Afton Nelson read and liked Elizabeth's review of Mostly True Adventures of Homer P. Figg:

"Ah, the inveterate child liar. The chronic juvenile dissembler. Is there any more classic character you can name? Whether it's The Artful Dodger, Huck Finn, Tom Sawyer, The Great Brain or Soup from the Soup books, there is always room in the canon fo...more Ah, the inveterate child liar. The chronic juvenile dissembler. Is there any more classic character you can name? Whether it's The Artful Dodger, Huck Finn, Tom Sawyer, The Great Brain or Soup from the Soup books, there is always room in the canon for just one more boy fibber (girl fibbers are not yet appearing the same numbers, I'm afraid). Now the best tellers of untrue tales often come from Southern soil. They are born below the Mason-Dixon line and are capable of great feats of derring-do, all the while escaping their own much complicated shenanigans. Credit Rodman Philbrick then with coming up with a fellow that's so far North that to go any farther he'd have to be Canadian. It's Homer P. Figg it is. Orphan. Storyteller. And the kid that's single-handedly going to win the Civil War, whether he intends to or not.

When you're stuck living with a scoundrel there's nothing for it but to make the best of things. And for years Homer P. Figg and his older brother Harold have made the best of living with their nasty ward and uncle Squinton Leach. A man so dastardly that he finds a way to sell Harold into serving as a soldier for the Union. The year is 1863 and when Harold ends up accidentally conscripted Homer is having none of it. Why his brother shouldn't legally be serving at all! Without further ado Homer takes his propensity for stretching the truth and Bob the horse so as to catch up with the army and get his bro back. Things, however, do not go smoothly. Before he finds Harold again Homer must endure blackguards, nitwits, shysters, pigs, a traveling circus, and an unexpected tour of the stratosphere. It all comes together at a little place called Gettysburg, though, where Homer must face the facts of his situation and do his best to keep the people important to him alive. Backmatter includes "Some Additional Civil War Facts, Opinions, Slang & Definitions, To Be Argued, Debated & Cogitated Upon."

I'm a sucker for a children's book that knows how to coddle a tongue-happy phrase. Why just last year I was charmed by Sid Fleischman's The Trouble Begins at 8: A Life of Mark Twain in the Wild Wild West with it's delightful play on Twain's flexible language. Now I've not read Philbrick before. Maybe if I picked up something like his Freak The Mighty or that The Last Book In The Universe of his I'd find a similar bit of wordplay. Whatever the matter, I found myself much taken with the syllables that get bandied about in Homer P. Figg. First there are the names. Villains get to luxuriate in monikers like Squinton Leach, Stink Mullins, and Kate and Frank Nibbly. Then there are the descriptive sentences. Leach's villainy is pitch perfect, particularly since it is first introduced as "A man so mean he squeezed the good out of the Holy Bible and beat us with it, and swore that God Himself had inflicted me and Harold on him, like he was Job and we was Boils and Pestilence." Another nasty character is described as one for whom "Every part of him smells of rot." Actually, now that I look through my notes I see that a lot of the sentences I've highlighted as being fun descriptive passages have to do with odor. Like this later passage which reads, "The pungent perfume of the pig is still upon you. The suffocating scent of the swine exudes from your person. In a word, sir, you stink." Catchy.

In the midst of all this wordsmithing it's probably a temptation to let the language carry the plot and characters with little to no regard for the emotional content. But I like that Philbrick has couched this tale as an emotional quest of sorts. I mean, if you name your hero Homer then obviously there's some kind of Iliad/Odysseus thing going on there. Particularly if you push said hero into a quixotic series of scrapes. I kept sort of expecting our own Homer to go blind at one point, but if Mr. Philbrick ever felt the urge to remove his Homer's sight he did a noble job of repressing that inclination. Instead he builds on Homer and Harold's relationship. One example comes when Homer thinks about a time when he climbed onto a barn roof when he was younger. "It was a mean thing, wanting to scare my big brother who had always been so kind to me. But if felt good, too, like I enjoyed testing how much he loved me." So a book that could simply have been a series of unrelated incidents is held together by good old-fashioned brotherly love.

I mentioned at the beginning of this review what a novelty it is to find a casual liar like Homer coming out of the North rather than the South. And when Homer mentions on the very first page that he and his brother won the Battle of Gettysburg, then that he was from Maine on the second, I should have realized the connection. After all, I saw Gettysburg the film when it was in theaters. But it takes an author like Philbrick to put the pieces together for a reader like myself. Pieces he has a clear view of and isn't about to mess up. He doesn't romanticize war any either. At one point Homer makes a mad ride across a field of battle and what follows is an emotionless list of the horrors he witnesses along the way. Things like "Thirsty men sucking sweat from their woolen sleeves" and "A dead man on his knees with his hands folded, as if to pray." Mamas don't let your children grow up to be Civil War soldiers.

I was also interested to see that Homer mentions historical details that kids don't always get a chance to see in school. Facts like, "when President Lincoln declared that slaves in the Confederacy were free, he didn't dare free the slaves in he Union states like Maryland, Delaware, or Kentucky, in fear the border states might join the rebels." Children's literature has a tendency to sort of bypass that kind of information, but I think it makes a historical novel like this one all the richer for its complexity. And of course all historical novels for children grapple with a question that is never easy; How do you deal with terms that are historically accurate and odious to contemporary ears? I refer, of course, to "the n-word". Now, to be perfectly honest, there are at least two villains in this book that should be tossing that word back and forth like it's nobody's business. Yet they don't. They don't and I admit that this didn't ring untrue to me while reading the book. It was only later that I stopped myself and went back to see how Philbrick dealt with that conundrum. The answer is that the bad guys say either "slave" or "darky". And there might be some problems with the "d-word" as well, were it not for a good Quaker man who corrects Homer on this point later on. "If a man has dark skin, say that he is colored, or that he is African." I'm sure that some historians amongst us might have something to say about those terms as well, but as far as I can tell Philbrick covers his bases and doesn't have to cheat. Later Homer also refers to two workers as "Indians" though he acknowledges, "These Indians are from China - similar eyes, but a different tribe." Contextualizing ignorance in terms that modern kids can understand. A tough job.

No matter how tough the subject matter or the work, Homer P. Figg is a strong and snappy little novel. Funny and with a plot that keeps moving at a lightning quick pace. Very few readers will find themselves bored by what Philbrick produces here, and many will be caught learning a little something in the process. One of the best of its kind. (less) "

Afton Nelson read and liked Beth's review of Leviathan:

"This book drew me in with it's fabulous cover art and the beautiful drawings throughout the book. Also, I love the steam punk, alternate history style of writing that I loved so much in the Airborn series.
This one is an alternate history at the...more This book drew me in with it's fabulous cover art and the beautiful drawings throughout the book. Also, I love the steam punk, alternate history style of writing that I loved so much in the Airborn series.
This one is an alternate history at the start of WWI. The powers are divided into the Clankers, or German alies who use technology to create iron walking machines armed with guns and amuntion and the British Darwinists who use modified DNA to create new life forms such as the massive whale airship the Leviathan.
The story is split between Alek, the Austrian Prince who is on the run after his parents are assasinated and Deryn Sharp a girl disguised as a boy in an effort to join the British Air Service.
An utterly unique and imaginitive story full of action and adventure, even a little mystery and intrigue.
I will be looking forward to the next book.(less) "

Afton Nelson read and liked Kewpie's review of Unwind:

"This is one of those books that once I finished it, I started it over and read the whole thing over again. And even after that, there were parts of it that I kept re-reading and thinking about. Before I go into my long review, I wanted to just mentio...more This is one of those books that once I finished it, I started it over and read the whole thing over again. And even after that, there were parts of it that I kept re-reading and thinking about. Before I go into my long review, I wanted to just mention that this book had one of the most nightmarish and horific scenes that I have ever read in my life. It contained almost no details at all, and none of the sparse details were graphic or gory. And that made it even scarier. My imagination provided more than any author ever could. It's been a few days and I can't get that scene out of my mind.

There are so many ethical and moral arguments brought up here and almost no clear cut answers. Here are just a few of the dilemas that come up or discussed about:

1.The obvious ones: abortion, stem cell research, tissue and organ harvesting.

2. In the case of minors, where does the line between "guardian" and "owner" cross over? The parents in this book treat children as property from the day they are born. They are things to donate to churches, sell for money, "put to sleep" when they are being a nuisance. When the parents sign the unwind orders, the State becomes the guardian of the minors. When the minors run away, they are considered to be stealing government property.

3. The power of euphamism. There are many terms and phrases in the book that seem very neutral, nonthreatening and almost positive. All the while, these terms mask draconian, horrific and barbaric rituals. I think a big message of this book is that euphamisms can be used as propaganda. People condone actions that they wouldn't normally condone because the euphamisms soften the messy harsh realities.

I find it interesting that some people were offended by the book and claimed it was too pro-life! I thought the book was very pro-choice. The author set up a world with abortion being illegal and the world being over-run with unwanted babies, who were discarded on random porches or put into massive institutions where teenagers were gotten rid of to make room for the mass influx of new babies. The message sometimes seemed to me that if you made abortion illegal, then the population would explode and children would be neglected and devalued to the point that people would sell their teenage children to organ harvesters because they needed the money or the kids were too inconvenient or annoying. There is no mention of illegal abortions or mandatory sterilization of undesireables.(less) "

Afton Nelson read and liked Marjorie Light's review of Once Was Lost:

"Glad I found ONCE WAS LOST By Sara Zarr

Oh, Sara Zarr! I have been waiting all of my life for this book. This is the book I longed for when I searched the shelves of my local library; the one I could only dream of while perusing the big bo...more Glad I found ONCE WAS LOST By Sara Zarr

Oh, Sara Zarr! I have been waiting all of my life for this book. This is the book I longed for when I searched the shelves of my local library; the one I could only dream of while perusing the big bookstore when we went to the city. You did it, although too late for the girl I used to be, the teens of today will find it. And love it.

In her latest novel, ONCE WAS LOST, Zarr shows the truth of growing up as a child of faith – one immersed in the church. Although my father wasn’t a pastor like the father in the novel, other relatives of mine were and our lives revolved around our religion. What Zarr does – through the eyes of the main character, Samara Taylor – is deftly illustrate the way a church family can simultaneously feel like a cozy comforter and a smothering blanket. Samara has to pretend all is right in her world, even with her mother secretly stashed away in rehab and her father keeping other secrets. When a tragedy strikes at the heart of the youth group, Samara finds the fabric of their lives ripped open and exposed.

It is appropriate that this book debuts during the Banned Books Week because there will surely be some short-sighted people who won’t see this book for what it truly is. It is not an attack against religion. ONCE WAS LOST is a beautifully written novel that accurately portrays the way a youth group is an extended family, the way the congregation treats their pastor, and the unconditional love that you can find. Although Samara, like most teens, has questions, the answers that she finds by novel’s end will lift your heart.

More than once this novel brought me to tears with its revelations into Samara’s life and I wanted it to go on and on. ONCE WAS LOST shows struggle and redemption, forgiveness and transformation. Sara Zarr is a decidedly skilled writer who weaves themes of family, love, and faith throughout a novel that families should embrace and discuss. Thank you, Sara Zarr for writing this novel. This is life. This is truth. This is what faith looks like.

ONCE WAS LOST on sale through Little, Brown and Company. Get a copy from an indie bookseller today!

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