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  <name><![CDATA[Evanston Public  Library]]></name>
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    <updates type="array">
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Evanston Public  added 'The Help']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/78436763</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  added:	<a href="http://www.goodreads.com/book/show/4667024.The_Help" class="bookTitle">The Help (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/1943477.Kathryn_Stockett" class="authorName">Kathryn Stockett</a>
    			<br/>
    			



          
    			  In 1963 in Jackson, Mississippi, most middle-class white women had black maids who came daily to do the housework, cooking, and see to the children. In Stockett’s hugely popular novel, we have a story about the real state of black-white relations, the shameful unfairness of the status quo, and the three brave women who join forces to expose the truth. Minny and Aibileen are black maids who have difficult lives and tenuous relationships with their employers. Skeeter is a 24-year old young woman with a drive to write. Her fretting mama bewails her spinsterhood, her overly tall figure, and her wildly frizzy hair at constant war with the local humidity. Skeeter is firmly entrenched in the Women’s League where her lifelong girlfriends are all settled married ladies who try to fix her up, yet Skeeter senses that big changes are coming to their segregated world, and she’s open to new ideas and dreams of living in a larger world. Using the technique of changing narrators, Stockett shows us both sides of the great divide as Skeeter, Minny, and Aibileen begin secret meetings to record their life experiences for a book Skeeter is compiling. At times Stockett’s writing style is a bit over the top—high drama and cliff hangers abound, and many of the secondary characters come off as caricatures (the evil employers you just love to hate). But all in all this is a great yarn and a fascinating rendition of a momentous time in American life. (Barbara L., Readers Services) 
    			
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    	</description>
  	
    

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        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Evanston Public  added 'Year the Colored Sisters Came to Town']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/78436714</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  added:	<a href="http://www.goodreads.com/book/show/1132625.Year_the_Colored_Sisters_Came_to_Town" class="bookTitle">Year the Colored Sisters Came to Town (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/556672.Jacqueline_Guidry" class="authorName">Jacqueline Guidry</a>
    			<br/>
    			



          
    			  In 1957 Vivien Leigh DuBois is ten years old and desperate to know all the goings-on and family secrets. She pricks up her ears for gossipy tidbits during her folks’ hushed conversations; she prides herself on her grasp of all things grownup as she despairs of her sister Mavis, a mere five-year old, being so dense and uncaring of real world issues; and she’s really looking forward to fifth grade at Holy Rosary parochial school in her small Louisiana town. But when she finds out that the eponymous colored sisters are two black nuns who have been assigned to her school, our youthful narrator is thrown for a loop. As loveable and chatty as she is, Vivien Leigh is also just as racist as most of the white folks around her. She carefully observes the reactions to this big news of those close to her—her parents, the beloved black cleaning lady that comes to help her mother once a week, her friends, and the townspeople as she slowly awakens to the idea of the big changes are brewing. With warmth and humor, author Guidry has captured an era and given us a wonderful young character who discovers that being truly grownup means learning to think for oneself. (Barbara L., Reader’s Services) <br/><br/>
    			
    		]]>
    	</description>
  	
    

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        <update type="comment">
      
  
  
  

  	<title>
  		<![CDATA[Evanston Public  made a comment on the poll Bloods : black veterans of the Vietnam War : an oral history - this will be a compelling read. Take ]]>
  	</title>
  	<link>http://www.goodreads.com/poll/show/25402-bloods-black-veterans-of-the-vietnam-war-an-oral-history-this-will</link>
  	<description>
  		<![CDATA[
  		<a href="http://www.goodreads.com/user/show/1975296-evanston-public-library">Evanston Public </a>
  		made a comment on the poll
  		<a href="http://www.goodreads.com/poll/show/25402-bloods-black-veterans-of-the-vietnam-war-an-oral-history-this-will">Bloods : black veterans of the Vietnam War : an oral history - this will be a compelling read. Take </a>
  		<br/><br/>				
  		This was a fantastic book. The Black soldiers who served in Vietnam called themselves 'Bloods' and given the current status of U.S. veterans of both the Vietnam and Iraq Wars, revisiting the memories of these Black soldiers some 34 years after the end of the contentious outcome of the fighting was humbling. The twenty soldiers profiled in Terry's book are candid about their experiences-recalling brutal fighting, paralyzing fear, acts of courage, and racism encountered on the battlefield. Many speak eloquently of the lives they left behind as often times impoverished teenagers and the world they returned to as battle-tested adults. The patriotism,bravery and ingenuity of these 'Bloods of Nam' still resonantes today.
  		]]>
  	</description>


    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Evanston Public  added 'Bloods: An Oral History of the Vietnam War by Black Veterans']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/77575805</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  marked as to-read:	<a href="http://www.goodreads.com/book/show/1243993.Bloods_An_Oral_History_of_the_Vietnam_War_by_Black_Veterans" class="bookTitle">Bloods: An Oral History of the Vietnam War by Black Veterans (Mass Market Paperback)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/601053.Wallace_Terry" class="authorName">Wallace Terry</a>
    			<br/>
    			

	<span class="userReview">bookshelves: </span>
	
		<a href="http://www.goodreads.com/review/list/1975296?shelf=to-read" class="actionLinkLite">to-read</a>
	
	<br/>



          
    			  This title was a fantastic choice to read in honor of Veteran's Day pick by the African American Literature Book Discussion group. The stories revealed by the twenty Black Vietnam veterans resonate with passion, courage
    			
    		]]>
    	</description>
  	
    

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        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Evanston Public  added 'Reasons for and Advantages of Breathing: Stories']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/77241612</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  added:	<a href="http://www.goodreads.com/book/show/6260423.Reasons_for_and_Advantages_of_Breathing_Stories" class="bookTitle">Reasons for and Advantages of Breathing: Stories (P.S.)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/2847244.Lydia_Peelle" class="authorName">Lydia Peelle</a>
    			<br/>
    			



          
    			  Reasons for and Advantages of Breathing, the debut short story collection from Lydia Peele is so clear, concise, direct, and beautiful that it will at times stop you dead in mid- sentence, your breath sucked in, your insides resonating like a bell that has been struck. Ostensibly another entry into the canon of Southern literature (Peelle lives in Nashville and most of the stories are set around the region), the book encapsulates much more than that somewhat weighted label implies. Walking a thin path between the rural America of yesterday, today, and days to come, Peelle explores the fluid and transitory nature of our land, our history, our memories, and ourselves. Along the way we meet a grandchild recounting borrowed memories of the days when tractors replaced mule power on a grandfather’s farm, a grown woman recalling the ponies she loved during the final fading days of her last summer of childhood innocence, a young man finding salvation he doesn’t know he needs amidst a broken-down goat farm, and three half-crazy, half-hearted has beens wandering the footsteps of the James Boys in search of buried treasure. <br/><br/>The stories paint a sadly recognizable portrait of the vanishing American countryside where hunters with GPS units tool around on ATVs, Wal-Mart is king, and the omnipresent sub-division creeps ever further outward, flattening whatever shared nature, culture, and history lies in its path. This deadening sense of an irreversible loss of place seeps from between Peele’s words, but that is not to say that the stories are suffused with dread and heaviness. The characters in these stories evince nothing so much as a sense of resignation to the inevitable march of time. It is not so much that the past has a hold on them, but more that they struggle with finding meaning in the present when the past is meaningless and obliterated. Peelle’s protagonists get through their days the same way most of us do, heads down, one foot in front of the other, attending to the tasks at hand. But what makes these characters and these stories so human, so personal, so relatable, is in the moments when they slip, and just simply getting by isn’t enough. A common thread among the stories is a search for a connection of some kind to something bigger than the everyday—something timeless and lasting, something that makes sense. All in all, the book can be a bit of a downer, but it is through its questioning and its searching for something still of meaning in our land and our lives that the barest shards of hope and belief (albeit shaken and staggered) break through its most overcast of days.  (Andy R., Reader's Services)
    			
    		]]>
    	</description>
  	
    

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        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Evanston Public  added 'This Is Where I Leave You']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/77104121</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  added:	<a href="http://www.goodreads.com/book/show/6224935.This_Is_Where_I_Leave_You" class="bookTitle">This Is Where I Leave You (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/26163.Jonathan_Tropper" class="authorName">Jonathan Tropper</a>
    			<br/>
    			



          
    			  “Sitting shiva” is the Jewish mourning ritual that in its most traditional form lasts seven days. When Judd Foxman’s father dies after a lingering illness, he and his three siblings are summoned home for the funeral and informed that one of his dad's last requests was that they do the full seven days. The four Foxman siblings, Wendy, Paul, Judd, and Phillip, consider the possibility that their father, neither observant nor particularly prone to humor in his lifetime, was playing a huge joke on his family by forcing them and their various spouses, partners, and small children to live under the same roof for a week. So begins a seven-day roller coaster ride of family drama that the reader is invited to watch and in my case, really enjoy. <br/><br/><br/><br/><br/>The Foxmans have grown apart, and are caught up in their own small (and large) dramas. They are expert at putting each other down with a steady flow of snarky zingers, yet they are in complete agreement that almost everybody else is either idiotic or merely ridiculous, and entertain each other with ongoing, acerbic commentary about the foibles of the continuous stream of guests paying condolence calls. There is no crisis or occasion calling for sympathy at which they can’t crack wise. Mrs. Foxman, the widow, is a sweet woman and slightly unconventional mother who is blithely unbothered by the concept of privacy: her daughter-in-law’s fertility test kit is announced at dinner; Judd’s recent, sordid marital break-up (wife caught sleeping with his boss) becomes the point of interest she mentions when introducing him to the guests. And much to her children’s chagrin she finds unabashed pleasure in showing off her expensive breast implants by wearing cleavage-revealing blouses. The dark humor is rich and comes in rapid-fire dialogue I wish I could file away to use myself (alas, I get along pretty well with my immediate family, though I have some distant relatives that could have stopped by the Foxman house and fit right in). <br/>Despite all the cynicism, the edgy banter, and the prickly quips, the family connection still runs deep, though it is never admitted openly. Author Tropper skillfully uses old literary techniques like the &quot;sealed room&quot; (i.e., the family home) along with a day-to-day shiva countdown to develop a funny, sad, warm, and knowing family saga that continues the tradition of Tolstoy, “The Big Chill,” the TV series “Brothers and Sisters,” along with countless other explorations of the family dynamic. (Barbara L., Reader’s Services) 
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="update::updatearray">
      
  
  
  

  	<title>
  		<![CDATA[Evanston Public  joined a group.]]>
  	</title>
  	<link>http://www.goodreads.com/group/show/25903.African_American_Literature_Discussion_Group</link>
  	<description>
  		<![CDATA[
  		<a href="http://www.goodreads.com/user/show/1975296-evanston-public-library">Evanston Public </a> joined the 
  		
  		
  			<a href="http://www.goodreads.com/group/show/25903.African_American_Literature_Discussion_Group" class="groupNameRegular">African American Literature Discussion Group</a>
  			
  			
  		
  		group.
  		]]>
  	</description>

    

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    	<title>
    		<![CDATA[Evanston Public  added 'Who the Hell Is Pansy O'Hara?: The Fascinating Stories Behind 50 of the World's Best-Loved Books']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/76206707</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  added:	<a href="http://www.goodreads.com/book/show/2657515.Who_the_Hell_Is_Pansy_O_Hara_The_Fascinating_Stories_Behind_50_of_the_World_s_Best_Loved_Books" class="bookTitle">Who the Hell Is Pansy O'Hara?: The Fascinating Stories Behind 50 of the World's Best-Loved Books (Paperback)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/1168906.Jenny_Bond" class="authorName">Jenny Bond</a>
    			<br/>
    			



          
    			  Here are the stories behind the stories. Bond and Sheedy, journalists and free-lance writers in Australia, conceived this project during a dinner table discussion when they wondered what it was that made a particular work an amazing piece of literature and an enduring favorite. For any of the 50 works included in this book you can easily find reams and reams written about the work itself—character studies, plot development, historical context, critical reviews, you name it. What these two wanted to explore was the special factors in each author’s life that influenced the penning of that great work. As they delved into this, they realized that not only did the authors’ childhoods, families, livelihoods, politics, and love lives contribute richly to the stories, but it worked in the other direction, too. The books had great effect on the authors in many cases, sometimes for the good, sometimes not. Written in a brisk, lively style, these mini-biographies bring to light interesting and sometimes  surprising details. Yes, Scarlett was originally dubbed Pansy, and we can only imagine how our image of that heroine would have changed if Margaret Mitchell hadn’t come to her senses during a final revision. Dr. Seuss came up with The Cat in the Hat after reading an article in “Life” magazine blaming the poor reading habits of American children on the books they were given at school which were filled with goody-goody kids who never misbehaved (or, presumably never had any real fun). Bond and Sheedy haven’t restricted themselves to the high-toned classics or beloved children’s books. The list is very inclusive—Tolstoy and Austen share the limelight with Stephen King, Ian Fleming, J.K. Rowling  and The Da Vinci Code author Dan Brown, representing those great reads that some claim are not truly “good” literature. Even nonfiction works are included. The Guinness Book of World Records, for instance, has a great story behind it that has to do with beer, pubs, and gentlemanly arguments. For many of you who finish a wonderful book, then ponder what compelled the author to write it, this book offers a fine way to satisfy your curiosity. (Barbara L., Reader’s Services)<br/><br/>
    			
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    	</description>
  	
    

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    	<title>
    		<![CDATA[Evanston Public  added 'Outliers']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/76206776</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  added:	<a href="http://www.goodreads.com/book/show/3228917.Outliers" class="bookTitle">Outliers (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/1439.Malcolm_Gladwell" class="authorName">Malcolm Gladwell</a>
    			<br/>
    			



          
    			  In this thought-provoking analysis, Gladwell argues that the key factors leading to success are not simply talent or luck, but that generation, family, class, and culture are as important or possibly even more so. Gladwell himself is successful partly because of the wide range of  topics he explores--Bill Gates in one chapter, hockey players in another! You may argue that some of his conclusions are debatable. Nevertheless, Gladwell is a natural storyteller and Outliers will challenge your assumptions while offering an enjoyable read whether you take his side or not. (Shira S., Reader' Services)
    			
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    	</description>
  	
    

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    	<title>
    		<![CDATA[Evanston Public  added 'Homer and Langley: A Novel']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/75796528</link>
  	
    	<description>
    		<![CDATA[
    			Evanston Public  added:	<a href="http://www.goodreads.com/book/show/6324914.Homer_and_Langley_A_Novel" class="bookTitle">Homer and Langley: A Novel (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/12584.E_L_Doctorow" class="authorName">E.L. Doctorow</a>
    			<br/>
    			



          
    			  In his latest novel Homer and Langley, E.L. Doctorow combines history, fiction, and urban legend as he explores the story of New York City’s infamous Collyer brothers. After their parents’ sudden deaths in 1918, the titular brothers are left to inhabit the family’s upper Manhattan mansion. When Homer goes blind and Langley returns from World War I injured and possibly mentally unbalanced, the brothers slowly begin to retreat from the world and into their home and themselves. Although well known among New Yorkers of the day for their eccentricities and their excessive hoarding (when both brothers died in 1947 over 130 tons of trash/treasure was removed from their home), Doctorow wisely dials down the brothers’ idiosyncrasies and as a result he is able to paint them as sympathetic, relatable characters, rather than mere trite bundles of NYC quirkiness, or worse, a pair of mentally ill oddball cranks. That said, the brothers are quite unusual, and only become more so over the course of the book. <br/><br/>Told from Homer, the blind brother’s point of view, the action of the book never leaves the setting of the Collyer’s Fifth Avenue home, except for a few brief excursions across the street to Central Park. But rather than this limited setting serving as a hindrance, Doctorow uses it as an opportunity to create a strange insular world of orderly chaos entirely within the home. And lest things get too claustrophobic in there, Doctorow bestows upon the brothers Collyer a series of servants, boarders, and visitors whose presence lends some much needed emotion and contact to Homer and Langley’s somewhat starved lives. It is also largely through the use of these characters that Doctorow is able to intertwine bits and pieces of twentieth century U.S. history, lending a sense of the outside world that the brothers travel through from inside their home, skipping down into reality only occasionally like stones on a lake. But this is really Homer and Langley’s story, and becomes ever more sad and oblique as they disappear further and further away from the world, each other, and themselves, becoming at last like ghosts in their own wrecked, trash-heaped mansion. It is tempting to read this story of blindness, excessive hoarding, overconsumption, and willful disregard for the world as an extended metaphor for our current American culture. But whether or not you choose to read political metaphor into the story, Homer and Langley remains both poignant and intriguing, as Doctorow does an admirable job of making the extraordinary seem almost normal.  (Andy R., Readers' Services) 
    			
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