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After Dark
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Melville: His Wor...
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David Sankey David Sankey is currently reading After Dark
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After Dark by Haruki Murakami
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David Sankey
David Sankey is on page 196 of 302 of A Naturalist in Alaska
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Every Day is for the Thief by Teju Cole
Every Day is for the Thief
by Teju Cole
read in April, 2015
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David Sankey
David Sankey is on page 150 of 302 of A Naturalist in Alaska
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Every Day is for the Thief by Teju Cole
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The Strange Library by Haruki Murakami
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Crossing to Safety by Wallace Stegner
Crossing to Safety
by Wallace Stegner
read in April, 2015
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Crossing to Safety by Wallace Stegner
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More of Alaina's books…
Voltaire
“Our labour preserves us from three great evils -- weariness, vice, and want.”
Voltaire, Candide

Haruki Murakami
“Aren't you afraid of dying?
Not really. I've watched lots of good-for-nothing, worthless people die, and if people like that can do it, then I should be able to handle it.”
Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

Teju Cole
“Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.”
Teju Cole, Open City

David Foster Wallace
“Interviewer ...In the case of "American Psycho" I felt there was something more than just this desire to inflict pain--or that Ellis was being cruel the way you said serious artists need to be willing to be.

DFW: You're just displaying the sort of cynicism that lets readers be manipulated by bad writing. I think it's a kind of black cynicism about today's world that Ellis and certain others depend on for their readership. Look, if the contemporary condition is hopelessly shitty, insipid, materialistic, emotionally retarded, sadomasochistic, and stupid, then I (or any writer) can get away with slapping together stories with characters who are stupid, vapid, emotionally retarded, which is easy, because these sorts of characters require no development. With descriptions that are simply lists of brand-name consumer products. Where stupid people say insipid stuff to each other. If what's always distinguished bad writing -- flat characters, a narrative world that's cliched and not recognizably human, etc. -- is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. You can defend "Psycho" as being a sort of performative digest of late-eighties social problems, but it's no more than that.”
David Foster Wallace

Teju Cole
“To be alive, it seemed to me, as I stood there in all kinds of sorrow, was to be both original and reflection, and to be dead was to be split off, to be reflection alone.”
Teju Cole, Open City

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