Suzanne Keene

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June 2012


Average rating: 3.78 · 18 ratings · 6 reviews · 10 distinct works
Fragments of the World: Use...

really liked it 4.00 avg rating — 8 ratings — published 2005 — 9 editions
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Digital Collections, Museum...

really liked it 4.00 avg rating — 2 ratings — published 1998
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Managing Conservation In Mu...

2.75 avg rating — 4 ratings — published 1996 — 8 editions
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Managing Conservation in Mu...

really liked it 4.00 avg rating — 2 ratings — published 2012 — 4 editions
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Digital Collections

0.00 avg rating — 0 ratings — published 1998 — 8 editions
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Corrosion Inhibitors in Con...

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0.00 avg rating — 0 ratings — published 1985
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Conservation Archaeology & ...

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Victorian Renovations of th...

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really liked it 4.00 avg rating — 1 rating — published 1997 — 3 editions
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Electronic Visualisation in...

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4.50 avg rating — 2 ratings — published 2013 — 4 editions
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Museums and Silent Objects:...

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really liked it 4.00 avg rating — 2 ratings — published 2012 — 8 editions
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Suzanne Keene has read
This Whispering in Our Hearts by Henry Reynolds
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A Summer of Drowning by John Burnside
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End This Depression Now! by Paul Krugman
End This Depression Now!
by Paul Krugman (Goodreads Author)
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The Truth by Michael Palin
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If Nobody Speaks of Remarkable Things by Jon McGregor
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The Damned Utd by David Peace
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Julian Comstock by Robert Charles Wilson
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Offshore by Penelope Fitzgerald
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The Scar by China Miéville
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Perdido Street Station by China Miéville
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More of Suzanne's books…
“Eleven or twelve hundred years ago the poem Beowulf explored the contradictions of treasure: jewels and gold that when they have been bard won turn to things eaten by rust. Finally, Saadi Youssef questions, Who broke these mirrors? (perhaps by snatching objects out of their context and their world) and muddled them up - and who can gather the pieces together to preserve the memory?”
Suzanne Keene, Fragments of the World: Uses of Museum Collections

“Eleven or twelve hundred years ago the poem Beowulf explored the contradictions of treasure: jewels and gold that when they have been hard won turn to things eaten by rust. Finally, Saadi Youssef questions, Who broke these mirrors? (perhaps by snatching objects out of their context and their world) and muddled them up - and who can gather the pieces together to preserve the memory?”
Suzanne Keene, Fragments of the World: Uses of Museum Collections

“Even if published in written form, history, it is argued, is not embedded as a memory at an individual level: it has to be brought to life through commemorative events and so on, or, indeed, through museum exhibits. Thus, history might be designated the memory of the nation-state, even though there is no such thing as a universally accepted history.”
Suzanne Keene, Fragments of the World: Uses of Museum Collections




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