Suzanne Keene

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Suzanne Keene

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June 2012


Average rating: 3.71 · 21 ratings · 6 reviews · 11 distinct works
Fragments of the World: Use...

really liked it 4.00 avg rating — 9 ratings — published 2005 — 10 editions
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Managing Conservation in Mu...

3.13 avg rating — 8 ratings — published 2012 — 12 editions
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Electronic Visualisation in...

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4.50 avg rating — 2 ratings — published 2013 — 4 editions
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Digital Collections, Museum...

really liked it 4.00 avg rating — 2 ratings — published 1998
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Museums and Silent Objects:...

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really liked it 4.00 avg rating — 2 ratings — published 2012 — 9 editions
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Corrosion Inhibitors in Con...

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0.00 avg rating — 0 ratings — published 1985
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Digital Collections

0.00 avg rating — 0 ratings — published 1998 — 8 editions
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Conservation Archaeology & ...

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Curators, Culture and Confl...

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Museums in the Second World...

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Quotes by Suzanne Keene  (?)
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“Eleven or twelve hundred years ago the poem Beowulf explored the contradictions of treasure: jewels and gold that when they have been bard won turn to things eaten by rust. Finally, Saadi Youssef questions, Who broke these mirrors? (perhaps by snatching objects out of their context and their world) and muddled them up - and who can gather the pieces together to preserve the memory?”
Suzanne Keene, Fragments of the World: Uses of Museum Collections: Uses of Museum Collections

“Eleven or twelve hundred years ago the poem Beowulf explored the contradictions of treasure: jewels and gold that when they have been hard won turn to things eaten by rust. Finally, Saadi Youssef questions, Who broke these mirrors? (perhaps by snatching objects out of their context and their world) and muddled them up - and who can gather the pieces together to preserve the memory?”
Suzanne Keene, Fragments of the World: Uses of Museum Collections: Uses of Museum Collections

“Even if published in written form, history, it is argued, is not embedded as a memory at an individual level: it has to be brought to life through commemorative events and so on, or, indeed, through museum exhibits. Thus, history might be designated the memory of the nation-state, even though there is no such thing as a universally accepted history.”
Suzanne Keene, Fragments of the World: Uses of Museum Collections: Uses of Museum Collections




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