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The Inheritance o...
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A Portrait of the Artist as a Young Man by James Joyce
A Portrait of the Artist as a Young Man
by James Joyce
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The Inheritance of Loss by Kiran Desai
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Deathbird Stories by Harlan Ellison
Deathbird Stories
by Harlan Ellison
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Ebb from the Shoreline - Finding Cancer and Courage by Brenda Lee Sieglitz
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Ebb from the Shoreline - Finding Cancer and Courage by Brenda Lee Sieglitz
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On My Honor by Marion Dane Bauer
On My Honor
by Marion Dane Bauer (Goodreads Author)
recommended to Jason by: Mom
read in July, 2016
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Oneida by Ellen Wayland-Smith
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Solaris by Stanisław Lem
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More of Jason's books…
Elizabeth Tallent
“People open bookstores because they want their souls back.
(from "Two Women" published in Do Me: Tales of Sex & Love from Tin House)”
Elizabeth Tallent

Alice Adams
“A wise friend told me that we all could use more than one set of parents—our relations with the original set are too intense, and need dissipating.”
Alice Adams, Beautiful Girl & Other Stories

Joshua Isard
“Organizing the books was a fun afternoon. We decided to put the thick hardback books, mostly intro. to philosophy textbooks and Norton literature anthologies, on the top shelves where they looked good but stayed out of reach since there's no reason for opening them ever again. Then we went by genre: mysteries, cozies, modernists, mountains, sci-fi, beloved childhood volumes, books we bought abroad, books required in school we couldn't sell back, books bought for us we'll read soon, books bought for us we have no intention of reading, books we want to read but are too long for a commitment with our current schedules...We're not really done with this organization, and I doubt we ever will be, but that's one great part about it.”
Joshua Isard, Conquistador of the Useless

“In the country, a semicircle is the shortest line between two points.”
Dana Burnet, The Best American Short Stories of 1916: And the Yearbook of the American Short Story

“When he entered the anteroom, two women looked up at him. One was Miss Robertson, the governor's secretary; the other he did not recognize till she smiled and said his name in a gentle voice. She was Mrs. Freeman, the wife of the bishop; he saluted her and went to Miss Robertson.
'Will you tell them I'm here?' he said.
'I'm sorry, Mr. Haffner, they don't even want me to take minutes right now.'
'Well, just go tell them I'm out of the running.'
There was not so much as a flicker in her eyes. 'They locked the door,' she said, 'and besides, I don't think they'll accept your withdrawal.'
'Won't they though. Just give them my message, Miss Robertson. I'm leaving.'
'Oh, Mr. Haffner, I know they'll want to see you. It's very important.'
'They will, huh. I'll give them half an hour.'
He sat down beside her to talk. It was not that he liked Miss Robertson particularly. Her soul had been for a long time smoothed out and hobbled by girdles and high heels as her body; her personality was as blank and brown as her gabardine suit; her mind was exactly good enough to take down 140 any sort of words a minute without error, without boredom, without wincing. But she could talk idly in a bare room like this well enough; he remembered that she liked science-fiction; he drew her out. Besides, she was not Mrs. Freeman. Mrs. Freeman was a good woman; that is, she did good, and did not resent those who did bad but pitied them. For example, now: she was knitting alone while the other two talked, neither trying to join them nor, as John actively knew, making them uncomfortable for not having included her; and she was waiting for the bishop, who for reasons no one understood, hated to drive at night without her. John liked good people—no, he respected them above everyone else, above the powerful or beautiful or rich, whom he knew well, the gifted or learned or even the wise; indeed, he was rather in awe of the good, but their actual sweet presence made him uncomfortable. Mrs. Freeman there: with her hair drawn back straight to a bun, she sat in a steel-tube, leatherette chair, against a beige, fire-resistant, sound-absorbent wall, knitting in that ambient, indirect light socks for the mad; he knew quite well that if he should go over beside her she would talk with him in her gentle voice about whatever he wished to talk about, that she would have firm views which, however, she would never declare harshly against his should they differ, that she would tell him, if he asked about her work with the insane, what she had accomplished and what failed to accomplish, that she would make him acutely uncomfortable. He felt himself deficient not to be living, as people like Mrs. Freeman seemed to live, in an altogether moral world, but more especially he was reluctant to come near such people because he did not want to know more than he could help knowing of their motives; he did not trust motives; he was a lawyer. Therefore, though it was all but rude of him, he sat with Miss Robertson till the door opened.”
George P. Elliott, An Hour Of Last Things: And Other Stories

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