: the head drops back, the chest and abdomen collapse, and the pelvis rocks forward.
Breathing easily and fully is one of the basic pleasures of being alive. The pleasure is clearly experienced at the end of expiration when the descending wave fills the pelvis with a delicious sensation. In adults this sensation has a sexual quality, though it does not induce any genital feeling. The slight backward and forward movements of the pelvis, similar to the sexual movements, add to the pleasure. Though the rhythm of breathing is pronounced in the pelvic area, it is at the same time experienced by the total body as a feeling of fluidity, softness, lightness and excitement.
The importance of breathing need hardly be stressed. It provides the oxygen for the metabolic processes; literally it supports the fires of life. But breath as "pneuma" is also the spirit or soul. We live in an ocean of air like fish in a body of water. By our breathing we are attuned to our atmosphere. If we inhibit our breathing we isolate ourselves from the medium in which we exist. In all Oriental and mystic philosophies, the breath holds the secret to the highest bliss. That is why breathing is the dominant factor in the practice of Yoga.”
Alexander Lowen, The Voice of the Body

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