The Hours Quotes

“Beauty is a whore, I like money better.”
― Michael Cunningham, The Hours

“Dear Leonard. To look life in the face. Always to look life in the face and to know it for what it is. At last to know it. To love it for what it is, and then, to put it away. Leonard. Always the years between us. Always the years. Always the love. Always the hours.”
― Michael Cunningham, The Hours

“We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more. Heaven only knows why we love it so...”
― Michael Cunningham, The Hours

“How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richards kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.

Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port.

Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe its as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the ponds edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together.

It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and its perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.”
― Michael Cunningham, The Hours

“There is just this for consolation: an hour here or there, when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined , though everyone but children (and perhaps even they) knows these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning, we hope, more than anything, for more. Heaven only knows why we love it so.”
― Michael Cunningham, The Hours

“Dead, we are revealed in our true dimensions, and they are surprisingly modest.”
― Michael Cunningham, The Hours

“These days, Clarissa believes, you measure people first by their kindness and their capacity for devotion. You get tired, sometimes, of wit and intellect; everybody's little display of genius.”
― Michael Cunningham, The Hours

“There is a beauty in the world, though it's harsher than we expect it to be.”
― Michael Cunningham, The Hours

“What does it mean to regret when you have no choice? It's what you can bear. And there it is... It was death. I chose life.”
― Michael Cunningham, The Hours

“I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.”
― Michael Cunningham, The Hours

“I remember one morning getting up at dawn. There was such a sense of possibility. You know, that feeling. And I...I remember thinking to myself: So this is the beginning of happiness, this is where it starts. And of course there will always be more...never occurred to me it wasn't the beginning. It was happiness. It was the moment, right then." (Clarissa in THE HOURS)”
― Michael Cunningham, The Hours

“There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more.”
― Michael Cunningham, The Hours

“He insists on a version of you that is funnier, stranger, more eccentric and prfound thatn you suspect yourself to be--capable of doing more good and more harm in the world than you've ever imagined--it is all but impossible not to believe, at least in his presence and a while after you've left him, that he alone sees through your essence, weighs your true qualities . . . and appreciates you more fully than anyone else ever has.”
― Michael Cunningham, The Hours

“She is, above all else, tired; she wants more than anything to return to her bed and her book. The world, this world, feels suddenly stunned and stunted, far from everything.”
― Michael Cunningham, The Hours

“What a thrill, what a shock, to be alive on a morning in June, prosperous, almost scandalously privileged, with a simple errand to run.”
― Michael Cunningham, The Hours

“What I wanted to do seemed simple. I wanted something alive and shocking enough that it could be a morning in somebody's life. The most ordinary morning. Imagine, trying to do that.”
― Michael Cunningham, The Hours

“We live our lives, do whatever we do, and then we sleep - it's as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) knows these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more.”
― Michael Cunningham, The Hours

“She could have had a life as potent and dangerous as literature itself.”
― Michael Cunningham, The Hours

“I don't think two people could have been happier than we have been." -Virginia Woolf”
― Michael Cunningham, The Hours

“She will remain sane and she will live as she was meant to live, richly and deeply, among others of her kind, in full possession and command of her gifts.”
― Michael Cunningham, The Hours

“Clarissa will be bereaved, deeply lonely, but she will not die. She will be too much in love with life, with London. Virginia imagines someone else, yes, someone strong of body but frail-minded; someone with a touch of genius, of poetry, ground under by the wheels of the world, by war and government, by doctors; a someone who is, technically speaking insane, because that person sees meaning everywhere, knows that trees are sentient beings and sparrows sing in Greek. Yes, someone like that. Clarissa, sane Clarissa -exultant, ordinary Clarissa - will go on, loving London, loving her life of ordinary pleasures, and someone else, a deranged poet, a visonary, will be the one to die.”
― Michael Cunningham, The Hours

“Oh, pride, pride. I was so wrong. It defeated me. It simply proved insurmountable. There was so much, oh, far too much for me. I mean, there's the weather, there's the water and the land, there are the animals, and the buildings, and the past and the future, there's space, there's history. There's this thread or something caught between my teeth, there's the old woman across the way, did you notice she switched the donkey and the squirrel on her windowsill? And, of course, there's time. And place. And there's you, Mrs. D. I wanted to tell part of the story of part of you. Oh, I'd love to have done that."

"Richard. You wrote a whole book."

"But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?"

"Yes. I suppose we do."

"You kissed me beside a pond."

"Ten thousand years ago."

"It's still happening.”
― Michael Cunningham, The Hours

“she is not a writer at all, really; she is merely a gifted eccentric.”
― Michael Cunningham, The Hours

“Take me with you. I want a doomed love. I want streets at night, wind and rain, no one wondering where I am.”
― Michael Cunningham, The Hours

“a certain bohemian, good-witch sort of charm”
― Michael Cunningham, The Hours

“I don't know if I can face this. You know. The party and the ceremony, and then the hour after that, and the hour after that."

"You don't have to go to the party. You don't have to go to the ceremony. You don't have to do anything at all."

"But there are still the hours, aren't there? One and then another, and you get through that one and then, my god, there's another. I'm so sick.”
― Michael Cunningham, The Hours

“...and when somebody comes up to me with big hair and gobs of makeup on and says, 'Can I help you,' it's all I can do not to scream, 'Bitch, you can't even help yourself.”
― Michael Cunningham, The Hours

“We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep--it's as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we're very fortunate, by time itself.”
― Michael Cunningham, The Hours

“There are times when you don't belong and you think you're going to kill yourself. Once I went to a hotel. Later that night I made a plan. The plan was I would leave my family when my second child was born. And that's what I did. I got up one morning, made breakfast, went to the bus stop, got on a bus. I'd left a note. I got a job in a library in Canada. It would be wonderful to say you regretted it. It would be easy. But what does it mean? What does it mean to regret when you have no choice? It's what you can bear. There it is. No-one's going to forgive me. It was death. I chose life." -Laura Brown-”
― Michael Cunningham, The Hours

“Like the morning you walked out of that old house, when you were eighteen and I was, well, I had just turned nineteen, hadn't I? I was a nineteen-year-old and I was in love with Louis and I was in love with you, and I thought I had never seen anything so beautiful as the sight of you walking out a glass door in the early morning, still sleepy, in your underwear. Isn't it strange?”
― Michael Cunningham, The Hours