by Sarah Kane
You know, I keep checking out the collected plays and then I just literally cannot read them. I suspect I'd need to see them performed. If someone would, like, tie me to the theater chair and promise me endless vanilla organic marshmallows if I survived the evening. ]]>
bookshelves: currently-reading
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by Michael Blumenthal
We can't help it! We're restless thinkers. ]]>
by Lara Glenum
Oops: http://www.upne.com/0-9818591-4-3.html
(Sarah Vap graduated from here, i.e. the State School, two years before I arrived--both her book mss taken that summer--she worked with Walt Whitman--)
I love that golden drippy tongue picture. ]]>
by Ayelet Waldman
Farren wrote: "Or sadly impotent, which, also--"
AND THEN I NEVER, *EVER* STOPPED LAUGHING.
Happy Yank Turkey to you, our beloved Canuck amie--
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unnarrator
added a quote:
"The "I" in the poem is not you but someone who knows a lot about you." — Marvin Bell
"The "I" in the poem is not you but someone who knows a lot about you." — Marvin Bell
by Karen Volkman
http://www.goodreads.com/review/show/772...
Welcome to the Abject Humiliation Day reading list FROM HELL.
Fortunately under my elbow even as I type (awkwardly) (entering "gail.com" instead of "gmail.com," which is actually kind of funny)...are copies of Larry Levis, Ron Padgett, Chris Kraus and Ms. Volkman herself. I'll make my OWN damn reading list next semester.
But Farren-chan, I feel ancient and clueless. How do you *find* these Hot Mess Young Poets? Why haven't I ever heard of any of them? Do I live in a cave or something? Don't answer that-- ]]>
""Enough! —Or too much." Wm. Blake, Printer & Engraver"
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bookshelves: to-read
Because of this:
http://www.jeanettewinterson.com/pages/j...
And this:
http://www.pulp.net/54/top10.html ]]>
unnarrator
added a quote:
"A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his own image." — Joan Didion
"A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his own image." — Joan Didion