Richard Wolf read and liked Troy's review of The Pillars of the Earth:

"Ahem.
"Pillars of the Earth" is a very long book. It's got a lot of soap-opera-like twists and turns - no amnesia, but just about everything else, including mistaken identities, illicit marriages, illicit lack of marriage, illegitimat...more Ahem.
"Pillars of the Earth" is a very long book. It's got a lot of soap-opera-like twists and turns - no amnesia, but just about everything else, including mistaken identities, illicit marriages, illicit lack of marriage, illegitimate children, questionable parentage, love triangles, revenge, greed, power, a few murders, rape, witches, politics, knights, swords and horsies. OK, that last bit is not so soap-opera-like. There's also lots and lots of architecture. And it's a very long book.

Main story follows a single family of stone masons for (roughly) three generations, and the extended families associated with re-marrying, etc. Around this family revolves an aspiring monk/prior, a powerful but morally questionable bishop, a ruthless Earl (title, not name), and several kings. The thing is, even with all the re-marrying and such, there are so many evolving inter-relationships between these main characters as the struggle for political power unfolds, and of course everybody grows up, has children, etc - that EVERYTHING seems to happen to this small group of people. And just when you think things have settled down for a while, something else happens, or attempts to happen. And these things keep happening for approximately 980 pages.

Along the way, you learn a lot about medieval culture - particularly the role of religion, the political power of a monestary, priory, or diocese - how life is funded, and just how much it sucks to be a serf. There's also quite a bit of focus on the reason for, and the means to, building cathedrals - Follett muses in his Foreward that one of the things he never could understand is why people in such destitute times would have put so much energy into buildings of such scale, and this book addresses that. You also learn a lot about architecture and the evolution of cathedral-building. I can also now tell you the difference between a nave, chancel, transept, cloister, and clerestory. Oh, and probably 7 different words for "horse".

Really though, I very much enjoyed it, despite its very lengthy nature. Very full of words. Long. Not a day went by I didn't read at least 50 pages (note - at that rate, it will still take about 3 weeks to finish).
The building is a constant, its a reason to keep the central family of masons from wandering off and having more illicit marriages, and its a reason for the ongoing political power struggles. It's essential, but it's not distracting, and the cathedral is not the focus. The people are. They're engaging, you feel for them, you assign labels (good, evil) you change labels several times (he's pretty self-serving and conniving for a "good" guy), and you constantly wonder just what more can possibly happen to these people. There's also an underlying mystery that keeps you wondering... right up until 100 pages too soon.

My only complaint is this - the big climax occurs, the mystery is revealed, it all comes together - and there are still 100 pages to go. The last part of the wrap-up, the rise and fall, takes a while, has an interesting but probably unnecessary historically accurate reference to English church vs. king to give the whole novel an air of "this could have really happened in some obscure English medieval village somewhere, I wonder which cathedral this is supposed to be? Can I go see the real thing?" But it loses momentum right at the very end. Loose ends nicely tied up, but it wasn't the gripping page turner it had been in the first 900 pages. By that time, though, you've got so few pages in your right hand you just keep going because the end is in sight.
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Richard Wolf read and liked amelia's review of The Pillars of the Earth:

"This is seriously one of the worst books I've ever read. The only reason I finished the book is because I cannot put a book down once I start.

The writing is terrible. The plotting may be dramatic, but I had almost zero interest in any of ...more This is seriously one of the worst books I've ever read. The only reason I finished the book is because I cannot put a book down once I start.

The writing is terrible. The plotting may be dramatic, but I had almost zero interest in any of the characters; they seem to exist merely for events to happen to them, like actors in a disaster movie. Beyond that there seemed to be three characters in the book: Bad guy, good guy, and good victimized-yet-able-to -overcome girl.

What got me most was: Ken Follett seemed so proud of his historical research that he mentions every 40 pages, "_____ took out his/her eating knife" Really, they didn't have forks, how is constantly reminding the audience of this fact important to the story? There were other oft repeated throughout the novel as well. This seemed like an attempt to fool the audience into thinking they're immersed in the middle ages, when the rest of the book could have taken place anywhere in time. One fact does not a novel make (unless it's a really clever fact.) The bad characters keeping the amazing building from completion felt like a fountainhead rip-off, but that might just be me.

On the positive (?) side the book is an extremely easy read, I might have enjoyed it more were I laying in the sun half drunk on something sweet and rum-filled. Violent sex too if that sort of thing titillates you.

Thank you "Wait Wait" for warning me of Oprah's evil plan, if I can save one person from reading this book my work will done.(less) "