|
|
|
|
|
My library copy of Vegan with a Vengeance shouldn’t have been returned. Not in the state it was in after it lived in my kitchen for five renewed status cycles (the maximum number I was allowed before I had to return it to my local library). The book ...moreMy library copy of Vegan with a Vengeance shouldn’t have been returned. Not in the state it was in after it lived in my kitchen for five renewed status cycles (the maximum number I was allowed before I had to return it to my local library). The book shouldn’t have been returned because it smelled like food. A cookbook, naturally, absorbs the effort of its teachings: oils and buttered thumb prints, dried arrow root smudges, and one small berry stain on two of the pages when I tried to turn them with fruit juice-stained fingers. Luckily, I don’t have to return Isa Chandra Moskowitz’s newest book, Appetite for Reduction, which is doomed to the same fate as its predecessor: lovingly used with pages that are turned with excitement, torn at its edges and bearing of all kinds of quirky marks, compliments of the daring cook.
Moskowitz discloses her personal health reasons that resulted in her decision to find more recipes that are lighter in caloric intake. She also stresses her reluctance to contribute to the war on bigger bodied women. So what does Moskowitz do? She writes a cookbook for vegan stomachs searching lowfat, delicious recipes. For those in the vegan community who are also health conscious, Moskowitz has delivered the goods on a plate too irresistible to deny.
Isa Chandra Moskowitz is the best friend we’re all looking for: she writes in a way we understand, a language that is easily understood and humorous. She is also the cook we want for our healthy lives and families. She gets it. She gets that we don’t want to give up taste and satisfaction for healthy living. With this book, she dismantles the notion that vegan eating and cooking is not either extreme of the rumor spectrum. Veganhood is not bland rabbit food, nor is it substituting large amount of full fat in place of flavor.
From funky hummus creative ideas to “OMG Oven-Baked Onion Rings,” from sides to satisfying full entrée ideas, Moskowitz turns your vegan kitchen upside down, shakes out the fat, and replaces it with novel and tasty ideas to keep your mind interested and your tongue happy you tried something new. For this, I raise my spatula to Moskowitz with a need and heartfelt thank you. Vegan or omnivore, you will find something to rave about and savor in Appetite for Reduction.
Written by: Lisa Factora-Borchers(less)
|
|
|
Jessica Yee and I have a lot in common, personally and politically. For one, last year we were both curating collective published works that simultaneously construct and deconstruct contemporary feminist theory while broadening the scope of who is se...moreJessica Yee and I have a lot in common, personally and politically. For one, last year we were both curating collective published works that simultaneously construct and deconstruct contemporary feminist theory while broadening the scope of who is seen as legitimate enough to be a theory-maker. I wasn't aware of her work, and so far as I know, she wasn't aware of mine either. Despite being topically similar, the results of both projects are strikingly different. And I have a few theories about why.
Feminism FOR REAL brings together twenty written works, both poetry and prose, penned by a variety of radical activists. While the authors are diverse in their backgrounds, they converge on one belief: academia, boo! This is a pretty common refrain among activists, one I've sung over and over myself. But it's also one that now feels a little off key to me for its wholesale exclusivity and apparent lack of understanding of the ways activism and and academic are necessarily interdependent. For that reason, I found myself having to put forth some effort to read many of these pieces where they're at, instead of with condescension.
I want to be clear about a couple of things: 1) although it is a frequent accusation tossed my way, I am not an academic and 2) I claim the sentiment in the paragraph above as a part of my own personal struggle and processing, not a failing of this anthology. Too many times we patronizingly press our lips together, just waiting to inform the young'ins that they'll see things differently one day. And even though they might, that's no excuse for bolstering one's sense of superiority at another's expense, nor choosing not to interrogate the things that contribute to our own self-righteous point of view. In fact, it's just this kind of ageist trope that Yee and crew (rightfully!) rail against in Feminism FOR REAL.
So every piece in this book didn't speak to me—so what?! The ones that did were exciting to read and filled me with validation. Megan Lee's "Maybe I'm Not Class-Mobile; Maybe I'm Class Queer" is an excellent examination of the complex conflicts held by those of us who have been able to 'escape' our families' poverty while maintaining the desire to embrace our working class identity and advocate for us and for them. Andrea Plaid discusses the unintentional delegitimizing of Ann Marie Rios, and therefore all nontraditionally educated sex workers, by professional (read: degreed) sexologist Bianca Laureano in "No, I Would Follow the Porn Star's Advice." And ending with Kate Klein's "On Learning How Not to Be An Asshole Academic Feminist" (re)assured me that Yee and I are probably on the same page with our personal and political intentionality.
Pick up Feminism FOR REAL if you're looking to gain an worthwhile education, and perhaps a bit of critical self-awareness too.
Written by: Mandy Van Deven(less)
|
|
|
Difficulties concentrating in school, shame, depression, guilt, fear, low self-esteem, poor body image, and powerlessness are just some of the repercussions that victims of sexual harassment at school experience, according to research conducted by Gi...moreDifficulties concentrating in school, shame, depression, guilt, fear, low self-esteem, poor body image, and powerlessness are just some of the repercussions that victims of sexual harassment at school experience, according to research conducted by Girls for Gender Equity (GGE). This Brooklyn-based nonprofit organization works to “improve gender and race relations and socioeconomic conditions for [the] most vulnerable youth and communities of color.” Joanne N. Smith, Mandy Van Deven, and Megan Huppuch of GGE have collaboratively written Hey, Shorty!, which tells GGE’s story, while providing a model for teens to teach their peers what constitutes sexual harassment and how to prevent it. The book also gives activists, educators, parents and students a hands-on guide to combat sexual harassment and violence in their schools and neighborhoods.
In September 2001, just a few months after GGE had started meeting to play basketball, an 8-year-old girl was raped on her way to school in the area. In response to the victim blaming that GGE founder Joanne Smith heard, she decided to discuss gender stereotypes and discrimination with the girls in the league. This evolved into Gender Respect Workshops, developed and facilitated by Mandy Van Deven with male and female students in the classroom. She discovered that sexual harassment was a major issue in the lives of the students, particularly girls and LGBTQ youth. Soon after, the Sisters in Strength program was born, and today it has become a paid year-long internship for teen girls of color to advocate for the enforcement of sexual harassment policies in New York City public schools through workshops and direct action.
Sisters in Strength’s first task was to raise awareness about the problem in the community, which led to their making Hey... Shorty!, a short film that later won Best Youth Documentary at the Roxbury Film Festival. They screened their film at the Street Harassment Summit, where they shared what they had learned with other members of the community.
A second Sisters in Strength project involved hands-on participatory action research. The teen interns collected information through surveys, focus groups, and slam books, or notebooks with written prompts that students can respond to anonymously. After compiling their data, they concluded that sexual harassment was rampant and normalized. Their research results were presented at GGE's Gender Equality Festival to other community organizations. Under Meghan Huppuch’s leadership, GGE went on to form the Coalition for Gender Equity in Schools with more than twenty other area organizations.
The work of GGE may well have given us the solution to bullying that we have so desperately sought. When we are sexually harassed, we believe we are alone and somehow deserve this treatment. In other words, we internalize our pain and suffer in silence. But from GGE’s research and community action, we see that this pervasive problem lies not within the person being harassed, but with the external forces that perpetuate and enable sexual harassment to exist in our schools and on our streets.
GGE is an empowering initiative for teens, our future leaders, and Hey, Shorty! is an essential resource for parents, teachers and community leaders who want to take action against bullying and sexual harassment in their communities. Chock full of capacity-building activities and ideas, Hey, Shorty! is indispensable for anyone who wants to create an environment where everyone thrives.
Written by: Heather Leighton(less)
|
"
Hey, Shorty! is more than its subtitle suggests. It is not only about sexual harassment and violence in the schools and on the streets, it is a unique guide to youth community organizing.
Authored by Joanne Smith, Meghan Huppuch, and Man...
"
Read more of this review »
|
|
|
We are all familiar with the smiling happy portrayals of pilgrims sitting down to dinner with Native Americans, or perhaps the slightly more critical viewpoint from many of our high school history books of the Indigenous people being simply helpless ...moreWe are all familiar with the smiling happy portrayals of pilgrims sitting down to dinner with Native Americans, or perhaps the slightly more critical viewpoint from many of our high school history books of the Indigenous people being simply helpless victims to European colonization. However, neither of these views is, in reality, very accurate.
500 Years of Indigenous Resistance was originally published in 1992 by Gord Hill, the native artist, activist, and at the time, member of the revolutionary Indigenous newspaper, OH-TOH-KIN. The book is in a pamphlet style with artwork throughout its pages. It starts with the arrival of Columbus in the Americas and goes up through history to chronicle native resistance in North and South America until after WWII, even up through the 1960s. It was originally published just before the Zapatista uprising in Chiapas, Mexico in 1994, and so was extremely relevant and insightful both then and now.
Even though I was aware that the history of the Americas many of us were taught growing up was very skewed towards celebrating white European colonialism, I hadn’t read anything, until this, that so clearly shows all the various Native American resistance movements that have existed. Lacking from most of written American history of the past 500 years is a detailed exploration of the resistance of native peoples and how they influenced and limited the colonialism to which they struggled against. 500 Years of Indigenous Resistance fills in this gap in an extensive way. It also records all the horrendous and calculating strategies of colonization employed to destroy native people, wipe out whole cultures, and steal land.
While many people, including myself, could probably not give names of more than a few tribes, this book speaks of all the millions of indigenous people there were 500 years ago, an estimated 70 to 100 million people. Even now after hundreds of years of colonization there are still an estimated forty million indigenous people. The book chronicles the various resistance strategies that native peoples utilized: demonstrations, festivals, violent uprisings, the creation of alliances with other tribes or nations, protests, occupations, road blocks, forming organizations to oppose governmental policies, and most recently, organizing around international bodies.
In a country that still has offensive caricatures of Native Americans on display for sports team mascots, it is easy to get discouraged that there will be any real recognition of the magnitude of the American Indian Holocaust, the mass genocide of Native peoples that has run rampant the past 500 years and continues on today. But books such as 500 Years of Indigenous Resistance which don't glorify, romanticize, or just plain omit all the horrors that abound throughout this history of colonization, stand to give us some hope. For they just give us the facts, but, more importantly, the ones we most likely have never heard before.
It would be an amazing thing to make copies of this work and slip into every school in America and slide it into every history book for children to read. Well, it is no less crucial and eye-opening a book for existing simply on its own. It is a rare event to read books that really have the potential to change the way that you think about things, that help you unlearn many lies and find yourself faced with honest truths. It always gives me the chills to read something from a new perspective and to know that this information is being let loose in the world, seeking to help us to open our eyes, to learn from the past, and to ultimately change for the better.
Review by Lesley Kartali(less)
|
|
|
The field of comics, also sometimes known as graphic novels, is dominated by male creators and readers. However, there's been increasing push in the last few decades by women to enter the field and make their mark. Though comics drawn by women are ga...moreThe field of comics, also sometimes known as graphic novels, is dominated by male creators and readers. However, there's been increasing push in the last few decades by women to enter the field and make their mark. Though comics drawn by women are gaining popularity, most are classified as "indie," distributed by small publishers that may not be able to advertise or place volumes in prominent bookstores. Naomi Nowak's most recent graphic novel, Graylight, is designated indie, though it deserves to be appreciated by a wider audience.
Sasha is a German photographer on assignment somewhere in northern Europe, where the sun stays up all night in summer. She is a mysterious person, a foreigner. She attracts the attention of a journalist, and he invites her to join him on his quest to interview a famous recluse. The woman takes a disliking to both of them and refuses to grant him an interview. But Sasha leaves with her own prize—a book stolen from the house.
The woman's son follows her home to demand its return, and attraction sparks. But the reclusive old woman is no ordinary woman. She is a witch, with a grudge against women like Sasha, who play with men. When the witch's son takes an interest in Sasha, his mother takes action to destroy her. The witch's son is not Prince Charming, but he does save Sasha, changing his relationship with his mother. He asserts his independence, but in the end Sasha, true to form, leaves town to find some other hearts to break.
The plot summary is intriguing, yet its execution is not entirely clear. I found myself re-reading several times, trying to spot clues I may have missed. Plot is not Nowak's primary concern here—impressions of character and mood supersede coherency of plot.
Nowak is an artist who studied painting and illustration. She brings those skills to her comics, creating page after page of exquisite visuals. The colors are watercolor shades, ranging from pastel to flamingo and lime. The inking is both intricate and vague; symbolic or decorative flowers and crystals are detailed while faces and unimportant objects are only partially defined. Every knot in a sweater is drawn to give its precise texture but the shoes disappear into the background. Nowak focuses attention on what she wants the reader to notice. Pages where there's almost too much detail are deliberately overwhelming.
The style reminds me of the Japanese manga Paradise Kiss. Graylight is exquisitely rendered, and worth looking through for the art alone. Nowak's website contains examples from the book, a more compelling argument to pick it up than I could ever make.
Comics and graphic novels are not as easy to create and produce as some may think. Nowak has made something beautiful, if imperfect in its storytelling. I look forward to seeing her skills progress.
Review by Richenda Gould(less)
|
|
|
Pavan K. Varma’s most recent book, Becoming Indian, argues that cultural freedom has eluded formerly colonized nations, specifically India. He sees a need for a cultural revolution in India. Although it reads at times like an extended opinion piece, ...morePavan K. Varma’s most recent book, Becoming Indian, argues that cultural freedom has eluded formerly colonized nations, specifically India. He sees a need for a cultural revolution in India. Although it reads at times like an extended opinion piece, Varma makes convincing arguments highlighting the importance of reclaiming language, architecture, and art in a way that empowers indigenous knowledge rather than oppressing it. He examines concepts and examples related to language, architecture, and art with regard to modern Indian history, contemporary events, and personal experiences.
Varma believes that the real strength of empires lay in the colonization of minds, and he views modern history as one that has resulted in cultural and ideological consequences. He explores how English has become a tool for upward mobility and questions the cost, as the loss of one’s own language is seen as a gain in India. He uses the example of young people performing Shakespeare in English with no knowledge of theatre in their own languages to illustrate this pervasive ignorance. He also compares the success of writing in English to the sure failure of writing in Indian mother tongues to illustrate a flaw in today’s Indian value systems. Convincingly, he critiques the concept of providing important information, such as health and traffic signs on the highways, in English.
Although India has been independent since 1947, Varma argues that colonialism persists in the realms of language, politics, and self-image. Varma believes that globalization is leading to the desire for a homogeneous identity. To counteract this, he believes it is important to know one’s cultural roots in order to move forward into the future.
From a feminist perspective, it is interesting to note the ways in which the British have historically seen Indians as effeminate, and thus treated them with less respect. The power dynamics within post-colonial societies are especially tricky as colonization has already permeated people’s minds. According to Varma’s arguments, what may be necessary is not only a contemporary Indian cultural revolution but also one that involves all sectors of society, from the lowest to the highest castes and socioeconomic backgrounds.
Review by Lakshmi Saracino(less)
|
|
|
Would you give up a promising career in international banking to pursue a lifetime of attempting to understand and eradicate global property? Jacqueline Novogratz began her career as an international banker at Chase Manhattan Bank. As a member of the...moreWould you give up a promising career in international banking to pursue a lifetime of attempting to understand and eradicate global property? Jacqueline Novogratz began her career as an international banker at Chase Manhattan Bank. As a member of the Credit Audit team for Chase Manhattan Bank, Novogratz was responsible for reviewing the quality of the bank’s loans in other countries, especially in troubled economies. As time went on, Novogratz began to explore the possibilities of working with the poorest people. As her interest grew in helping the impoverished, she found a New York City based microfinance organization that focused on lending to women. The Blue Sweater tells the story of Novogratz’s career from international banking to philanthropy.
After leaving her job at Chase Manhattan Bank to work with the microfinance organization, she was sent to Africa to work with women. Novogratz had never imagined herself working in Africa. She was unprepared for the hostility she experienced from the African women and the amount of corruption and lack of credibility in some of the programs. Although she began her trip to Africa as a naïve idealist, she began to learn that she needed to listen to program participants to truly understand what was needed. While in Rwanda, Novogratz participated in the founding of Duterimbere, a microfinance organization that would lend exclusively to women. She also assisted in setting up a successful bakery operation for single women. The Rwandan genocide had a devastating effect on the organizations she helped to establish.
After spending time in Africa, Novogratz had the opportunity to attend graduate school for business administration and to work with other international organizations. Novogratz directed the Philanthropy Workshop and the Next Generation Leadership program for the Rockefeller Foundation. During this time, Novogratz also founded the Acumen Fund, an organization based on “patient capital.” Patient capital is a combination of venture capitalism and traditional charity that focuses on lending to social entrepreneurs. The programs sponsored by Acumen Fund are also based on the idea the poor will pay for goods and services, instead of the model of traditional charity.
I thought Novogratz’s story was inspiring and instructional. The Blue Sweater is accessible to those who do not have a background in international finance. Her commitment to helping people living in poverty in a meaningful way is based on the idea that all people are interconnected.
Review by Rekesha Spellman(less)
|
|
|
I admit that I am influenced by book titles in my choice of books to read. In that sense, Letter to My Daughter was somewhat off putting for me. I was expecting a somewhat predictable story of a mother writing a letter to her daughter. Fortunately, I...moreI admit that I am influenced by book titles in my choice of books to read. In that sense, Letter to My Daughter was somewhat off putting for me. I was expecting a somewhat predictable story of a mother writing a letter to her daughter. Fortunately, I overcame my reticence, and upon reading the first couple of paragraphs I found myself immersed in a riveting story.
The novel begins in present day Baton Rouge, Louisiana; a mother (Laura) has started writing a letter to her daughter Elizabeth to alleviate her anxiety and worry. Her teenage daughter has just left the house after yet another argument with her mother In her letter, Laura has decided to tell her daughter about her own troubled adolescent years and share secrets about her past she had previously been unable to confide.
As we read Laura's letter, we travel back in time to the late '60s. Laura’s parents are conservative Southern Baptists who don’t approve of her relationship with Tim, a Cajun boy from the other side of town. Laura continues to see Tim against her parents wishes until one fateful day when Laura’s life is changed irrevocably. At the risk of giving too much of the plot away, the novel touches on themes of prejudice, young love and sexuality, the Vietnam War, mother-daughter relationships, and the challenges of being both a teenager and a parent in an increasingly complex world.
You don’t have to be a parent or a teenager to relate to this story. Once I started reading Letter to My Daughter, I found it difficult to put it down and ended up reading it in just two sittings. Don’t be put off by the title of this book as I was; the author has created an unforgettable story that will stay with you for days after you turn the last page.
Review by Gita Tewari(less)
|
to:
to:
Social Change & Activism
— 867 members
— last activity Feb 20, 2012 08:12am
Think Girl Book Club
— 63 members
— last activity Aug 15, 2011 07:57am
Ms. Reviews & Bookmarks
— 396 members
— last activity Feb 21, 2012 05:39am
Calls for Submissions
— 55 members
— last activity Jun 04, 2011 10:17am
