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How the End Begin...
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Culture Jamming by Books LLC
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Architecture Groups by Books LLC
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Potential of the city by Brian James Schumacher
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The Drama of Everyday Life by Graham White
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Theory of the Derive and Other Situationist Writing on the City by Libero Andreotti
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Pursuit of the Situationist Subject by Frances Stracey
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On the Poverty of Student Life by Situationist International
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Guy Debord and the Situationist International by Tom McDonough
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Exuberance by Kay Redfield Jamison
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Kay Redfield Jamison
“There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.”
Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

Kay Redfield Jamison
“If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?”
Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

Kay Redfield Jamison
“Others imply that they know what it is like to be depressed because they have gone through a divorce, lost a job, or broken up with someone. But these experiences carry with them feelings. Depression, instead, is flat, hollow, and unendurable. It is also tiresome. People cannot abide being around you when you are depressed. They might think that they ought to, and they might even try, but you know and they know that you are tedious beyond belief: you are irritable and paranoid and humorless and lifeless and critical and demanding and no reassurance is ever enough. You're frightened, and you're frightening, and you're "not at all like yourself but will be soon," but you know you won't.”
Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

Kay Redfield Jamison
“We all move uneasily within our restraints.”
Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

Kay Redfield Jamison
“We all build internal sea walls to keep at bay the sadnesses of life and the often overwhelming forces within our minds. In whatever way we do this—through love, work, family, faith, friends, denial, alcohol, drugs, or medication—we build these walls, stone by stone, over a lifetime. One of the most difficult problems is to construct these barriers of such a height and strength that one has a true harbor, a sanctuary away from crippling turmoil and pain, but yet low enough, and permeable enough, to let in fresh seawater that will fend off the inevitable inclination toward brackishness.”
Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

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