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salmonrojo
said "yes" to attending
Maroon the Implacable: The Collected Writings of Russell Maroon Shoatz
date:
April 15, 2013 07:00PM
location: Space 12, 312 East 12th St., Austin, TX, The United States description: Scientific Soul Sessions presents Maroon the Implacable: The Collected Writings of Russell Maroon Shoatz 2013 National Book Tour featuring Theresa Shoatz (Philadelphia, PA) daughter of Russell Maroon Shoatz and Quincy Saul (NYC) co-editor of Maroon the Implacable plus Robert King Wilkerson (Angola 3) and Rocio Villalobos (Texas United for Families: TUFF) Performances by Riders Against the Storm rashiphop.com ready to walk jazz ensemble (Afrological Improvised Music) & Ballet Afrique balletafriqueaustin.org ALL OUT...more |
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salmonrojo
said "yes" to attending
A Reading and Booksigning of Diego Luna’s Insider Tips by Renato Rosaldo
date:
February 18, 2013 07:00PM
location: Resistencia Bookstore, 1801-A S. First St., Austin, TX, The United States description: 7pm Monday February 18, 2013 Red Salmon Arts presents a reading and booksigning of Diego Luna’s Insider Tips by Renato Rosaldo, veterano Chicano anthropologist and poet An internationally known cultural anthropologist, Renato Rosaldo started writing poetry in English and Spanish while recovering from a stroke in 1996. His first book of poetry, Prayer to Spider Woman/Rezo a la mujer araña(ICOCULT, Saltillo, MX), received an American Book Award (2004). This collection, Diego Luna’s Insider Tips, won th...more |
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“But there are no criminals here
Just people surviving against all odds
Multi and never ending circumstances
of racial repression
Class war accompanied
with post-traumatic stress
syndrome-like symptoms
Marshal law-like conditions
Magic trick tactics
transforming Brown and Black pearls into perils
with K-9’s searching the perimeter
Face filled with hate
abra cadabra cop smiles
with a gun and a badge
The bullet is faster than the eye
Judges able to devour justice
with a single courtroom motion
not missing a crumb
Now you have your freedom
then you don’t”
― Jonathan Daniel Gomez, There Are No Criminals Here: Writings of East Los Angeles, Views from City Terrace Hills
Just people surviving against all odds
Multi and never ending circumstances
of racial repression
Class war accompanied
with post-traumatic stress
syndrome-like symptoms
Marshal law-like conditions
Magic trick tactics
transforming Brown and Black pearls into perils
with K-9’s searching the perimeter
Face filled with hate
abra cadabra cop smiles
with a gun and a badge
The bullet is faster than the eye
Judges able to devour justice
with a single courtroom motion
not missing a crumb
Now you have your freedom
then you don’t”
― Jonathan Daniel Gomez, There Are No Criminals Here: Writings of East Los Angeles, Views from City Terrace Hills
“¡Poesía está en la calle!”
― Raúl R. Salinas (raúlrsalinas)
― Raúl R. Salinas (raúlrsalinas)
“Prison Moon
Four a.m. work duty and I begin
my solitary trudge from outer compound
to main building. A shivering guard,
chilled in his lonely outpost, strip searches
me until content that my inconsequential nudity.
poses no threat and then whispers
the secret code that allows me admittance
into the open quarter-mile walkway.
I chuff my way into another day
as ice glints on the razor wire
and the rifles note my numbed passage,
silent but for my huffs and scuffle
on the cracked, slippery sidewalk
A new moon, veiled in wispy fog
and beringed in glory, hangs over the prison,
its gaudy glow taunting the halogen spotlights.
The moon’s creamy pull upsets
some liquid equilibrium within me
and like tides, wolves and all manner
of madmen, I surrender disturbed by the certainty that under
the bony luminescence of a grinning moon
The lunar deliriums grip me
and I howl--once, then again, and
surely somewhere an unbound sleeper stirs,
penitence is dying a giddy death.
I shake myself sane
and as the echoes hang
in the frigid air I explain
to the wild-eyed guard that convicts,
like all animals under the leash,
must bay at the beauty beyond them.”
― Jorge Antonio Renaud
Four a.m. work duty and I begin
my solitary trudge from outer compound
to main building. A shivering guard,
chilled in his lonely outpost, strip searches
me until content that my inconsequential nudity.
poses no threat and then whispers
the secret code that allows me admittance
into the open quarter-mile walkway.
I chuff my way into another day
as ice glints on the razor wire
and the rifles note my numbed passage,
silent but for my huffs and scuffle
on the cracked, slippery sidewalk
A new moon, veiled in wispy fog
and beringed in glory, hangs over the prison,
its gaudy glow taunting the halogen spotlights.
The moon’s creamy pull upsets
some liquid equilibrium within me
and like tides, wolves and all manner
of madmen, I surrender disturbed by the certainty that under
the bony luminescence of a grinning moon
The lunar deliriums grip me
and I howl--once, then again, and
surely somewhere an unbound sleeper stirs,
penitence is dying a giddy death.
I shake myself sane
and as the echoes hang
in the frigid air I explain
to the wild-eyed guard that convicts,
like all animals under the leash,
must bay at the beauty beyond them.”
― Jorge Antonio Renaud
“stupid america
stupid america, see that
chicano
with a big knife
on his steady hand
he doesn’t want to knife you
he wants to sit on a bench
and carve christfigures
but you won’t let him.
stupid america, hear that
chicano
shouting curses on the street
he is a poet
without paper and pencil
and since he cannot write
he will explode.
stupid america, remember
that chicano
flunking math and english
he is the picasso
of your western states
but he will die
with one thousand
masterpieces
hanging only from his mind.”
― Abelardo Delgado, Chicano: 25 Pieces of a Chicano Mind
stupid america, see that
chicano
with a big knife
on his steady hand
he doesn’t want to knife you
he wants to sit on a bench
and carve christfigures
but you won’t let him.
stupid america, hear that
chicano
shouting curses on the street
he is a poet
without paper and pencil
and since he cannot write
he will explode.
stupid america, remember
that chicano
flunking math and english
he is the picasso
of your western states
but he will die
with one thousand
masterpieces
hanging only from his mind.”
― Abelardo Delgado, Chicano: 25 Pieces of a Chicano Mind
“Chicana intifada
Rocks are our weapons of choice,
indeed the only ones that we have stockpiled.
We never worry about running out of them.
After all, our unpaved streets are filled with rocks.
We have wiped the dirt off them so that they may sail
with a smooth hardness when we fling them into the air.
We shall name each one of our rocks for the family members
we have lost each year of the hundreds of years we’ve lived in
these parts—as indios, as mestizos, as “Hi-panics.”
For starters, we plan to break a few windows
of the jefe’s casota nueva.
I myself will be delighted to land one in each pane:
center, left, right, top, bottom—the exact location
doesn’t much matter.
Why should his fancy house remain intact
while we cannot count on running water?
No one will suspect
that an abuela is la capitana of the Chicana intifada,
with her disguise of hat and gloves,
of shiny earrings and sheer “nude” pantyhose;
with her polite yes, ma’aming.
“We’ll launch the first volleys at 6 p.m.,”
she whispers to us. Smiling wryly, she adds,
“Inside the house at a reception to which
I’ve been properly invited you’ll see me
lower my right gloved hand to the marble table.”
Copyright (C) Teresa Palomo Acosta, 2007. All rights reserved.”
― Teresa Palomo Acosta
Rocks are our weapons of choice,
indeed the only ones that we have stockpiled.
We never worry about running out of them.
After all, our unpaved streets are filled with rocks.
We have wiped the dirt off them so that they may sail
with a smooth hardness when we fling them into the air.
We shall name each one of our rocks for the family members
we have lost each year of the hundreds of years we’ve lived in
these parts—as indios, as mestizos, as “Hi-panics.”
For starters, we plan to break a few windows
of the jefe’s casota nueva.
I myself will be delighted to land one in each pane:
center, left, right, top, bottom—the exact location
doesn’t much matter.
Why should his fancy house remain intact
while we cannot count on running water?
No one will suspect
that an abuela is la capitana of the Chicana intifada,
with her disguise of hat and gloves,
of shiny earrings and sheer “nude” pantyhose;
with her polite yes, ma’aming.
“We’ll launch the first volleys at 6 p.m.,”
she whispers to us. Smiling wryly, she adds,
“Inside the house at a reception to which
I’ve been properly invited you’ll see me
lower my right gloved hand to the marble table.”
Copyright (C) Teresa Palomo Acosta, 2007. All rights reserved.”
― Teresa Palomo Acosta
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— last activity Apr 04, 2012 02:49pm
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