Warren Adler's Blog, page 30
November 4, 2015
Patricia Raybon
I’ve been writing almost since I could read. Half a minute past first grade, I started writing stories–but also looking for life answers. That led me, past college, to newspaper reporting at my hometown paper, The Denver Post. My feature articles won a slew of nice awards, plus one entry in the Pulitzer Prizes.
Next stop was college teaching where I taught print journalism to scores of bright graduate and undergraduate students at the University of Colorado at Boulder. While teaching, I started writing personal essays on faith and family—getting pieces published in The New York Times Magazine, Newsweek, USA Weekend, USA Today, Chicago Tribune, Country Living Magazine, Christianity Today, In Touch Magazine, Today’s Christian Woman and aired on National Public Radio.
Essays led me to published books. My first two are memoirs, “My First White Friend” (Viking/Penquin), a racial forgiveness journey (and winner of the Christopher Award), and “I Told the Mountain to Move” (Tyndale House), a prayer story and Book of the Year Finalist in Christianity Today Magazine’s 2006 book awards competition.
My 5th and latest book, co-written with my impassioned daughter Alana Raybon, is entitled “Undivided: A Muslim Daughter, Her Christian Mother, Their Path to Peace” (HarperCollins Christian Publishers/Thomas Nelson).
Why tell such personal stories? The reward and journey of discovery changes lives, starting with my own. My goal? To inspire readers to bridge their divides, love God and one another, and choose peace. Amen.
http://www.patriciaraybon.com/
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November 2, 2015
7 Essential Things I’ve Learned About Bad Reviews In My 72 Years As A Novelist
I’ve been a writer for a long time. 72 years to be exact. I’ve learned a lot and continue to do so and I wanted to pass along
some of my knowledge to you. Getting bad reviews is just as important as getting ones that praise your work. I hope that my insights inspire you to remain hopeful and resilient no matter where you are along your journey.
1. All novelists have had their share of bruises. It is an inevitable part of life. Chin up and pen down, the important thing is to keep at it.
2. Most of the literary giants in the past, present, and future have had and will have at least one negative reaction flung their way. For example, a London critic once said of Walt Whitman, “Walt Whitman is as unacquainted with art as a hog is with mathematics.” And how about this reaction to George Orwell from one of the great British critics? “1984 is a failure.”
3. Everyone has opinions. Now, social media has given everyone a voice. A voice masked by anonymity on top of that. You have to listen to the ones that truly matter to you. Ignore insults, especially ones that come from cowardly folk with nothing better to do.
“The first thing you have to learn when you go into the arts is to learn to cope with rejection. If you can’t, you’re dead.”
4. If we wrote to please everyone, we would write nothing at all. Listen to your muse above all else. Take pride and joy in your accomplishments and the people who you inspire and entertain.
5. Celebrate that your work is gaining notice and attention. In today’s flood of entertainment, make sure you stay in the creative ballgame.
6. Good reviews aren’t necessarily a harbinger of future success. Everything passes us at warp speed. Here today, but forgotten in a wink in some cases.
7. Whatever is said about you or your work, make sure your name is spelled right.
You may also like: On Rejection and Renewal: A Note to Aspiring Novelists
Writers of the World – What’s Your Story? Click to Explore and Submit a Reflection
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WRITERS’ VILLAGE Features “How Do You Cope with Bad Feedback on Your Work?”
Every serious novelist worth their salt believes in their soul that they have written a brilliant novel or multiple novels in which the reader will find compelling characters engaged in deeply imagined stories that profoundly illustrate the human condition.
What every novelist, traditionally or self-published, yearns for is for others to be moved by their work, to be praised, acclaimed, recognized and celebrated for what they truly believe is their masterful artistic performance.
Of course, they might deny such a characterization and offer the explanation that it is only the work itself that matters to the true artist. And while such a conviction does have the ring of truth, human vanity and the power of the ego is too deeply embedded in the psyche to be denied. CONTINUE READING ON WRITERS’ VILLAGE
Writers of the World – What’s Your Story? Click to Explore and Submit a Reflection
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Jennifer Walsh
I’d played Chinese checkers, colored, and solved the word jumble in The Daily News.
“Nana?” I was spending the weekend at my grandmother’s house in the Bronx. “I’m bored.”
She looked at me. Then, she walked to the round table in her living room and opened the drawer. She pulled out a royal blue spiral notebook and a sharpened yellow pencil with a red pencil top eraser. “Write me a story.”
I wrote twelve pages that afternoon. It was exhilarating. Words, giving birth to the thoughts and ideas inside my head, came out of me like water from an open fire hydrant. My hand cramped to keep pace.
Those pages were the beginning of my relationship with writing. I have a relationship with writing. It’s why I write. Early on, we had a lot of unproductive time together. I was afraid, inhibited. My writing was weak. But, the more I exposed myself, the stronger my writing. Like couples prim and proper on first dates, after some time together, they will belch and swear.
Writing is the only place where I can hear the only voice that matters: my own. Even my internal dialogue—“Your jeans won’t fit if you eat that,”—is silenced. And in that silence, I can be introspective and make sense of what doesn’t make sense to me anywhere else. I write what I think and what I feel. I am visible. I am my honest self. And my honest self is my most interesting self.
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Chantelle Aimée Osman
I’m sure a lot of people remember the exact moment they discovered their love of words. Me, I can’t recall a moment before I had. Imagining a world where I’m not surrounded, inundated, and overwhelmed with (and by) words every day is a horrific post-apocalyptic nightmare—a life measured in Kraft Singles and boxed wine. In my world, the correct use of an em dash is orgasmic, an apostrophized plural the equivalent of the combined screams of a dying universe. This may be a mild exaggeration. However, in a world where people so infrequently mean what they say and say what they mean, every word, every space, every pica counts. I love them all. Especially “tessellate”. That’s a great word.
http://www.chantelleaimee.com/Chantelle_Aimee_Osman/Home.html
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October 30, 2015
How Long Did it Take For You to Get Your First Book Published?
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Writers of the World – What’s Your Story? Click to Explore and Submit a Reflection
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October 28, 2015
James LaRue
I began writing, serious writing, in 6th grade. It was driven by several things:
– My sixth grade teacher introducing us to haiku. They were fascinating. I wrote a book of 100 of them. Bad ones.
– The Christmas gift of a journal. It got me in the habit of writing every day, and noticing how my thoughts changed over time.
– The presence of books in my home. The pride of place given to a couple of bookcases suggested to me that books were important, worthy, and even noble.
I suppose it isn’t surprising that I became not only a poet, and a writer, but also a librarian.
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Jendi Reiter
Why do I write? “Fish gotta swim, birds gotta fly…” Writing takes me into a space of deep attention that others find through prayer and meditation. When I write, I discover what feels true about myself and my world. My intellect can spin a lot of convincing theories, but I can’t fake it in a story or a poem. When my dramatization of an idea sounds insincere or psychologically implausible, I know that either I don’t actually believe this, or I need a time-out from writing so I can heal my wounded thoughts and reconnect to the divine Source of love. As a Christian writing teacher once told me, “Problems with your novel are really problems with your soul.” The question “Why do I write?” only arises when I lose my nerve about coming to grips with vulnerability, suffering, and change—which can’t be avoided, whether one writes or not! Besides, sometimes I get paid.
A poet since childhood, winning prizes since my teens, I started seriously writing fiction in my 30s to develop more empathy for people whose life paths were different from mine. This catalyzed my decade-long transformation from conservative Christian blogger to gay rights activist, erotic fiction writer, and student of Tarot. Or, to quote a recent Amherst Cinema brochure: “Thus begins an aimless journey toward bizarre ends.” But my soul feels healthier than ever.
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October 27, 2015
Did You Always Want To Be a Novelist?
Have a question for Warren Adler? Submit it in the comment section below!
Writers of the World – What’s Your Story? Click to Explore and Submit a Reflection
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October 26, 2015
C.S. Lakin
Like many writers, I’ve been writing my whole life. Writing has always been a way for me to fully express my creativity, look deeply at myself and others, to question motivation and explore what humanity is in all its beauty and ugliness. Writing fulfills my need to understand and process my world, as well as touch others with the things I’ve learned and experienced through the journeys of my fictional characters. I try to convey a slice of real life in my novels as well as inspire and encourage others through my stories.
http://www.livewritethrive.com/
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