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Eric’s Profile
Eric said:
"I vowed I would not start this until I finished Young Pushkin. But then I read the story about Victor Hugo in exile on the Channel Islands - this is how you unload a bourgeois household, heavy trunks and encumbered women, from a small boat in the rou...more
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progress:
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""Into the eye of the wind it flew, lollop and bob as it butted rimples and funnels of air until it struck a balance and rode the void with a brave address. We all cried with delight."" — 07. Mai, 15:52 Uhr
""Into the eye of the wind it flew, lollop and bob as it butted rimples and funnels of air until it struck a balance and rode the void with a brave address. We all cried with delight."" — 07. Mai, 15:52 Uhr
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Hortense's review of Body of Secrets: Anatomy of the Ultra-Secret National Security Agency:
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The political system was outpaced by technology. The institutions floated away on their own. unbearable lightness of being overheard; no one was listened to anymore, only the feeling of the overheard. to be is to be perceived said Bishop Berkeley,...
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Detectives have artists' eyes; and artists have the eyes of detectives. I don't think anyone knows how much I want to be Sherlock Holmes. Aloof, apart, always observing, eyes wide open, untethered to worldly affairs beyond what immediacy makes nec...
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| I could not have read this at a better time. I’m contentedly becalmed in Guy Davenport’s Da Vinci’s Bicycle, constantly re-reading the Victor Hugo-in-exile story and marveling at Davenport’s dramatically piquant retelling of the record. (If I were ma...more | |
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“One thing in the school was captivating, lovely. Pictures of birds. Rose didn’t know if the teacher had climbed up and nailed them above the blackboard, too high for easy desecration, if they were her first and last hopeful effort, or if they dated from some earlier, easier time in the school’s history. Where had they come from, how had they arrived there, when nothing else did, in the way of decoration, illustration?
A red-headed woodpecker; an oriole; a blue jay; a Canada goose. The colors clear and long-lasting. Backgrounds of pure snow, of blossoming branches, of heady summer sky. In an ordinary classroom they would not have seemed so extraordinary. Here they were bright and eloquent, so much at variance with everything else that what they seemed to represent was not the birds themselves, not those skies and snows, but some other world of hardy innocence, bounteous information, privileged lightheartedness. No stealing from lunch pails there; no slashing coats; no pulling down pants and probing with painful sticks; no fucking; no Franny.”
― Alice Munro
A red-headed woodpecker; an oriole; a blue jay; a Canada goose. The colors clear and long-lasting. Backgrounds of pure snow, of blossoming branches, of heady summer sky. In an ordinary classroom they would not have seemed so extraordinary. Here they were bright and eloquent, so much at variance with everything else that what they seemed to represent was not the birds themselves, not those skies and snows, but some other world of hardy innocence, bounteous information, privileged lightheartedness. No stealing from lunch pails there; no slashing coats; no pulling down pants and probing with painful sticks; no fucking; no Franny.”
― Alice Munro
“The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta.
Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.”
― James Salter
Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.”
― James Salter
“Closed inside my compartment as if in a cubicle of some Egyptian tomb, I worked late into the night between New York and Chicago; then all the next day, in the restaurant of a Chicago station where I awaited a train blocked by storms and snow; then again until dawn, alone in the observation car of a Santa Fe limited, surrounded by black spurs of the Colorado mountains, and by the eternal pattern of the stars. Thus were written at a single impulsion the passages on food, love, sleep, and the knowledge of men. I can hardly recall a day spent with more ardor, or more lucid nights.”
― Marguerite Yourcenar
― Marguerite Yourcenar
“Once I had thought chiefly of the man of letters, the traveler, the poet, the lover; none of that had faded, to be sure, but now for the first time I could see among all those figures, standing out with great clarity of line, the most official and yet the most hidden form of all, that of the emperor. The fact of having lived in a world which is toppling around us had taught me the importance of the Prince.”
― Marguerite Yourcenar
― Marguerite Yourcenar
“I hate good taste. It's the worst thing that can happen to a creative person.”
― Helmut Newton
― Helmut Newton
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