Leif read and liked Chris's review of Twilight (Twilight, #1):

"I actually had to give this book three separate reviews by three sides of my personality. My three-star rating is the median of the three:

Review 1, by My Inner Fifteen Year Old Girl (5 stars):
Bella is smart, funny, well-read, pretty...more I actually had to give this book three separate reviews by three sides of my personality. My three-star rating is the median of the three:

Review 1, by My Inner Fifteen Year Old Girl (5 stars):
Bella is smart, funny, well-read, pretty and yet misunderstood by most of her peers (just like me). Then she meets a cool, hot guy who turns out to be a good vampire, and he can do really cool things, like run fast and stop cars with his hands, but he's still sweet and wonderful. It's ultimate wish-fulfillment fantasy -- what's not to like? Meyers can make your heart speed up with some of the tense, tortured "we must be together/no, what if i hurt you" pg-13 erotica.

Review 2, by My Fan of YA Lit (3 Stars):
Meyers can tell a pretty good story, when she lets herself actually tell it -- the book starts out well, and would have been a bit more interesting if I hadn't known he was a vampire all along. Then it slows down during the long "getting to know you" dialogue exchanges between Edward and Bella -- there's no plot, just back-story and exposition disguised as conversations, and far too many "I can't be with you, I don't want to hurt you!" "But I love you, I don't care about danger!" back-and-forths. When the evil vamps show up, however, the story kicks back in and the end is quite exciting. When Meyers isn't dwelling on how perfectly angelic Edward is (again!) she can get the pages turning. Since there are A LOT of pages to turn, I wish she would have infused that urgency into the story more often. While abandoning most of the conventional cliches of vampire-lore (stakes, sunlight, garlic, coffins) she keeps all the modern-vamp-romance cliches (alabaster skin, good hair, expensive taste in clothes, tragically distant), and adds a few of her own unfortunate twists (vampires avoid the sun because it makes them sparkle, the good-vamp clan play some extreme version of baseball in a scene that was far too Quidich-y for my taste). Too many cliches or trying to hard to be original -- somehow both criticisms are accurate.

Review 3, by My Inner Feminist (1 Star):
Meyers describes Bella as being strong, brave, and independent, but then shows her as a spineless, cowering victim who needs to be saved by her violently jealous and over-protective boyfriend. She constantly goes on and on about how Edward is perfect at everything and how he's so gorgeous and she is so unworthy of him, how he's so strong and he protects her. In fact, she never gives any reason for liking him other than how hot he is, but that's fair because Edward never gives a reason for liking her other than she smells good. He is frustrated that Bella is the only person whose thoughts he can't read, so he eavesdrops on her friends minds to find out what they talk about, he follows her whenever she leaves her house, and he secretly camps outside her room when she sleeps - that doesn't sound sweet, it sounds creepy. If girls want a romantic, conflicted vampire/human romance, they should go watch the firs three seasons of Buffy -- not only is there the dark, mysterious, conflicted vampire, but the girl he's in love with can kick some serious ass all on her own.(less) "

Leif read and liked Joe's review of Twilight (Twilight, #1):

"Save your time: here's the entirety of Twilight in 20 dialogue snippets & a wiggedy-wack intermission.

First 200 pages:
"I like you, Edward!"
"You shouldn't! I'm dangerous!"
"I like you, Edward!"...more Save your time: here's the entirety of Twilight in 20 dialogue snippets & a wiggedy-wack intermission.

First 200 pages:
"I like you, Edward!"
"You shouldn't! I'm dangerous!"
"I like you, Edward!"
"But I'm dangerous!"

Next 50 pages:
"I'm a vampire!"
"I like you, Edward!"
"But I'm a vampire! I'm dangerous!"
"I like you, Edward!"

Next 100 pages:
"I like you, Edward!"
"You smell good, Bella. I'm dangerous!"
"I like you, Edward!"
"Damn, you smell good."
"I like you, Edward!"
"Also, I glow in sunlight."

Next 50 pages:
A. VAMPIRE. BASEBALL. GAME.
(I wish I was kidding)

Last 100 pages:
"Help me, Edward! I'm being chased!"
"I'll save you!"
"Help me, Edward! I'm scared!"
"I'll save you!"
"Oh, Edward!"
"You smell good."

(One half star for lack of quality, and one half star for being unintentionally hilarious... especially page 314.)(less) "

Leif read and liked Nathan's review of The Handmaid's Tale:

"The Handmaid's Tale portrays a terrifying but very real and possible dystopia. At first, it's difficult to tell what exactly is going on in the handmaid's world, although her spare narration is filled with a deep sense of fear and danger. It's challe...more The Handmaid's Tale portrays a terrifying but very real and possible dystopia. At first, it's difficult to tell what exactly is going on in the handmaid's world, although her spare narration is filled with a deep sense of fear and danger. It's challenging but exciting to try to make sense of all the frightening details that she describes, and that's one of the things that made this such a compelling read for me--I was desperate to figure out what was happening as well as how and why things had gone so wrong. The story progresses beautifully, as the details of the present unravel at the same time and with the same urgency as the events of the past, tracing a frighteningly believable path from our world to hers.

One thing that I really liked about the development of the story: as the circumstances of the handmaid's life and surroundings become clearer and more oppressive, she actually seems to gain some small measure of hope. There's a constantly escalating contrast between the powers threatening her and the growing strength of her voice.

For me, I guess the most beautiful and thrilling theme of this novel was its focus on the fragility and importance of our small little moments of happiness. So many times the main character reflects on images from her past and thinks, "And we didn't even know we were happy then." Atwood has done a masterful job of portraying how quickly and uncontrollably the things by which we define our daily selves can be destroyed and rewritten, and how our fear and desire to keep on living makes us silent in the face of power.

I love books that stay with me during the time when I'm away from them, and this is definitely one those books. Over the past few days, I've frequently found myself sitting on the metro, looking out the window and thinking about different passages and themes from the novel, marveling at how the story seems both far away and very familiar.

I'd be interested to chat with anyone else about their take on the book. I'd like to know if other people think it's just terrifying all the way through or whether it ever reaches a point at which it's somewhat hopeful. Looking back on it, I can't really tell. At times, the terror in this novel seems so great that even the smallest glimpses of hope seem bigger than life.

4.5/5(less) "