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I am usually not a big fan of biographies or autobiographies. But there is one very special book from the biographical genre that deserves to be mentioned.
Her memories of her parent's complex relationship and her childhood experiences anchors A Dau...moreI am usually not a big fan of biographies or autobiographies. But there is one very special book from the biographical genre that deserves to be mentioned.
Her memories of her parent's complex relationship and her childhood experiences anchors A Daughter Remembers by Li Lien-Fung. Like numerous tales of separation, loss and love rekindled in the tumultuous war years, Li Lien-Fung's childhood experience and in fact also the direction that her future was to take were influenced by the war that left an indelible mark in Asia.
I was specially intrigued by the fact that Li Lien-Fung is the mother of Minfong Ho - one of my favourite authors who writes with sensitivity and clarity. So expecting to hear from both Li Lien-Fung and Minfong Ho in person about their careers as writers at the Singapore Writers Festival 2011, I began reading the A Daughter Remembers in time for their panel discussion.
Li Lien-Fung's own story is amazing. As a young Asian woman, she graduated from Mills College and continued post-graduate education in Chemistry at the Massachusetts Institute of Technology (MIT) in the 1940s. While at MIT, she realised that although she did not struggle with the course material, her passion was in Literature. So she made the switch from studying Chemistry at MIT to pursuing a Masters in Literature at Cornell.
Although Li Lien-Fung does refer to her romantic interest and subsequent life partner, A Daughter Remembers expounds more about the very layered and even sometimes exasperating relationship between her parents. Her father left China for America to work and sent money home twice to send for her mother. Each time however, it was vetoed that the money should be used to send her uncles to America and not her mother. By then, some irrevocable decisions were made that would forever alter their destinies.
I was in for a shock when I found this printed at the end of the page:
[Publisher's note: Li Lien-Fung passed away just before the book went to press.]
How then, would the launch of this book continue at the Singapore Writers Festival? Apparently it did go on and was presented by the children of Li Lien-Fung including Minfong Ho. Unlike all other literary panels at the Singapore Writers Festival, this event was attended by an overwhelming number of friends and family of Li Lien-Fung. She was after all married to a Singaporean and was very active in the arts and literary scene in Singapore.
Because Li Lien-Fung passed away just a few months before the Singapore Writers Festival, her absence was still very dearly felt among her family. Minfong Ho surmised at the start of the panel, "mother, where the heck are you?"
Her sons, Ho Kwon Cjan and Ho Kwon Ping and wife, Claire Chang, their children, Minfong Ho and her daughter tearily read from a passage each from A Daughter Remembers in remembrance of her. They also spoke of Li Lien-Fung's love for literature, her tenacity and her own struggles in expressing in the book something so private and still painful to her. It was hard to maintain composure.
Given the circumstances, I believe that Li Lien-Fung's family did not have to go through with her book launch, but they did anyway, and chose to share this very vulnerably raw moment with us.(less)
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The first hand account is the closest point of view of the harrowing turn of events that can ever be offered. Told unflinchingly by a survivor, the account is truthful and yet does not glamourise the horrors of the killing fields. Historical accounts...moreThe first hand account is the closest point of view of the harrowing turn of events that can ever be offered. Told unflinchingly by a survivor, the account is truthful and yet does not glamourise the horrors of the killing fields. Historical accounts should not be recognised only when published by university presses but should also be equally acknowledged in such primary sources.(less)
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It has been a while since I've come across a horrendously written book. In praise of it, The Times says in its preface that "This is a fine novel, fiction as moving and horrific as Margaret Atwood's The Handmaid's Tale or John Wyndham's The Chrysalid...moreIt has been a while since I've come across a horrendously written book. In praise of it, The Times says in its preface that "This is a fine novel, fiction as moving and horrific as Margaret Atwood's The Handmaid's Tale or John Wyndham's The Chrysalids." I cannot disagree more.
The protagonists in the novel are two dimensional and without character. The bulk of the book is preoccupied with the petty quarrels and playground politics of these children in their boarding school called Hailsham in the fashion after Enid Blyton's narratives. In fact, The Naughtiest Girl in the School would have made a more satisfying read in this aspect.
The reason for the existence of Hailsham students is told to them and the reader quite early on that they are bred as clones for their organs and will die or "complete" by the fourth organ donation or as soon as surgical complications arise. Although there is some hint that the children yearn for love and do try to extend their lives, they ultimately conform to the system without a fight.
The awkwardly thrown in feature of promiscuous sex among the children in their adolescence is contrived and serves little purpose in the mitigation of their right to live.
The dystopian themes that the novel purportedly engages in is hardly discussed. There is little political will of the children's sympathisers to change anything and also no agency on part of the children to defy such a system.
The lives of the children simply runs its course and ends exactly how Kathy describes it at the beginning of the book. The book's introduction therefore, is its own spoiler.
The Island (Directed by Michael Bay) - interestingly also made in the same year that Never Let Me Go was published - is the closest comparison in terms of premise and themes to this book. Unfortunately for Kazuo Ishiguro, Michael Bay seems to have a better handle on literariness than him, this time round.(less)
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Wynnie
is now following Neil's reviews
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A Long Way Gone is a sincere and honest recount of Ishmael's unfortunate encounter with war and recruitment as a child soldier.
It does not glamorise the atrocities of war nor does it wax lyrical with maudlinness. His perspective describes how the ...moreA Long Way Gone is a sincere and honest recount of Ishmael's unfortunate encounter with war and recruitment as a child soldier.
It does not glamorise the atrocities of war nor does it wax lyrical with maudlinness. His perspective describes how the entire country plummeted into darkness and devastation. Like most children, Ismael is not told and does not understand the tactical or political dimension of the crisis. What he does understand is that life is fragile and transient, shoot or by shot, plunder or be plundered.
Ishmael recounts how his village and the surrounding villages were massacred and looted senselessly and how such practices - spawned by attacks and counter-attacks - spread in the civil war of Sierra Leone. Children like himself at the age of 12 were captured, intimidated, indoctrinated, pumped with drugs and then armed to fight. Such children, although transformed into cold-blooded murderers are at constant turmoil within themselves and are always haunted with the nightmares of the blood and gore around them. To sear their pain, they are dehumanised and pumped with more drugs.
Ismael's rehabilitation and escape from Sierra Leone is nothing short of a miracle. Everyone especially young people should read this and be educated about such on-going atrocities in today's zones of conflict.(less)
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I managed to read this text over one weekend in preparation of a course I took recently. It is a very readable book that uses a very personable and authentic tone as well as choice of imagery that makes the 3rd person narrative closely identifiable w...moreI managed to read this text over one weekend in preparation of a course I took recently. It is a very readable book that uses a very personable and authentic tone as well as choice of imagery that makes the 3rd person narrative closely identifiable with the characters.
Things Fall Apart contrasts the traditional way of life of the Okonkwo's society with the coming of the white missionaries without glossing over the complexities of colonialism and progress. That is to say, traditional society is not a hundred percent ideal nor is the white missionaries / colonialists a hundred percent evil. That being said, given all its flaws, traditional society is seen as honest, earnest and pure at heart. The white missionaries, especially embodied by the 2nd missionary is deceitful and high handed, which begs the question of the actual benefits gained by a people who seem independent and contented in the first place.
The tragic demise of Okonkwo makes the reader sympathise with the disillusionment and desperation of a man who does not compromise with the wave of colonialism in Africa.
To this end, Things Fall Apart is more successful than The River Between by Ngugi wa Thiong'o in illustrating the damaging blow that colonialism dealt against traditional society.
Things Fall Apart is the first of the three connected novels; No Longer at Ease and Arrow of God which I am now enticed to read.(less)
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Each of the ten poems are accompanied by the editor's reflections with the purpose of explaining how the poems espouse agency.
Out of the ten poems, what I liked most are Lake and Maple (by Jane Hirshfield), Throw Yourself Like Seed (by Miguel de Una...moreEach of the ten poems are accompanied by the editor's reflections with the purpose of explaining how the poems espouse agency.
Out of the ten poems, what I liked most are Lake and Maple (by Jane Hirshfield), Throw Yourself Like Seed (by Miguel de Unamuno) and So Much Happiness (by Naomi Shihab Nye). I did not delve too much into the accompanying expositions.
The most beneficial aspects about this collection for me is the introduction to these luminary poets and the list of recommended readings.
On the whole however, I find the collection to resonate like a Dr. Phil episode and not sufficiently sublime.
The insert biography of the editor corroborates, "He give a small number of individual coaching sessions by phone on the transformational power of poetry and the life themes covered in the Ten Poems series."(less)
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The organisation of this collection of chronological. This book introduces the Who's Who of the canonical poets in the Western World with a brief and very candidly written introduction to each poet. For example, of William Blake, it is noted that he ...moreThe organisation of this collection of chronological. This book introduces the Who's Who of the canonical poets in the Western World with a brief and very candidly written introduction to each poet. For example, of William Blake, it is noted that he married the illiterate Catherine Boucher and educated her. They were then seen reading Paradise Lost to each other, naked. After T.S Eliot separated from his wide Vivien Haigh-Wood, she would turn up at his lectures with a placard proclaiming, "I am the wife he abandoned." Also, I learnt that the Byronic Hero is coined after Lord George Gordon Byron.(less)
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This is a gem of a book that I picked up at a Literature Conference. The featured women poets are Emily Bronte, Emily Dickinson, Sylvia Plath, Elizabeth Jennings, Carol Ann Duffy and Eavan Boland. The distinctive feature of this collection are the a...moreThis is a gem of a book that I picked up at a Literature Conference. The featured women poets are Emily Bronte, Emily Dickinson, Sylvia Plath, Elizabeth Jennings, Carol Ann Duffy and Eavan Boland. The distinctive feature of this collection are the accompanying notes for EACH poem, the background of the poets and suggestions to approach the poems thematically for further study.(less)
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Love poems they might be, they are not saturnine sweet nor about red red roses. This anthology constitutes the works by 36 poets, half of which are men and the other are women and a poem of their choice written by another poet of the opposite gender....moreLove poems they might be, they are not saturnine sweet nor about red red roses. This anthology constitutes the works by 36 poets, half of which are men and the other are women and a poem of their choice written by another poet of the opposite gender.
Poems about love are also poems about the loss, the ambiguity, the evasiveness and the rare attainment of love.(less)
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