Dylan Jones
Goodreads Author
Born
The United Kingdom
Member Since
March 2017
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David Bowie: A Life
19 editions
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published
2017
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Sweet Dreams: The Story of the New Romantics
5 editions
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published
2020
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Wichita Lineman: Searching in the Sun for the World's Greatest Unfinished Song
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Mr Mojo: A Biography of Jim Morrison
6 editions
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published
2015
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Jim Morrison: Dark Star
15 editions
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published
1990
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Mr Jones' Rules For The Modern Man
11 editions
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published
2006
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When Ziggy Played Guitar: David Bowie and Four Minutes that Shook the World
6 editions
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published
2012
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iPod, Therefore I Am
14 editions
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published
2005
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The Eighties: One Day, One Decade
5 editions
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published
2013
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From the Ground Up: U2360° Tour Official Photobook
by
5 editions
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published
2012
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“The filming was interrupted at one point by an old man walking his dog, looking for driftwood. Mallet asked him if he wouldn’t mind moving, and pointed out Bowie sitting outside the catering van. ‘Do you know who this is?’ he asked. Sharp as a tack, the old man responded with, ‘Of course I do. It’s some cunt in a clown suit.’ Sometime later, Bowie remembered, ‘That was a huge moment for me. It put me back in my place and made me realise, “Yes, I’m just a cunt in a clown suit.”
― David Bowie: A Life
― David Bowie: A Life
“There were girls here with fire-engine-red lips, and boys with such pronounced eyeliner that it looked permanent. And as you moved back to the dancefloor, the music overwhelmed you: Yellow Magic Orchestra, Space, Ultravox, Eno, Fad Gadget, Sparks, Grace Jones, Thomas Leer, Cerrone, Psychedelic Furs and Bowie, obviously, lots of Bowie. On and on it went, a constant swirl of automated Germanic beats – hard-edged European disco, synth-led, bass-heavy … all very angular: Kraftwerk and Gina X, Giorgio Moroder and Donna Summer, and some early Roxy Music.”
― Sweet Dreams: The Story of the New Romantics
― Sweet Dreams: The Story of the New Romantics
“The eighties weren’t just about androgyny, and in a sense they embraced polymorphous perversity in a way it had never been embraced before, an exploration of self that hadn’t been as intense since the sixties. This was a new type of bohemianism, one empowered by a certainty and an optimism that was only fleeting back in the so-called Swinging Sixties.”
― Sweet Dreams: The Story of the New Romantics
― Sweet Dreams: The Story of the New Romantics
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