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    <action_text><![CDATA[marked as to-read: <a href="http://www.goodreads.com/book/show/6272562.Stanley_Kubrick_the_Napoleon_Film">Stanley Kubrick, the Napoleon Film (Hardcover)</a> by <a href="http://www.goodreads.com/author/show/35049.Alison_Castle">Alison Castle</a>]]></action_text>
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    <action_text><![CDATA[is currently reading: <a href="http://www.goodreads.com/book/show/6570069-luna-park">Luna Park (Hardcover)</a> by <a href="http://www.goodreads.com/author/show/2095.Kevin_Baker">Kevin Baker</a>]]></action_text>
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    <updated_at>Tue, 01 Dec 2009 13:14:19 -0800</updated_at>
        
      
        
    
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    <action_text><![CDATA[gave 5 stars to: <a href="http://www.goodreads.com/book/show/6926616-pim-francie">Pim &amp; Francie: &quot;The Golden Bear Days&quot; (Hardcover)</a> by <a href="http://www.goodreads.com/author/show/2921804.Al_Columbia">Al Columbia</a>]]></action_text>
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    <updated_at>Mon, 23 Nov 2009 07:40:57 -0800</updated_at>
        
      
          <body><![CDATA[There have been a great many tomes dedicated to the relationship between the sacred and the profane in art, and while it is an engaging and enlightening process to learn of this divide from an academic standpoint, to experience it is altogether different. Few works of commercial art manage to accomp...<a href="http://www.goodreads.com/review/show/78505901">more...</a>]]></body>
        
    
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    <action_text><![CDATA[is currently reading: <a href="http://www.goodreads.com/book/show/209571.Ode_To_Kirihito">Ode To Kirihito (Paperback)</a> by <a href="http://www.goodreads.com/author/show/29482.Osamu_Tezuka">Osamu Tezuka</a>]]></action_text>
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    <updated_at>Fri, 06 Nov 2009 10:13:29 -0800</updated_at>
        
      
        
    
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    <action_text><![CDATA[gave 5 stars to: <a href="http://www.goodreads.com/book/show/1246007.Stray_Bullets_Volume_1">Stray Bullets Volume 1 (Paperback)</a> by <a href="http://www.goodreads.com/author/show/52924.David_Lapham">David Lapham</a>]]></action_text>
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    <updated_at>Tue, 20 Oct 2009 21:31:12 -0700</updated_at>
        
      
          <body><![CDATA[In a post-<em>Pulp Fiction</em> world of crime storytelling, the use of multiple, interlocking storylines has become a commonplace device. When employed with skill, it can create a rich and textured universe with depth and veracity. When used ineffectively, the separate storylines become episodic and exist a...<a href="http://www.goodreads.com/review/show/73941639">more...</a>]]></body>
        
    
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    <action_text><![CDATA[is currently reading: <a href="http://www.goodreads.com/book/show/6532185-everything-is-cinema">Everything Is Cinema: The Working Life of Jean-Luc Godard (Paperback)</a> by <a href="http://www.goodreads.com/author/show/179797.Richard_Brody">Richard Brody</a>]]></action_text>
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    <updated_at>Sun, 04 Oct 2009 19:49:36 -0700</updated_at>
        
      
        
    
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