Trinh T. Minh-ha
Born
Viet Nam
Website
Genre
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Woman, Native, Other: Writing Postcoloniality and Feminism
13 editions
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published
1989
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When the Moon Waxes Red: Representation, Gender and Cultural Politics
14 editions
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published
1991
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Elsewhere, Within Here: Immigration, Refugeeism and the Boundary Event
10 editions
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published
2010
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Framer Framed: Film Scripts and Interviews
14 editions
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published
1992
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Cinema Interval
9 editions
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published
1999
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Lovecidal: Walking with the Disappeared
4 editions
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published
2016
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The Digital Film Event
8 editions
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published
2005
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Un Art Sans Oeuvre: Ou L'anonymat Dans Les Arts Contemporains
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published
1982
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By Trinh T. Minh-Ha - Woman, Native, Other: Writing Postcoloniality and Feminism
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Cinema-Interval
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“Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition.”
― Woman, Native, Other: Writing Postcoloniality and Feminism
― Woman, Native, Other: Writing Postcoloniality and Feminism
“Speaking, writing, and discoursing are not mere acts of communication; they are above all acts of compulsion. Please follow me. Trust me, for deep feeling and understanding require total committment.”
― Woman, Native, Other: Writing Postcoloniality and Feminism
― Woman, Native, Other: Writing Postcoloniality and Feminism
“despite all our desperate, eternal attempts to separate, contain and mend, categories always leak.”
― Woman, Native, Other: Writing Postcoloniality and Feminism
― Woman, Native, Other: Writing Postcoloniality and Feminism
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