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I’ve been a little reluctant to read more from Weiner, because the first two books I read focused so much on the weight of the protagonist that it was a little bit of a turn-off. Thankfully, Weiner has grown as a writer and moved away from that to fo...moreI’ve been a little reluctant to read more from Weiner, because the first two books I read focused so much on the weight of the protagonist that it was a little bit of a turn-off. Thankfully, Weiner has grown as a writer and moved away from that to focus on more important issues.
Fly Away Home is about what happens to a family when a betrayal is revealed in a very public way. Sylvie, the victimized wife, decides that she needs some time away. She moves to her mother’s vacation home, hoping to figure out who she is now that she’s not being the Senator’s wife. Her oldest daughter, Diana, is a busy doctor with an inattentive husband who finds excitement in the arms of another man, despite seeing what adultery has done to her parents. Her youngest daughter, Lizzie, is a recovering drug addict who is relishing the chance to be the caretaker for a change. I’d tell you more about the men, but they are rather one-dimensional.
I rather enjoyed Sylvie and Lizzie’s parts of the story, but had major issues with Diana, for several reasons. First, she’s basically a bitch. From the beginning to the end, I had a hard time mustering up any sympathy for her. Weiner tries really hard to make her husband, Gary, as distasteful as possible, but the more distasteful she made him, the worse Diana looks. In fact, I felt bad for Gary, because he married a woman who obviously never loved him to begin with and only married him because she figured she might as well get that part of her life over with. Box checked. I also didn’t like the hot and cold relationship she had with her young son, who seemed so much better off with his recovering addict aunt. And finally, the event that forces Lizzie out of Diana’s house made no sense to me. It seemed like an incredibly huge over-reaction. I think we’re supposed to accept it because Diana is lashing out at someone else to assuage her own guilt, but it didn’t work.
I also found the ending to be a bit disappointing. It’s open-ended, and I would have preferred at least a little resolution.
I listened to this on audio and enjoyed Judith Light as narrator.(less)
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William Monk is an unusual character. Because he doesn’t know anything about his own background, the reader has nothing to pull from to understand his motivations. For instance, why does he hate his boss so much? Is it just because he rubs him the wr...moreWilliam Monk is an unusual character. Because he doesn’t know anything about his own background, the reader has nothing to pull from to understand his motivations. For instance, why does he hate his boss so much? Is it just because he rubs him the wrong way, or is there a history that even Monk doesn’t know, but that he can’t stop himself from reacting to? It’s frustrating and intriguing all at once.
But there’s more to this book than the mystery of Monk. Hester continues to excel at being the female lead, and I find their relationship very interesting. Is it strictly platonic, or are their hints of romantic feelings hiding beneath the ire they tend to display? Hester is obviously in search of a life that is larger than the one society would like to dictate, and Monk appears to be her ticket to that life.
As for the murder mystery, it swims in the stink of class bigotry. I think Perry did a good job illustrating the feelings of both the aristocracy and the servant classes.
The one issue I had with this book had more to do with how I was reading it than anything else. I was reading it on my phone, and it was my “emergency” read, so I only got to it once or twice a week. Because of that, I had a hard time remembering who was who in the Moidore family. Though in my defense, there were a lot of them. This also wasn’t a quick moving plot. There’s really not a lot of action.
Bottom line, if you enjoy a period mystery, it’s hard to go wrong with Anne Perry.(less)
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I generally don’t read self-help books, but I picked this up because I am a fan of Chris Hardwick. Hardwick, who some may recognize as being one of the hosts of MTV’s Singled Out way back in the 90s, spent much of his 20s partying, drinking, and gene...moreI generally don’t read self-help books, but I picked this up because I am a fan of Chris Hardwick. Hardwick, who some may recognize as being one of the hosts of MTV’s Singled Out way back in the 90s, spent much of his 20s partying, drinking, and generally ruining his life. What happened when he hit 30 is best expressed in his own words:
"Then, when I hit thirty, I began to look around at my life: I was consuming a baby elephant’s weight in alcohol EVERY DAY. I lived in a shitty apartment near UCLA … my place was always a mess, I had ruined my credit, and I had no real work prospects. I had become a thing I had always feared–the fat, drunk guy who used to be on television."
Hardwick quit drinking in 2003 and started trying to improve his life. Now he has multiple projects on the go, including a successful (and extremely entertaining) podcast, a new podcast network, and several TV gigs.
The secrets to Hardwick’s success aren’t anything new. Basically, he was able to harness his innate nature (his nerdiness, so to speak) and use it to his advantage. And that’s what this book is about.
His techniques aren’t going to appeal to everyone, but if you enjoy the quantitative over the qualitative, you may find some ideas here. In general, he is advocating identifying your goals and developing a way to track your progress in a visible way. He also talks a lot about how to deal with the generally obsessive "nerdist" brain, something which I could relate to. It’s nice to know that you’re not the only one who thinks the way you do. In the final section, he talks a lot about his diet and fitness, even providing a starter fitness plan that is modeled after what he has done with his trainer.
One thing you can’t forget is that Hardwick is a comedian. The tone of the book is funny and descriptive, even during the more serious parts.
All-in-all, I enjoyed the book, even if I won’t adopt some of the more time-consuming tracking techniques. However, there is one big ding against it. Hardwick spends a fair amount of time on the development of a "character tome" that is the heart of his goal-tracking technique. He sends readers to a web site for sample templates, but that website is not functional. We’re now almost 3 months after the release of the book, and that’s really not acceptable.
Good thing it’s hard to be mad at Hardwick for long.(less)
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This was an impulse Christmas read and it was exactly what I wanted: short and sweet. Though truthfully, the only thing Christmas has to do with the story is to act as a setting. It’s not like the bad guy has some big moment of redemption. Regardless...moreThis was an impulse Christmas read and it was exactly what I wanted: short and sweet. Though truthfully, the only thing Christmas has to do with the story is to act as a setting. It’s not like the bad guy has some big moment of redemption. Regardless, it was a quick little read that hit the spot.(less)
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Maybe it was because it’s been almost 5 years since I read a book in this series, but I was not impressed. If this book had been edited to eliminate everything that had nothing to do with the plot, it could have been half its size. Fairstein gets way...moreMaybe it was because it’s been almost 5 years since I read a book in this series, but I was not impressed. If this book had been edited to eliminate everything that had nothing to do with the plot, it could have been half its size. Fairstein gets way too long-winded about the intricacies of sexual crimes and the prosecuting of them, including a section about how grand juries work, and at some point you have to trust your audience to either be familiar with the elements of crime fiction or to look up what they don’t understand. There are OODLES of crime books that don’t go into this level of detail.
Beyond that, there just wasn’t anything particularly interesting about the mystery, except maybe the sorry state of New York hospitals. We’re never given a chance to connect and sympathize with the victim, because she was basically portrayed as a bitch at every turn. All in all, it was rather boring. I do enjoy the character of Mike Chapman, and sometimes I’d rather the novel followed him around than Alex. That’s a big fail.
I’m sure I’ll read more in this series because I’ve already read some of the later books and enjoyed them more. Fairstein worked out some of her kinks. But I’m sure glad I’m done with the early books.(less)
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In the interest of full disclosure, I’ll first say that I didn’t actually finish this novel. However, I did invest a lot of time (and a book club meeting) in it, so I’m counting it.
This novel is written in two parts, both narrated by the "ghost" of Q...moreIn the interest of full disclosure, I’ll first say that I didn’t actually finish this novel. However, I did invest a lot of time (and a book club meeting) in it, so I’m counting it.
This novel is written in two parts, both narrated by the "ghost" of Queen Heongyeong, an 18th century Korean crown princess. The first part is about the Queen’s life, with a heavy focus on the actions of her husband, Prince Sado, who was mentally ill and came to an unfortunate end. The second part is about Dr. Babs Halliwell, who is attending a conference in Korea and mysteriously receives a copy of the Queen’s memoir that she reads on the plane.
I really enjoyed the first part of the novel. The Queen’s story is based on fact, and it was a turbulent time in Korean history. In a time when there was no way to diagnose, or even treat, mental illness, I found Prince Sado’s progression into madness to be really interesting. The Queen gets a bit repetitive, but the story still pulled me through. And sent me to Wikipedia afterwards, which for me is a sign of good historical fiction. I hardly knew anything about Korean history, and now I know a little bit more.
It was the second half of the book that lost me. Babs Halliwell isn’t in a good place in her life, and also has a mentally ill husband. We are supposed to see her as a modern-day parallel to the Queen, but I just didn’t find her to be a very interesting character. It’s at this point that the books starts to feel really indulgent. I think Drabble fancied herself as the voice of the Queen, and Dr. Halliwell is supposed to be an avatar of her. Because Drabble loves the Queen’s story, we are expected to love it too.
I think this would have been a much better novel if she had taken the Queen’s story and fleshed it out more completely. Her story was interesting enough to carry a novel all on its own.(less)
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This book is meant to be a fable, but I’m not sure it’s entirely successful. It is written in the voice of Bruno, the 9 year old son of a high-ranking Nazi officer, and that’s the part that didn’t work for me. Considering the audience and intentions ...moreThis book is meant to be a fable, but I’m not sure it’s entirely successful. It is written in the voice of Bruno, the 9 year old son of a high-ranking Nazi officer, and that’s the part that didn’t work for me. Considering the audience and intentions of the author, I can forgive the historical inaccuracies (which I won’t detail here, because many others have said it better), but I can’t forgive the cute. Boyne gives Bruno a voice, vocabulary, and level of naivety that is more appropriate for a 6 or 7 year old, and it just doesn’t ring true. And maybe I’ve just read too many Holocaust novels and memoirs, but "cute" nicknames for Hitler and Auschwitz don’t feel right to me. And the ending was so disappointingly expected, it had no emotional impact on me at all.
It just all seemed really forced to me. I feel like the author had a message he wanted to get out — basically, "if you treat others badly, it will come back on you" — and he decided the best way to get attention would be to wrap it in the horrors of the Holocaust. It’s a marketing ploy, nothing more. And it worked! Can’t fault him for that.
I don’t think the book is entirely without merit. I think it could be useful in a classroom setting as an introduction to the Holocaust for young children. But only as an introduction, since the book is far from the reality of the situation.
There is much better Holocaust literature out there.(less)
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I listened to this WAY back around Halloween, when zombies were timely. Thankfully, there’s really no wrong time to listen to a Harry Dresden book.
When the book opens, Harry has found himself in a bit of a weird place in his life. His newly-discovere...moreI listened to this WAY back around Halloween, when zombies were timely. Thankfully, there’s really no wrong time to listen to a Harry Dresden book.
When the book opens, Harry has found himself in a bit of a weird place in his life. His newly-discovered half-brother is still sleeping on his couch, one of his hands is essentially non-functional, and Murphy is jetting off to Hawaii with none other than the mercenary Kincaid. Harry is still dealing with that last piece of news when vampire queen Marva pays him a visit and saddles him with a nasty piece of blackmail: if Harry doesn’t find a mysterious book called the Word of Kemmler, Marva will frame Murphy for murder.
It’s hard to define what follows as anything other than a "romp". Harry is chased throughout the city by various unknown wizards and various undead things. With him is the medical examiner Waldo Butters, who is in danger because he has unwittingly learned too much. And they are on the clock, because the big bad is going down on Halloween. Harry once again is at the end of his rope and frankly, this ending is one of the most entertaining in the series.
I like to read about Harry’s personal life as much as his magical one, and I was glad that he had a bit of a love interest other than Murphy in this book (though he continues to feel conflicted about her). It’s too bad that his new lady wasn’t quite what she appeared to be.
I have especially enjoyed this series since I switched over to listening to the audiobooks. If this is a series you have been the slightest bit lukewarm about, I really recommend them.(less)
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I’ve been a fan of Pelecanos ever since I found out he was one of the creators of The Wire (I’m surely not the first person to tell you to watch that show), and I actually liked this book a little more than the last couple of his I’ve read. It’s stil...moreI’ve been a fan of Pelecanos ever since I found out he was one of the creators of The Wire (I’m surely not the first person to tell you to watch that show), and I actually liked this book a little more than the last couple of his I’ve read. It’s still set in the Washington D.C. area, which he does such a great job bringing to life, but it’s not so focused on an "issue". I don’t mind a good issue-focused novel, but sometimes I just want a good crime story. Now don’t get me wrong; this crime story isn’t issue-free. Lucas is an Iraq veteran, and Pelecanos does have a lot to say about veterans and their post-war treatment. But at its heart, this is a story about drugs.
Lucas is a private investigator who specializes in finding things that are lost. He’s also not very particular about which side of the law he’s working on. When the client of a lawyer he normally works for needs some help recovering some "property", Lucas agrees to help. Soon he finds out that the story is much bigger than he could have imagined, and not only is he in danger, but people that have helped him are too.
I liked the character of Lucas. He’s an adopted kid in a mixed-race family, and I liked seeing those dynamics as much as I enjoyed seeing him in the weeds. It’s hard to dislike a man who loves his momma. There’s a strong theme of family relationships throughout the book, whether it’s Lucas and his family, the young man who helps him and his absentee mother, or the father & son crime duo.
I think one of Pelecanos’s strengths is his ability to create complex characters, and Spero Lucas is one I am anxious to read more about.(less)
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