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    <last-active>12/2009</last-active>
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    <favorite-books><![CDATA[you're kidding, right? okay, well.<br/>Grapes of Wrath, To Kill A Mockingbird, Travels With Charley, Crooked Hearts, Ordinary People . . . and on and on and on]]></favorite-books>
    
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    <link>http://www.goodreads.com/topic/show/257549-best-books-of-2009</link>
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    <updated_at>Sat, 19 Dec 2009 06:56:48 -0800</updated_at>
        
      
          <body><![CDATA[Carol,<br/><br/>The Great World is part of my TBR mountain.  Didn't it just win some big prize? Or named number 1 on a so-called &quot;important&quot; list?  <br/><br/>Let me know what you think of The Help.<br/><br/>Sara]]></body>
        
    
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    <action_text><![CDATA[new comment from Writer &amp; Reader]]></action_text>
    <link>http://www.goodreads.com/topic/show/244401-the-night-watch-by-sarah-waters</link>
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    <updated_at>Sat, 19 Dec 2009 06:15:42 -0800</updated_at>
        
      
          <body><![CDATA[I finished listening to The Night Watch this morning.  As usual, I found Waters to be an accomplished writer, but this one left me a bit unsatisfied, mostly because of the structure, I think.<br/><br/>Anyway, glad I stuck with it, just not a rave review.<br/><br/>Sara]]></body>
        
    
  </update>  
      <update type="comment">
    <action_text><![CDATA[new comment from Writer &amp; Reader]]></action_text>
    <link>http://www.goodreads.com/topic/show/246627-is-russo-literary</link>
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    <updated_at>Sat, 12 Dec 2009 11:09:53 -0800</updated_at>
        
      
          <body><![CDATA[Ah, well there you go--Drood is part of the TBR mountain around here--<br/><br/>Sara]]></body>
        
    
  </update>  
      <update type="comment">
    <action_text><![CDATA[new comment from Writer &amp; Reader]]></action_text>
    <link>http://www.goodreads.com/topic/show/250634-best-films-of-2009-nyer</link>
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    <updated_at>Sat, 05 Dec 2009 22:26:44 -0800</updated_at>
        
      
          <body><![CDATA[Of Denby's list, I've seen only two: &quot;An Education&quot; and &quot;Adventureland&quot; both of which I loved.  I'm interested in a few of the others (going to see &quot;Up In The Air&quot; next week)--&quot;The White Ribbon&quot; &amp; &quot;The Last Station&quot; sound very good.  Like Gabrielle, I think I'm just going to go ahead and buy &quot;Up&quot;.<br/><br/>Sara<br/><br/>]]></body>
        
    
  </update>  
      <update type="comment">
    <action_text><![CDATA[new comment from Writer &amp; Reader]]></action_text>
    <link>http://www.goodreads.com/topic/show/241572-literary-writers</link>
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    <updated_at>Fri, 27 Nov 2009 10:24:30 -0800</updated_at>
        
      
          <body><![CDATA[I've mostly stayed out of this thread because, frankly, it fills me with frustration.  I agree with Russ2's comment in #57--we know which is which <strong>for us</strong>.  I just don't think the definitions matter much.  For instance, Joe, if you enjoy reading Russo over and over, why should it matter if other people consider him a literary writer or not?<br/><br/>I find that it is the quality of the writing that grabs me, no matter the genre (for want of a better word)--for instance, I loved Tana French's two suspense novels, and would consider her writing to be of literary quality.  Recently I tried a book by a mystery writer who has received high praise for years--Val McDermid--and the writing was amazingly sloppy (the same phrase used twice two sentences apart) and pretty trite.<br/><br/>But there are highly praised and awarded &quot;literary&quot; writers that I find unbearable to read: Philip Roth and Joyce Carol Oates come to mind. <br/><br/>Ruth's example of cleaning the garage makes some sense to me, although I would probably use threads from each were I writing the scene.  I took a writing workshop last spring where the guy insisted that every scene had to &quot;risk life or death for the character&quot; at least as they perceived it.  Which is to say he believed that nothing could go unsaid, no one could seethe internally, everything had to reach a confrontation.  This is ridiculous.  I don't consider a bunch of &quot;rules&quot; or formulas to be a literary approach to writing.  Of course, he's pushing a sellable, supposedly systematic, approach to producing fiction, which just rings all my negative bells.  He's very proud of the books that have come out of his workshops, but I would be lying if I said I would be a proud author of most of them.  <br/><br/>So, I'm sure this adds nothing to the discussion :)<br/><br/>Sara]]></body>
        
    
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    <updated_at>Tue, 15 Sep 2009 01:51:01 -0700</updated_at>
        
      
        
    
  </update>  
      <update type="review">
    <action_text><![CDATA[is currently reading: <a href="http://www.goodreads.com/book/show/4972965.Four_Freedoms_A_Novel">Four Freedoms: A Novel (Hardcover)</a> by <a href="http://www.goodreads.com/author/show/52074.John_Crowley">John Crowley</a>]]></action_text>
    <link>http://www.goodreads.com/review/show/70822118</link>
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    <updated_at>Fri, 11 Sep 2009 04:53:06 -0700</updated_at>
        
      
        
    
  </update>  
      <update type="review">
    <action_text><![CDATA[is currently reading: <a href="http://www.goodreads.com/book/show/19634.Who_Will_Run_the_Frog_Hospital">Who Will Run the Frog Hospital (Paperback)</a> by <a href="http://www.goodreads.com/author/show/11746.Lorrie_Moore">Lorrie Moore</a>]]></action_text>
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    <updated_at>Fri, 11 Sep 2009 04:52:31 -0700</updated_at>
        
      
        
    
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      <update type="questionuserstat">
    <action_text><![CDATA[took the never-ending book quiz]]></action_text>
    <link>http://www.goodreads.com/trivia</link>
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    <updated_at>Thu, 10 Sep 2009 21:00:28 -0700</updated_at>
        
      
        
    
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