Divisadero Quotes

“For we live with those retrievals from childhood that coalesce and echo throughout our lives, the way shattered pieces of glass in a kaleidoscope reappear in new forms and are songlike in their refrains and rhymes, making up a single monologue. We live permanently in the recurrence of our own stories, whatever story we tell.”
― Michael Ondaatje, Divisadero

“...sometimes we enter art to hide within it. It is where we can go to save ourselves, where a third-person voice protects us.”
― Michael Ondaatje, Divisadero

“How we are almost nothing. We think, in our youth, we are the centre of the universe, but we simply respond, go this way or that by accident, survive or improve by the luck of the draw, with little choice or determination on our part.”
― Michael Ondaatje, Divisadero

“He turns his back to the far shore and rows toward it. He can in this way travel away from, yet still see, his house....he feels he is riding a floating skeleton...Some birds in the almost-dark are flying as close to their reflections as possible.”
― Michael Ondaatje, Divisadero

“I was fourteen then. He was eighteen. Everything is biographical, Lucien Freud says. What we make, why it is made, how we draw a dog, who it is we are drawn to, why we cannot forget. Everything is collage, even genetics. There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border that we cross.”
― Michael Ondaatje, Divisadero

“I love the performance of a craft, whether it is modest or mean-spirited, yet I walk away when discussions of it begin - as if one should ask a gravedigger what brand of shovel he uses or whether he prefers to work at noon or in moonlight. I am interested only in the care taken, and those secret rehearsals behind it. Even if I do not understand fully what is taking place. ”
― Michael Ondaatje, Divisadero

“...those who had risked everything at a riverbend on a left turn and so discovered a fortune.”
― Michael Ondaatje, Divisadero

“we live with those retrievals from childhood that coalesce and echo throughout our lives”
― Michael Ondaatje, Divisadero

“As if this collection of things is what she is. So we fall in love with ghosts.”
― Michael Ondaatje, Divisadero

“And as the music ended, he saw her, like a woman in a romance, pull from her cotton sleeve a note that she pushed into his breast pocket. It would burn there unread for another hour as he danced and talked with in-laws who did not matter to him, who got in the way, whose bloodline connection to him or his wife he could not care less about. Everything that was important to him existed suddenly in the potency of Marie-Neige. He could tell what the shallow freize of the wedding party that surrounded them would continue to be, and yet the one he knew best-he could not conceive how she would behave or respond to him in a week, or even in an hour. She had stepped into more than his arms for a dance, had waited for the precise seconds so it was possible and socially forgivable-the sunlit wedding procession, the eternal meal-and she had passed him a billet-doux as if they were within a Dumas. The note she had written said 'Good-bye.' Then it said 'Hello.' And then it reminded him that 'A message sent by pigeon to The Hague can sometimes change everything.' She had, like one of those partially villainous and always evolving heroines, turned his heart over on the wrong day.”
― Michael Ondaatje, Divisadero

“And he loved my mother. I saw him on the last days of his life lift that oil-scented right hand and enter its fingers into her ordered hair and rustle it free of its pins as if he had been offered velvet or the fur of a rare animal. Forever I hold that gesture. For me it was perhaps the last remembered pleasure belonging to him. It is the unspoiled core of whatever I know of love and family (and I have not been successful at the craft of it). Our shyness at embracing each other - it rarely happened - did not matter. I felt safe and comforted in his house.”
― Michael Ondaatje, Divisadero

“...if you do not plunder the past, the absence feeds on you”
― Michael Ondaatje, Divisadero