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Dylan  Jones

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Dylan Jones

Goodreads Author


Born
The United Kingdom
Member Since
March 2017


Dylan Jones studied at Chelsea School Of Art and then St. Martin’s School of Art. He is the award-winning editor of GQ magazine, a position he has held since 1999, and has won the British Society of Magazine Editors “Editor of the Year” award a record ten times. In 2013 he was also the recipient of the prestigious Mark Boxer Award.
Under his editorship the magazine has won over 50 awards.
A former editor at i-D, The Face, Arena, the Observer and the Sunday Times, he is the author of the New York Times best seller Jim Morrison: Dark Star, the much-translated iPod, Therefore I Am and Mr. Jones’ Rules, as well as the editor of the classic collection of music writing, Meaty Beaty Big & Bouncy. He edited a collection of journalism from Arena - Sex
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Mr Jones' Rules For The Mod...

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From the Ground Up: U2360° ...

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More books by Dylan Jones…
Quotes by Dylan Jones  (?)
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“The filming was interrupted at one point by an old man walking his dog, looking for driftwood. Mallet asked him if he wouldn’t mind moving, and pointed out Bowie sitting outside the catering van. ‘Do you know who this is?’ he asked. Sharp as a tack, the old man responded with, ‘Of course I do. It’s some cunt in a clown suit.’ Sometime later, Bowie remembered, ‘That was a huge moment for me. It put me back in my place and made me realise, “Yes, I’m just a cunt in a clown suit.”
Dylan Jones, David Bowie: A Life

“There were girls here with fire-engine-red lips, and boys with such pronounced eyeliner that it looked permanent. And as you moved back to the dancefloor, the music overwhelmed you: Yellow Magic Orchestra, Space, Ultravox, Eno, Fad Gadget, Sparks, Grace Jones, Thomas Leer, Cerrone, Psychedelic Furs and Bowie, obviously, lots of Bowie. On and on it went, a constant swirl of automated Germanic beats – hard-edged European disco, synth-led, bass-heavy … all very angular: Kraftwerk and Gina X, Giorgio Moroder and Donna Summer, and some early Roxy Music.”
Dylan Jones, Sweet Dreams: The Story of the New Romantics

“The eighties weren’t just about androgyny, and in a sense they embraced polymorphous perversity in a way it had never been embraced before, an exploration of self that hadn’t been as intense since the sixties. This was a new type of bohemianism, one empowered by a certainty and an optimism that was only fleeting back in the so-called Swinging Sixties.”
Dylan Jones, Sweet Dreams: The Story of the New Romantics

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