Anne Goodwin
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September 2013
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https://www.goodreads.com/annecdotist
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Sugar and Snails
4 editions
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published
2015
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Matilda Windsor Is Coming Home
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Stolen Summers
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Underneath
3 editions
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published
2017
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Lyrics for the Loved Ones
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Becoming Someone
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GUD: Greatest Uncommon Denominator, Issue 4
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2 editions
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published
2009
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The Best of Fiction on the Web
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published
2018
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Somebody’s Daughter
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In the Shadow of the Red Queen
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published
2009
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Anne Goodwin
is currently reading

Anne’s Recent Updates
Anne Goodwin
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Lyra has mixed feelings when gets a job as a live-in tutor to ten-year-old Carla in an opulent country manor. The pay is good, her pupil delightful, but the house is remote and the Yorkshire gales discourage her from venturing much outside. She misse ...more | |
Anne Goodwin
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Emily is around seven years old when she joins her three elder sisters at a small boarding school for daughters of the clergy. When the headmistress writes her name in the register, she also records her probable future career. Growing up in genteel p ...more | |
Anne Goodwin
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Serah wants nothing to do with birthing, her own or anyone else's. But when has she ever had a say in what happens to her body? Charles, a feckless cotton farmer heavily in debt, needs to increase his 'stock'. Lizzie, his wife, wants a wet nurse for ...more | |
Anne Goodwin
rated a book it was ok
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Interesting themes and settings but didn't engage me as much as I'd hoped. ...more | |
Anne Goodwin
rated a book really liked it
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Intelligent literary thriller about the kindness and cruelty of the human race. | |
Anne Goodwin
rated a book really liked it
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The poignant aftermath of a mother's death. Loved the girl's voice and scenes in South Africa. ...more | |
"I first met Matilda Windsor in 'Matilda Windsor is Coming Home', a book which has stayed with me and it's been such a delight to read more about her, first of all in 'Stolen Summers' and now in this latest novel.
Almost reaching her centenary, Matild" Read more of this review » |
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Anne Goodwin
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Nineteen-year-old Wren arrives with her mother in the city-state of O, a place she’s longed to visit for years. Her mother, a renowned concert pianist, is here to give a performance. Wren is here because she’s followed her narcissistic mother from ci ...more | |
Anne Goodwin
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A profoundly moral story of corruption and compromise, loyalty and individuality, and the unconscious motivations that can lead us astray. | |
Anne Goodwin
rated a book it was amazing
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Nineteen-year-old Wren arrives with her mother in the city-state of O, a place she’s longed to visit for years. Her mother, a renowned concert pianist, is here to give a performance. Wren is here because she’s followed her narcissistic mother from ci ...more | |
“I write to tame and organise the thoughts that bubble in my head. I write for the part of me that’s inconsolable and don’t have the hands or the talent for painting, pottery or the piano. I write because it’s proven more effective than screaming to communicate my personal truths. I write because publication provides the perfect payback for a painful childhood and because I’m addicted to alliteration, a glutton for grammar and ruled by the rule of three. I continue writing to discover where my imagination will take me; because if I stopped, I’d no longer be me.”
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Topics Mentioning This Author
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Aussie Readers: A-Z Titles 2023 | 342 | 195 | 4 hours, 47 min ago |
“What I long for with a deep ache inside me is sacred music. I long for the Fauré Requiem, for the Haydn “Mass in Time of War,” for some pure celestial music that could lift me above myself, into that sphere where great art lives, beyond what man can be in himself, the intimation of the sacred—what cannot be dirtied or smudged by wickedness or by anger, which no threat can touch.”
― As We Are Now
― As We Are Now
“Old age is really a disguise that no one but the old themselves see through. I feel exactly as I always did, as young inside as when I was twenty-one, but the outward shell conceals the real me—sometimes even from itself—and betrays that person deep down inside, under wrinkles and liver spots and all the horrors of decay. I sometimes think that I feel things more intensely than I used to, not less. But I am so afraid of appearing ridiculous. People expect serenity of the old. That is the stereotype, the mask we are expected to put on. But”
― As We Are Now
― As We Are Now
“My anger, because I am old, is considered a sign of madness or senility. Is this not cruel? Are we to be deprived even of righteous anger? Is even irritability to be treated as a “symptom”? There”
― As We Are Now
― As We Are Now

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