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Feb 08, 2012 04:35pm
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Dias Aisin
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Harvard Business Review on Supply Chain Management
by Harvard Business School
read in December, 2011
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Dias Aisin
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"
Потрясающая книга, удивительно органичный сплав Достоевского с Флемингом. Классический русский лишний человек, тонкая, рефлексирующая натура, в условиях лихой современности оказывается в эпицентре бурных криминальных событий. Душа-птица, личное счаст...
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Dias Aisin
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Dias Aisin
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| This is a continuation of The Goal (by the same author). Whilst not as captivating, it's still a good reading (The Goal was about practical management of a plant using Theory of Constrains; It's Not Luck is more about the management thinking process)...more | |
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Dias Aisin
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| This should be a required reading for every aspirant manager. Very easy to read (it took me 2 days to finish the whole book) and it teaches you the basics of the Theory of Constrains model. Recommended. | |
“Latter-day capitalism. Like it or not, it's the society we live in. Even the standard of right and wrong has been subdi-vided, made sophisticated. Within good, there's fashionable good and unfash-ionable good, and ditto for bad. Within fashionable good, there's formal and then there's casual; there's hip, there's cool, there's trendy, there's snobbish. Mix 'n' match. Like pulling on a Missoni sweater over Trussardi slacks and Pollini shoes, you can now enjoy hybrid styles of morality. It's the way of the world—philosophy starting to look more and more like business administration.
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.”
― Haruki Murakami, Dance Dance Dance
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.”
― Haruki Murakami, Dance Dance Dance
“Like we said, we'll do what we can. Trytoreconnectyoutowhatyouwant,» said the Sheep Man. «Butwecan'tdoitalone. Yougottaworktoo. Sitting'snotgonnadoit, thinking's-notgonnadoit.
«So what do I have to do?»
«Dance,» said the Sheep Man. «Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep.
Yougottalimberup. Yougottaloosenwhat-youbolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon't-letyourfeetstop.»”
― Haruki Murakami, Dance Dance Dance
«So what do I have to do?»
«Dance,» said the Sheep Man. «Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep.
Yougottalimberup. Yougottaloosenwhat-youbolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon't-letyourfeetstop.»”
― Haruki Murakami, Dance Dance Dance
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